IMDb रेटिंग
6.3/10
2.3 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंFleeing a murder charge, a busboy and a nightclub singer wind up on a spooky Caribbean island inherited by a young woman.Fleeing a murder charge, a busboy and a nightclub singer wind up on a spooky Caribbean island inherited by a young woman.Fleeing a murder charge, a busboy and a nightclub singer wind up on a spooky Caribbean island inherited by a young woman.
Fred Aldrich
- Dockworker
- (बिना क्रेडिट के)
Danny Arnold
- Gangster
- (बिना क्रेडिट के)
Gertrude Astor
- Wife of Man with Spaghetti on Head
- (बिना क्रेडिट के)
Frank Branda
- Gangster
- (बिना क्रेडिट के)
Chester Clute
- Man with Spaghetti on Head
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
I'm a Jerry Lewis fan and I think Bob Hope's «The Ghost Breakers» (1940) was technically way ahead of its time as a funny/scary Old Dark House comedy. This thirteen-years-later remake feels like it was hatched together as a quickie Martin-Lewis vehicle in the «scary» mode (they made four films that year). It reuses the same director (George Marshall), most of the dialogue, most of the situations, most of the special effects, all the stock footage and even one song from the original. The sets have also been recreated and the jokes «updated». If the remake works at all, it is due to the extreme quality and originality of the first film. Comedy writer Norman Lear (of TV fame) did his best in adapting the Bob Hope/Willie Best routine to the particular talents of Dean Martin and Jerry Lewis.
Where the story starts to creak though is in the scary scenes. They have lost their suspense and mystery and that undefinable mix of editing, timing, lighting, photography, acting, pacing and music called «atmosphere», which «The Ghost Breakers» had in spades.
The casting is also lacking: Lizabeth Scott is no Paulette Goddard. She may look good in a bathing suit but her comedy is stilted, her romantic moods are too entranced and her dramatics don't convince. William Ching is no Richard Carlson, Paul Marion is no Anthony Quinn and George Dolenz is no Paul Lukas either. The zombie character is also a special disappointment all its own. Out of a misguided sense of political correctness, the original Black zombie (Noble Johnson) has been replaced by a nondescript White (!) cowboy villain (!!) (Jack Lambert) who actually looks like an ordinary Joe (!!!) without makeup (!!!!) from a distance. His entrance actually causes crickets to start chirping.
All in all, I appreciate this film as a kind of homage to the original, for its numerous Jerry Lewis set pieces, in which he exhibits a supreme self-confidence, and for the Dean Martin songs - despite the near-obscenity of the «Enchilada Man» number (you can imagine but don't ask!)... The less said about the Carmen Miranda numbers the better (this was her last film).
Where the story starts to creak though is in the scary scenes. They have lost their suspense and mystery and that undefinable mix of editing, timing, lighting, photography, acting, pacing and music called «atmosphere», which «The Ghost Breakers» had in spades.
The casting is also lacking: Lizabeth Scott is no Paulette Goddard. She may look good in a bathing suit but her comedy is stilted, her romantic moods are too entranced and her dramatics don't convince. William Ching is no Richard Carlson, Paul Marion is no Anthony Quinn and George Dolenz is no Paul Lukas either. The zombie character is also a special disappointment all its own. Out of a misguided sense of political correctness, the original Black zombie (Noble Johnson) has been replaced by a nondescript White (!) cowboy villain (!!) (Jack Lambert) who actually looks like an ordinary Joe (!!!) without makeup (!!!!) from a distance. His entrance actually causes crickets to start chirping.
All in all, I appreciate this film as a kind of homage to the original, for its numerous Jerry Lewis set pieces, in which he exhibits a supreme self-confidence, and for the Dean Martin songs - despite the near-obscenity of the «Enchilada Man» number (you can imagine but don't ask!)... The less said about the Carmen Miranda numbers the better (this was her last film).
First of all, if you're considering watching a Dean Martin-Jerry Lewis picture, you must be aware of the fact that it is mainly slapstick comedy. If you can't laugh at a drunk guy slapping Jerry Lewis in the face, then this movie isn't for you.
With that being said, this movie has an interesting story line. Lewis and Martin are friends and when Martin gets in trouble with Shorty, a mob-type guy, Lewis goes to defend him. This leads to an accidental shooting that Martin gets blamed for and when he goes to hide, he meets Mary, who inherited a haunted island from her father. Martin and Lewis end up going with Mary and figure out the mystery of Lost Island.
Although the plot jumps around a lot, watching Martin and Lewis is always enjoyable and there are many funny situations in this movie. If you're a fan of slapstick, this movie is for you.
With that being said, this movie has an interesting story line. Lewis and Martin are friends and when Martin gets in trouble with Shorty, a mob-type guy, Lewis goes to defend him. This leads to an accidental shooting that Martin gets blamed for and when he goes to hide, he meets Mary, who inherited a haunted island from her father. Martin and Lewis end up going with Mary and figure out the mystery of Lost Island.
Although the plot jumps around a lot, watching Martin and Lewis is always enjoyable and there are many funny situations in this movie. If you're a fan of slapstick, this movie is for you.
Cool nightclub singer Larry Todd (Dean Martin) and bumbling busboy friend Myron Mertz (Jerry Lewis) are on the run from the mob and the police. Heiress Mary Carrroll (Lizabeth Scott) helps them escape to Cuba where she had recently inherited a haunted castle on an isolated island.
This Dean and Jerry doing their song and dance and comedy bits. I kinda expected to have more movie at the haunted mansion. Instead, they do take a long while to get there. I guess that this allows them to do more song and dance. The boys are good although not their best. Carmen Miranda does a couple. Sadly, it's her last movie before her premature death.
This Dean and Jerry doing their song and dance and comedy bits. I kinda expected to have more movie at the haunted mansion. Instead, they do take a long while to get there. I guess that this allows them to do more song and dance. The boys are good although not their best. Carmen Miranda does a couple. Sadly, it's her last movie before her premature death.
10gerry-88
I know its now the 22nd of May 2006, but this film sticks in my memory. I first saw the great Comedy team Dean & Jerry way back in 1953 and this was the film I watched one rainy afternoon in a town called Walsall in Staffordshire, England. I was playing truant from school actually. But I remember laughing so much at Jerry Lewis that I was almost weeping. The film is a re-make of the Bob Hope vehicle The Ghost Breakers (1940) and even uses the same sets. The antics of the two are brilliant, and the business they work together is truly UNIQUE. I think that Jerry and Dean were the funniest of the teams of that era. I suppose that's why they were the highest paid duo in the world! Jerry wrote a lot of the visual gags, the scene where he is stuck in the trunk, and comes out doubled over, and the scenes in the Haunted castle with Jack Lambert as THE ZOMBIE likewise brilliant. Dean was a great foil for Jerry and Jerry was a great stooge for Dean. As I write Dean has gone, but Jerry is still with us at 80 years of age. Superb Film, superb and clean comedy. I recommend SCARED STIFF to you all.
Larry Todd (Dean Martin), and Myron Mertz (Jerry Lewis) run a foul of gangster "Shorty" and are forced to flee the hotel when suspicion of murder falls on Larry. Hooking up with heiress Mary Carroll (Lizabeth Scott) who is sailing for Cuba, the guys find that Cuba is one mysterious place, full of weird goings on and Zombies!
Scared Stiff was Dean Martin and Jerry Lewis' ninth picture, a remake of Paramount's 1940 comedy spooker, The Ghost Breakers that starred Bob Hope and Paulette Goddard, it's also directed by the same man, George Marshall. Though both Lewis and Martin are on record as saying they didn't want to remake The Ghost Breakers since the Hope movie was fine the way it is. The guys were bound to do it by their Paramount contract, and thus producer Hal B. Wallis, rightly assuming that it was viable material for the duo, got the film made.
In the pantheon of Martin/Lewis films, Scared Stiff ranks as one of the better efforts that the guys did. Larks and songs and a Carmen Miranda cameo make up the main body of Scared Stiff. Standard slap-stick to none fans of the intrepid duo, but essential viewing for those that have a kink for such shenanigans. From a ventriloquist dummy skit to Lewis' delightful take on Miranda, and containing an hilarious sequence with Jerry stuck in a trunk, there's enough guffaws to keep the grin on ones face. Fans of the singing side of Deano are however short changed here, and there is no getting away from the fact that Scared Stiff is ultimately a rushed cash in job. So with that in mind newcomers to the pair are advised to possibly give the film a miss and head for the likes of Artists And Models and Hollywood or Bust instead. 7/10
Scared Stiff was Dean Martin and Jerry Lewis' ninth picture, a remake of Paramount's 1940 comedy spooker, The Ghost Breakers that starred Bob Hope and Paulette Goddard, it's also directed by the same man, George Marshall. Though both Lewis and Martin are on record as saying they didn't want to remake The Ghost Breakers since the Hope movie was fine the way it is. The guys were bound to do it by their Paramount contract, and thus producer Hal B. Wallis, rightly assuming that it was viable material for the duo, got the film made.
In the pantheon of Martin/Lewis films, Scared Stiff ranks as one of the better efforts that the guys did. Larks and songs and a Carmen Miranda cameo make up the main body of Scared Stiff. Standard slap-stick to none fans of the intrepid duo, but essential viewing for those that have a kink for such shenanigans. From a ventriloquist dummy skit to Lewis' delightful take on Miranda, and containing an hilarious sequence with Jerry stuck in a trunk, there's enough guffaws to keep the grin on ones face. Fans of the singing side of Deano are however short changed here, and there is no getting away from the fact that Scared Stiff is ultimately a rushed cash in job. So with that in mind newcomers to the pair are advised to possibly give the film a miss and head for the likes of Artists And Models and Hollywood or Bust instead. 7/10
क्या आपको पता है
- ट्रिवियाThe previous year Dean Martin and Jerry Lewis had made an uncredited gag appearance in Bing Crosby and Bob Hope's Road to Bali (1952). Hope and Crosby returned the favor with cameos in this film.
- गूफ़At the club Mary receives a note from Larry that he can't make the date, she writes on (what looks like a show bill) three words (two on top line one on bottom) quickly scrawled but when we see a close up its written very clearly it reads: "Forgive me for running away-"
- भाव
Larry Todd: Look, I'll save you a lot of time: I'm a ghostbuster.
Mr. Cortega: A what?
Larry Todd: Why you've heard of trustbusters, and bronco busters, and gangbusters? Well I'm a ghostbuster. So watch it, Buster.
- कनेक्शनEdited into Gay, Gay Hollywood (1980)
- साउंडट्रैकI Don't Care If the Sun Don't Shine
(uncredited)
Words and music by Mack David
Sung by Dean Martin with chorus girls
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Scared Stiff?Alexa द्वारा संचालित
विवरण
- चलने की अवधि1 घंटा 48 मिनट
- रंग
- पक्ष अनुपात
- 1.37 : 1
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