IMDb रेटिंग
5.9/10
1.4 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंMobster Vic Spalato's girlfriend Claire is in hiding in Mexico and she's willing to testify for a US Senate investigation committee, if she can make it back to the US alive.Mobster Vic Spalato's girlfriend Claire is in hiding in Mexico and she's willing to testify for a US Senate investigation committee, if she can make it back to the US alive.Mobster Vic Spalato's girlfriend Claire is in hiding in Mexico and she's willing to testify for a US Senate investigation committee, if she can make it back to the US alive.
फ़ीचर्ड समीक्षाएं
When characters in a film get into a cable car, you know it's only a matter of time before PING! the cable snaps. Strand by strand, of course, for maximum
tension (ha ha). Mitchum the boxer and Darnell the ex-moll on the run take
the fateful cable car up to a little Mexican hilltop town whose inhabitants have created a totally cardboard experience for tourists. The architecture is
"hacienda style" and lady guests can buy pseudo flamenco costumes in the
"vibrant, bustling" street market. Any Mexican not employed in the hotel,
selling peasant tat, or playing unctuous Mariachi music is out in the plaza
waving a balloon and shouting for joy, or performing a sinuous dance of no
particular origin. It reminds me of the many embarrassing ads on British TV
featuring funny Europeans. Then the main cast members climb aboard that
cable car and it becomes a lifeboat movie and you can write the script
yourself. Two cheers, though, for the feisty British middle-aged couple ("My
wife can help - she was a nurse's aide in London during the Blitz!").
Mitchum is brilliant as usual but Darnell is a little clumsy in the love scenes and speaks as though she was dubbing her lines.
tension (ha ha). Mitchum the boxer and Darnell the ex-moll on the run take
the fateful cable car up to a little Mexican hilltop town whose inhabitants have created a totally cardboard experience for tourists. The architecture is
"hacienda style" and lady guests can buy pseudo flamenco costumes in the
"vibrant, bustling" street market. Any Mexican not employed in the hotel,
selling peasant tat, or playing unctuous Mariachi music is out in the plaza
waving a balloon and shouting for joy, or performing a sinuous dance of no
particular origin. It reminds me of the many embarrassing ads on British TV
featuring funny Europeans. Then the main cast members climb aboard that
cable car and it becomes a lifeboat movie and you can write the script
yourself. Two cheers, though, for the feisty British middle-aged couple ("My
wife can help - she was a nurse's aide in London during the Blitz!").
Mitchum is brilliant as usual but Darnell is a little clumsy in the love scenes and speaks as though she was dubbing her lines.
This film is typical but enjoyable Mitchum/Darnell film noir with the added twist of 3-D. Rudolph Mate best known for his work as a cinematographer directed the film and the visuals are outstanding. I only wish we had a second chance to see it in 3-D.
The producers could have skipped the first hour, which is just filling time until the tram trip climax. And what a nail-biter that teetering-over-the-abyss is-- very well done in the special effects department. My only regret is the Palance-Mitchum face off, which should have been a bigger doozy than it is, considering it was for the broad-shoulders championship of Hollywood. Then too, both guys remain immaculately dressed the whole 90-minures—not what you'd expect of tough guys south of the border.
The first part, unfortunately, is pretty listless, except when poor Doc Adams, oops!, I mean Milburn Stone gets it in the gut. Looks like the producers knew they were short on substance, so they filled the Technicolor screen with a bunch of local color. Still, there's a lot of rather aimless walking around to and fro. And, oh yes, I almost forgot Mitchum's big boxing match that looks like it was filmed in a bull ring. Good thing he finally decided to use his power-house right, otherwise there might have been no story. And what a topical plot device putting the lovely Darnell across the border to escape a crime commission. Audiences no doubt connected that with the Kefauver Commission, so much in the news at the time.
On the acting front, Mitchum is his usual laid- back self, while, unfortunately, Darnell isn't given much to work with. At the same time, director Mate's non-use of close-ups denies Palance the skull-like menace that would otherwise fill in needed drama. Anyway, don't expect much until a climax that almost makes up for all that earlier dithering around.
The first part, unfortunately, is pretty listless, except when poor Doc Adams, oops!, I mean Milburn Stone gets it in the gut. Looks like the producers knew they were short on substance, so they filled the Technicolor screen with a bunch of local color. Still, there's a lot of rather aimless walking around to and fro. And, oh yes, I almost forgot Mitchum's big boxing match that looks like it was filmed in a bull ring. Good thing he finally decided to use his power-house right, otherwise there might have been no story. And what a topical plot device putting the lovely Darnell across the border to escape a crime commission. Audiences no doubt connected that with the Kefauver Commission, so much in the news at the time.
On the acting front, Mitchum is his usual laid- back self, while, unfortunately, Darnell isn't given much to work with. At the same time, director Mate's non-use of close-ups denies Palance the skull-like menace that would otherwise fill in needed drama. Anyway, don't expect much until a climax that almost makes up for all that earlier dithering around.
Second Chance (1953)
To really enjoy this movie you have to know its place in the RKO filmmaking world. And you'd probably have to see it in 3D as it was originally intended. You won't get too far with the meandering plot that doesn't create tension, or romance, or even curiosity. We are made to simply watch and wait for something to happen.
Of course, something does happen, and in a big way, near the end, something completely separate from the intended plot. And even in 2D you get the drama and the dizzying depth of it all. And you get to watch three very big stars in expensive Technicolor--producer Howard Hughes really laid it all out for this one. Robert Mitchum looks good as both lonely man wooing the girl and as a boxer (briefly). Linda Darnell is the woman every man wants, apparently (especially Hughes, by the way). And Jack Palance is like a piece of wreckage, wired up and angry and with a face to sink a thousand ships.
The setting is interesting, too, all shot on location in Mexico, except some reshooting of the boxing scene (oddly enough, because it looks so authentic). Mitchum and Palance both got into some local fistfighting, and traded blows once during filming. When the movie came out, even though it has hardly any plot (other than surviving the final disaster scene), it was a success. Good thing, because RKO was financially reeling, and would in two years be bought by a rubber company and by the end the of the decade was the first of the Majors (the big 5 Hollywood studios) to completely go under.
So, don't expect much and you'll find lots of little things to enjoy. And maybe they'll get the Technicolor goosed up properly in a re-release someday, complete with 3D effects.
To really enjoy this movie you have to know its place in the RKO filmmaking world. And you'd probably have to see it in 3D as it was originally intended. You won't get too far with the meandering plot that doesn't create tension, or romance, or even curiosity. We are made to simply watch and wait for something to happen.
Of course, something does happen, and in a big way, near the end, something completely separate from the intended plot. And even in 2D you get the drama and the dizzying depth of it all. And you get to watch three very big stars in expensive Technicolor--producer Howard Hughes really laid it all out for this one. Robert Mitchum looks good as both lonely man wooing the girl and as a boxer (briefly). Linda Darnell is the woman every man wants, apparently (especially Hughes, by the way). And Jack Palance is like a piece of wreckage, wired up and angry and with a face to sink a thousand ships.
The setting is interesting, too, all shot on location in Mexico, except some reshooting of the boxing scene (oddly enough, because it looks so authentic). Mitchum and Palance both got into some local fistfighting, and traded blows once during filming. When the movie came out, even though it has hardly any plot (other than surviving the final disaster scene), it was a success. Good thing, because RKO was financially reeling, and would in two years be bought by a rubber company and by the end the of the decade was the first of the Majors (the big 5 Hollywood studios) to completely go under.
So, don't expect much and you'll find lots of little things to enjoy. And maybe they'll get the Technicolor goosed up properly in a re-release someday, complete with 3D effects.
A film with Robert Mitchum and Jack Palance and they slug it out in a cable car at the end of the film! Sounds like exciting stuff.! Unfortunately the film is heavy going up to the final climax. Jack Palance feels it necessary to shoot someone in an early scene and then the film just plods along with little excitement. Worth watching for the final exciting action.
क्या आपको पता है
- ट्रिवियाRobert Mitchum and Jack Palance were former professional boxers. Also, the real-life Mexican boxer Abel Fernandez (Rivera) made his screen debut in this film.
- गूफ़When Linda Darnell's character is in the telegraph office, she is shown to have been completing a telegram to a crime commission, in tidy cursive script. In close-up, the misspelled word 'commision' is visible.
- कनेक्शनFeatured in Robert Mitchum, le mauvais garçon d'Hollywood (2018)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Second Chance?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $20,00,000
- चलने की अवधि
- 1 घं 22 मि(82 min)
- पक्ष अनुपात
- 1.37 : 1
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