The Moonlighter

Wes Anderson (Fred MacMurray) has been moonlighting as a cattle rustler. A crowd has gathered to see him hang. Sheriff Daws insists on saving him for the trial. Rancher Alex Prince's men arrive looking to break into the jail to lynch the man. Wes escapes when the wrong man gets lynched. That man is buried as Wes while Wes seeks revenge upon Alex Prince's men. Wes' ex Rela (Barbara Stanwyck) arrives set to marry his straight-laced younger brother Tom.

Apparently, this was shown in 3D. I don't know how that's done when it's in black and white. It must have been like one of those old toy 3d Viewfinders. Technical aside, this has MacMurray playing against type as a hardened cowboy. Also I don't get much heat with the MacMurray and Stanwyck reunion. Sticking Tom in the middle does not make it a fun love triangle. It's not the best western and I don't know how well the 3d worked. It seems fine otherwise.

'The Moonlighter' could have been good with the right execution. The idea sounded good. The main draw though was the cast, Fred MacMurray and especially Barbara Stanwyck were both no strangers to good and more performances (Stanwyck even was magnificent at her best, which was many times) and they proved in their other outings, namely 'Double Indemnity', that they could work very well together. Ward Bond was always watchable too when in the right role.

A large part of me really did want to like 'The Moonlighter' and go against the generally negative general consensus. But this was a big disappointment for me and should have been so much better considering its potential, am aware that that is a very cliched phrase to use in a review that people are probably tired of but it does apply in the case of 'The Moonlighter'. Both Stanwyck and MacMurray have done much better work individually and of their four collaborations, this is the weakest.

Neither Stanwyck or MacMurray are among 'The Moonlighter's' many faults. MacMurray is especially good, bringing burning and rugged charisma and the right amount of gritty intensity to his character, who is more interesting than Stanwyck's and has more screen time. Stanwyck gives her all and she is steely and affecting. The film looks good generally and is nicely photographed.

Will agree with those that say that 'The Moonlighter' started off great, the first half hour is riveting. William Ching does quite well and the bank robbery sequence is tense.

Sadly, after that point the film became a tonal mishmash and very muddled narratively, hence what people mean when they talk of the film's bizarreness. It also becomes very implausible with much of it not making much sense, and that is including the very hastily paced, very anti-climactic and too pat ending and the relationship betweeen the two brothers. There is not enough chemistry between Stanwyck and MacMurray which is both underdeveloped and underused and when one sees them together they don't ignite together, what worked so brilliantly in 'Double Indemnity' doesn't work at all here.

Generally the 3D was not needed considering that 'The Moonlighter' doesn't do anywhere near enough with it. The music is too light-hearted and would have agreed been at home much better in comedy. Ward Bond looks uncomfortable and this is the type of role that would have suited him. Roy Rowland's direction is very pedestrian and so is the awkward sounding script that gets really weird in the second half. The story doesn't compel after such a great first act and becomes ridiculous and odd, the glaring lack of tension and suspense really bringing 'The Moonlighter' down significantly.

In summary, starts off great but very disappointing on the whole. 4/10

It seems hard to imagine that in the era of such great westerns as Shane and Wagonmaster a film like The Moonlighter could have been so lacking. This film is let down in nearly all of its scenes by its script. Yet while the script falters, Roy Rowland kind of saves the film through directing some interesting action scenes, including an opening lynching that is fairly riveting to watch, as well as a later fistfight between MacMurray and Ward Bond and horseback riding through a cascading waterfall, all done in decent black and white by ace cinematographer Bert Glennon. It's completely puzzling that the story behind the lynching is dropped in favor of the one about Fred, his brother, and Barbara Stanwyck, a strange love triangle. The roles of MacMurray and the actor who plays his brother should have been reversed, with the younger brother playing Fred's part as the moonlighter (cattle rustler) and Fred playing the loser bank clerk. Yet by the end of the film, it seemed at least slightly better than it was looking like it was going to be. Stanwyck looks convincing in a pretty decent rifle fight even if her affair with moonlighter Fred MacMurray is not anywhere near as hot as it was with him when they were in Double Indemnity.

Fred McMurray left Barbra Stanwyck five years ago, always promising to return. But, while Babs drifts into an engagement with Fred's brother, Fred has been stealing cattle by moonlight (and barely misses getting lynched for his efforts). Will Babs find true love with THE MOONLIGHTER when he returns to town, or will the production code force Fred to pay some awful penalty before she gets the chance?

Barbara Stanwyck and Fred McMurray made four movies together. Three of them are classics. This justifiably obscure western is the one that isn't. This is true, even though screenwriter Niven Busch was responsible for the great Stanwyck western -- The Furies. What goes wrong here is a mediocre and very disjointed plot that always seems to be darting off in a new, random direction, just when the old plot elements are developing some tension. There's nothing wrong with the acting. Fred and Babs play their roles well. It's just that the movie itself gives the two stars less scenes together than you would think, and cheats Babs of screen time to develop her character in the later portion of the film. Finally the film suffers from a tacked on ending that is five parts production code nonsense and five parts 3-D outdoor spectacular climax.

A western disappointment. All parties involved have done better work.

Cattle rustler outwits a lynch mob and takes refuge with his Ma and kid brother; he reacquaints himself with a former sweetheart--but after he's involved in a bank robbery, the girl gets herself deputized and vows to bring him in "dead or alive". Mediocre western rides a familiar trail, the only hook for an audience (today, and most likely in 1953 as well) being the casting of the leads. Fred MacMurray is a terrific failed bad guy, his look of incredulousness suiting his hulking frame, while Barbara Stanwyck acquits herself well in cowgirl duds and handles both horse and rifle exceptionally well. Not a barn-burner by any means, and saddled with a stodgy direction from Roy Rowland, but an interesting b-item for admirers of the stars. ** from ****