The Magnetic Monster

Jeff Stewart (Richard Carlson, also in Creature from the Black Lagoon & It Came from Outer Space) is an A-man working out of the Office of Scientific Investigation (OSI). He narrates this story regarding the discovery/creation of a new unstable radioactive isotope.

The movie is part MacGuyver, part Mr. Wizard and part Golden Age Radio program. This movie entertains while it educates. I haven't learned as much from a movie since the Miracle of Life in high school health class. Dr. Stewart explains theories and principles of chemistry, physics and even earth science through the use of simple everyday items (God bless you Mr. Wizard). He also manages to make these "models" by combining everyday items (God bless you MacGuyver).

The special effects are simple and hardly believable, yet still effective in conveying the science of the story. This movie reminds me of a golden age radio program when a chicken heart grows so large as to destroy the earth. This movie follows in the footsteps of that program.

The same can be said of the Outer Limits. It was a show that was severely limited in budget, yet still managed to convey some poignant stories about science and humanity. The thing that all these things have in common is the realization that there are unknowns out there that can kills us. Science will either saves us from the unknowns, or be the Pandora's box to our destruction.

There is a pretty good selection of stars in this movie : Kathleen Freeman (best remembered by me as the woman at the supermarket with the silver revolver from Innerspace), Michael Fox (whom I remember as the announcer from the Longest Yard - 1974) and Leonard Mudie (whom one will remember as one of the survivors from the Star Trek episode The Cage).

The science seems a little hokey, but one has to remember the movies of the time. I mean having a terminal computer called the Brain and a data mainframe called MANIAC is quite silly. Yet it is still believable. This is a very good science fiction movie (especially when one takes in account when it was made and the obviously limited budget). I recommend this movie for anyone who is a fan of classic science fiction.

"The Magnetic Monster" was a superior sci-fi B movie of the 1950's. Rarely seen these days, it hasn't gotten the appreciation it deserves as an unusual sci-fi classic.

Two scientist-detectives from the Government "Office of Scientific Investigation (O.S.I.)" are sent to investigate some bizarre events, like some guy found dead of radiation poisoning in an apartment building where metal objects have become magnetized. They eventually discover the cause: somewhere there's a new, accidentally created radioactive isotope with the unique property to "grow" by assimilating surrounding energy into itself. As it grows geometrically, its magnetic field and radioactivity increase too, potentially threatening the very existence of Earth itself. Our heroes race to find and destroy the thing somehow.

For its time, the plot tried hard to be realistic, with realistic-sounding science and a semi-documentary style reminiscent of detective movies. Even a deliberate bit of comic relief as the detectives are initially stymied by false leads. ("Some guy phoned to complain that the battery in his hearing aid burned out and he wants us to look into the matter." "Oh, fine!")

With the new crimes of computer hacker attacks and bioterrorist attacks, the notion of detectives with scientific training is no longer science fiction. When the Government started investigating the deaths of people from anthrax in October 2001, I thought O.S.I. had finally come to pass.

One of the best sci-fi B-movies of the Fifties! Stalwart hero-scientist Carlson is really terrific and convincing too; stock footage of dynamo is realistically intercut with new footage of a movie set built to look exactly like the one in the German film GOLD (1934), in which stock footage from the 1934 film is intercut with new footage. The film succeeds on all levels, made for an adult audience, and although a 'modern' American film, it had a film crew with a heritage in German impressionist cinema of the 1930s. Highly recommended! Great Science Fiction! Probably the only Fifties SF film besides ON THE BEACH (1959) to show the nuclear radiation problem realistically; especially chilling is the scene on board an airliner where the nuclear scientist who had a hand in creating the monster (Leonard Mudie) is dying of nuclear radiation and his gums are bleeding while he holds onto a briefcase in his lap containing the radioactive isotope. Rushed to a hospital after the plane lands, he dies in isolation. And a formidable, unknown, unseen monster! Badly dated now, but an effective, well-written thriller featuring the TV star of I LED THREE LIVES and the movie star of IT CAME FROM OUTER SPACE and CREATURE FROM THE BLACK LAGOON, Richard Carlson gives another fine performance.

Two agents from the Office of Scientific Investigation are sent to investigate high levels of radiation and magnetism centered above a hardware store. They discover that a scientist, who has since fled with the element, has invented a new highly dangerous radioactive element that is able to "grow". If the element is not found and destroyed or contained, it could continue to grow until it sends the Earth off its orbit. The OSI men must locate the element and then find a way to destroy before its to late.

THE MAGNETIC MONSTER is one of the best low budget films from the 1950's. The story is intelligent and the science at least seems authentic. Ivan Tors deserves praise for trying to make a serious, realistic science fiction film. This is probably his best. His other science fiction films and T.V. series "Science Fiction Theater" also aimed for this kind of realism, but they were often to talky and slow moving. This film moves at the right pace and builds up to an excellent climax.

A few stray facts: Most of the special effects at the end were taken from the 1935 German science fiction film GOLD. This explains the outdated overcoat and fedora that Carlson wears at the the climax, to match the one worn by the German actor in the older film. Also Ivan Tors is said to have aped this films structure from the "Dragnet" TV series. The fictitious government agency The Office of Scientific Investigation turned up in Tors GOG (1954) and some episodes of "Science Fiction Theater."

Ivan Tors made a few Interesting Low Budget "real" Sci-Fi Movies in the Early to Mid 1950's with the Emphasis on Scientific Explanation and Rational Crime Solving in lieu of Giant Monsters, Aliens, Flying Saucers and Mutants.

The Goal was to bring "Down to Earth" some of the more Fantastic Ideas of Science Fiction and Present them with an Adult Tone that turned a Sense of Wonder into a Sense of Dread.

Radiation, Computers, the Hydrogen Bomb, Space Travel. These were all Things that We were Creating or Endeavoring to Create. Some were saying that we were letting the Technology Grow Faster than Our Ability to Understand (let alone control) it. Therein lies the Scary part and it was right Here in Reality among Us just Waiting to Devour and Destroy.

In this one it is the Exponential Growth of Energy wanting to Feed and be Fed Continuously as it Grows Beyond Sustainable Proportions. This is shown in Striking Lab Visuals through Screens and Electron Microscopes that have a Surreal Appeal. The Over-Sized "Weapon" We use to finally End it all is also Visually Impressive and Exciting.

With a Low Budget and High Concepts these few "Realistic" Scientific Movies from the Era are a welcome Diversion from the Latex, Insects, and Space Invaders.