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The Man Between

  • 1953
  • Not Rated
  • 1 घं 40 मि
IMDb रेटिंग
7.0/10
2.8 हज़ार
आपकी रेटिंग
The Man Between (1953)
अपराधड्रामाथ्रिलररोमांस

अपनी भाषा में प्लॉट जोड़ेंIn post-WW2 Berlin, when travel to the East was still possible, the sister of a British officer from West Berlin is abducted by Communist agents and taken into the Soviet sector where her ev... सभी पढ़ेंIn post-WW2 Berlin, when travel to the East was still possible, the sister of a British officer from West Berlin is abducted by Communist agents and taken into the Soviet sector where her eventual rescue is arranged by a German smuggler.In post-WW2 Berlin, when travel to the East was still possible, the sister of a British officer from West Berlin is abducted by Communist agents and taken into the Soviet sector where her eventual rescue is arranged by a German smuggler.

  • निर्देशक
    • Carol Reed
  • लेखक
    • Harry Kurnitz
    • Walter Ebert
    • Eric Linklater
  • स्टार
    • James Mason
    • Claire Bloom
    • Hildegard Knef
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.0/10
    2.8 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Carol Reed
    • लेखक
      • Harry Kurnitz
      • Walter Ebert
      • Eric Linklater
    • स्टार
      • James Mason
      • Claire Bloom
      • Hildegard Knef
    • 47यूज़र समीक्षाएं
    • 26आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • कुल 1 जीत

    फ़ोटो52

    पोस्टर देखें
    पोस्टर देखें
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    पोस्टर देखें
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    टॉप कलाकार16

    बदलाव करें
    James Mason
    James Mason
    • Ivo
    Claire Bloom
    Claire Bloom
    • Susanne
    Hildegard Knef
    Hildegard Knef
    • Bettina
    • (as Hildegarde Neff)
    Geoffrey Toone
    Geoffrey Toone
    • Martin
    Aribert Wäscher
    • Halendar
    • (as Aribert Waescher)
    Ernst Schröder
    • Kastner
    • (as Ernst Schroeder)
    Dieter Krause
    • Horst
    Hilde Sessak
    Hilde Sessak
    • Lizzi
    Karl John
    Karl John
    • Inspector Kleiber
    Ljuba Welitsch
    • Salome played and sung by
    Walter Bluhm
    • Money Changer
    • (बिना क्रेडिट के)
    Eberhard Fechner
    • Minor Role
    • (बिना क्रेडिट के)
    Reinhard Kolldehoff
    Reinhard Kolldehoff
    • Eastern German Police Officer commanding the hunt for Ivo Kern and Susanne Mallison
    • (बिना क्रेडिट के)
    Frederick Schiller
    • Construction Worker on Generator
    • (बिना क्रेडिट के)
    Emile Stemmler
    • Waiter in Restaurant
    • (बिना क्रेडिट के)
    Robert Brooks Turner
    • Man in crowd leaving theatre
    • (बिना क्रेडिट के)
    • निर्देशक
      • Carol Reed
    • लेखक
      • Harry Kurnitz
      • Walter Ebert
      • Eric Linklater
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं47

    7.02.7K
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    फ़ीचर्ड समीक्षाएं

    dbdumonteil

    Odd man out in Berlin.

    In 1947,James Mason worked with Carol REED,in "Odd man out" (in Belfast).This work was influenced by Marcel Carné's "realisme poétique" and cast Mason as a fugitive.Both "odd man out" and "the man between " have similar endings,except for the female part.

    Berlin atmosphere (like Vienna in 'the third man') is well rendering,with the claustrophobia you used to feel during the Wall days. There are plotholes,but the cast easily makes up for that.The couple Mason /Bloom is very endearing:Mason 's character is a man whose ideals have been betrayed and his love for the beautiful English woman he tries to save is touching .Actually ,at the beginning,Mason was not friendly,he was even disturbing,but his moral stature ceaselessly grows towards the end.The two stars get good support from German thespian Hildegarde Kneff,whom we miss in the second part.

    This movie might have influenced two sixties work:"the spy who came in from the cold"(Martin Ritt,1965) which featured Claire Bloom again,and "torn curtain" (1966),one of Hitchcock's minor movies in which we find a theater again!FF Coppola in "godfather III" ,like Carol Reed,took advantage of this by using opera music to enhance particular scenes.

    Although inferior to 'the third man" (neither Welles nor Karas) "odd man out' or even "fallen idol" (1948),"the man between " deserves to be seen.
    7planktonrules

    Very good post-war espionage picture

    Claire Bloom has just arrived in post-war Berlin to vacation with her brother who is in the British Army and his new German wife (played by Hildegard Knef). Knef shows Bloom all about Berlin--both the Allied and the Russian sectors. In the east, the meet James Mason--a mysterious man who soon begins dating Bloom. However, there's obviously much more to the man than this and he and Knef share some secret. Later, through a strange series of events, Bloom is accidentally kidnapped and it's up to dashing Mason to help her sneak back to West Berlin--all the while pursued with Communists bent on their capture.

    The film has a look very similar to director Reed's more famous preceding film, THE THIRD MAN--which was shot in post-war Vienna. However, the camera work in THE THIRD MAN was more daring and novel and the Berlin took far worse damage during the war--and the sheer volume of rubble in 1953 is still very significant and adds to the atmosphere.

    Overall, while not a great spy film, it is very good and keeps your interest. I would say, overall, that the second half is a bit more exciting than the first. I especially liked the ending, though some might have preferred something a bit more upbeat.

    By the way, James Mason seemed to do a fairly good job with speaking German. I could tell he wasn't exactly a native speaker, but he was pretty adept.
    6Doylenf

    Mason and Bloom heat up cold post-war drama amid bleak settings...

    The bleak war-torn settings of East and West Germany during the post-war years of WWII provide a suitable backdrop for a rather cold tale involving complex characters and moral ambiguities.

    The story's first half takes time to set up the murky relationships between CLAIRE BLOOM, HILDEGARD KNEF and JAMES MASON before settling down to some quieter moments and romantic overtones when the chemistry between the young girl (Bloom) and the dangerous criminal (Mason) becomes evident. It's their relationship in the second half of the story that heats up some of the cold war atmosphere of the tale.

    Suspense mounts as they hide out from the German authorities, but all the while one gets the feeling that all will not end well for the ill-fated pair who have fallen deeply in love.

    If you liked the somber atmosphere of films like ODD MAN OUT and THE THIRD MAN, you'll definitely enjoy the atmospheric effects achieved in the crisp B&W photography on display here. Outstanding photography in scene after scene, although the story itself never quite achieves the same degree of finesse as the previously mentioned Carol Reed films.

    Nevertheless, it's all extremely well acted. Mason has never been more effective as a complex man full of moral ambiguities and Bloom is given a wonderful chance to display her charm and sensitivity in a well-written role.

    Definitely worth watching.
    8georgiain

    Welcome to Reeds world

    Vintage Reed with all the elements from his films of the period. The innocent (Bloom) whose view needs to be muddied. The world weary, complex hero/villain. The confusion and ambiguities veering between love and hate, trust and betrayal, weakness and strength. Humans pulled from their comfortable lives and twisted by circumstance. The worn surroundings of war torn Berlin an extra character in the plot. All this in typical stark angled Reed view, with an atmospheric signature tune used noticeably towards the end, and a scene sequence mirroring the ambiguities of the characters.

    Whilst the film doesn't flow as fluently and seamlessly as The Third Man, Mason and Bloom create eminently watchable if not entirely rounded characters.
    10kitsilanoca-1

    Snow Covered Streets of Post-War Berlin

    This taut film noir when compared to Carol Reed's masterpieces of that genre, Odd Man Out and The Third Man, is a flawed gem, but still that - a gem.

    Filmed in Berlin just eight years after WWII ended, and eight years before the Wall went up, it stars James Mason and Claire Bloom as star-crossed lovers in a city still digging itself out of the rubble made by Allied bombs, and still taking refugees from the east of Europe. The story tells of Susanne Mallison, a young Englishwoman who has arrived in Berlin to visit her older brother Martin, an army physician in the British sector of the city, and his German wife Bettina. It is while Susanne and Bettina are spending a day in the eastern sector, that Bettina finds herself reluctantly introducing Susanne to an old friend, the suave and handsome Ivo Kern. Susanne doesn't like Ivo at first -the audience isn't supposed to either - and she immediately becomes suspicious that he and Bettina are having a clandestine affair. She is curious though about the man, but will she learn the truth about Ivo and his mysterious background?

    Meanwhile off the set of the film there was more going on behind the scenes between the two stars. From the book 'James Mason - A Personal Biography', by Mason's former sister-in-law and life long friend, Diana de Rosso: "I was to observe another side of his character, rarely disclosed, when he came to London to finish filming The Man Between. He was a frequent visitor to our London home and he began to bring with him increasingly, his ethereally lovely co-star Claire Bloom...He showed a marked interest in the young actress. There was a quality about her, a stillness and tranquillity which set her apart from most artists her age, yet she had a pointed wit and a fine intelligence, virtues which appealed to James - and it was quite apparent that he was in danger of losing his heart. In truth I believe his heart was lost...His attachment to Claire was purely romantic. They used to sit on the floor together in our house, hand in hand, plainly adoring each other..."

    But as with Ivo and Susanne, it was the same with James and Claire. Mason did not divorce his estranged wife Pamela Kellino, and de Rosso was surprised that he didn't, but she has some theories. When he finally did get his divorce a few years later, Claire had moved on to other things in her career and private life. Still, when they met again several years later, it was clear that Mason still was very fond of her and she likewise.

    When I first saw this film I questioned whether Mason's German accent was very good, but when I lent it to a pair of friends who are German, they said that he did a good job. As for the German supporting cast, it is the best, especially the lovely Hildegard Neff, and the hauntingly beautiful musical score catches the bleak feeling of the city during a cold winter. They are also reasons I list this as one of my favourite film noir productions.

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    तीसरी कुंजी

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      James Mason commenting on "The Man Between" in 1974: "This film became very big on television in the U.S. In the cinema one demands of a thriller that the narrative thread be ever taut. The American televiewer makes no such demands since continuity is destined to be shattered by commercial interruption. Thus it often happens that what has been hitherto regarded as a failure in the cinemas will be a hit on the Late Late Show and vice versa."
    • गूफ़
      In East Berlin, there are many political posters with the name "Walter Ulbrich," but the East German Communist leader's name was actually spelled "Ulbricht."
    • भाव

      Ivo Kern: The Germans always had to learn languages - the army never knew where it would be going next. We still learn English in our schools. It might be rather a waste. Who knows?

    • क्रेज़ी क्रेडिट
      Opening credits prologue: BERLIN
    • कनेक्शन
      Referenced in Killer's Kiss (1955)
    • साउंडट्रैक
      The Man Between Theme
      (uncredited)

      Music by John Addison

      Arranged for piano by Bernie Fenton

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल13

    • How long is The Man Between?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 2 नवंबर 1953 (यूनाइटेड किंगडम)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड किंगडम
    • भाषाएं
      • अंग्रेज़ी
      • जर्मन
      • रूसी
    • इस रूप में भी जाना जाता है
      • Berlinska priča
    • फ़िल्माने की जगहें
      • बर्लिन, जर्मनी
    • उत्पादन कंपनियां
      • London Film Productions
      • British Lion Film Corporation
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    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      • 1 घं 40 मि(100 min)
    • रंग
      • Black and White
    • पक्ष अनुपात
      • 1.37 : 1

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