Little Fugitive

Watching The Little Fugitive was an eye-opener for me. I had never heard of Morris Engel, the New York-born director who documented the landing of the Allies in Normandy. Not only is the movie a pleasure to watch but it is reminiscent of the the post-WWII realist school of film. Vittorio de Sica directed movies that have the a similar "look and feel" to them, although his make a social statement. These are well-known to casual movie buffs like me; for example, The Bicycle Thief and Umberto D. Of course, this one is set in Brooklyn and Coney Island and the actors are American, not Italian.

Other than that, all I can say is that this is a classic. It does not pretend to be anything more than a story of two brothers that takes place in the space of a single day. Not only is there a beautiful story, there is also a magical setting that has been captured on film for all time.

Almost everyone will feel the film as it pulls at their heartstrings. It is set in a time long past; yet people like me who grew up in the fifties can relate to it. The eyes of the camera moving around Coney Island captures people in a time and place that make this film very special.

It is a tribute to TCM that it brings such films to the screen when the latest pop-culture buzz dictates what TV viewers see. It is gratifying to know that this film has been added to the national film registry in the USA, which is dedicated to the preservation of great movies.

A true classic of American Cinema Verite, "The Little Fugitive" works on several levels. On one level, it's a magnificent portrait of New York, and particularly Coney Island, during the early '50's, when New York City, if you were a kid, was truly a magic place. Anyone growing up in that period can easily identify with the fun and wonders to be seen at Coney when you were a kid and had the day free and money to spend from turned-in pop bottles (Remember those?). Professional photographers, the husband-and-wife team of Morris Engel and Ruth Orkin told a simple story with an eye toward preserving, on film, a way of life that would disappear in just two decades time, and in such an involving way that you feel yourself becoming part of it. All that's missing is the salt air and discarded popcorn bags.

Now to the performances, every one of them a gem. Rickie Brewster and especially little Richie Andrusco as Lennie and Joey, two boys with no previous acting experience, give natural, ingratiating performances as the two brothers at the center of the story. One wonders whatever happened to them, and if, in fact, they're still recognized almost 50 years later. As to the adults, most of them New York-based stage actors, Winnifred Cushing, as the boys' mother, come off as just a bit too arch to be really likeable, but Jay Williams, in the main adult role of the ingratiating pony ride man, more than makes up for it with an enjoyable, lively performance. And see if you can recognize a very young Will Lee, aka "Mr. Hooper" from "Sesame Street," as the photo booth man who lets young Joey help him out.

In short, "Little Fugitive" is not only great as a movie, but also as an evocation of a time and place that lives only in the memories of those who were there.

Because my 11 year old is pretty open-minded, I've taken her on adventure of watching b/w movies, just as my mom did for me. She actually enjoyed some of the old-time "horror" movies and loves the "Twilight Zone".

I also introduced her to what would be considered "art house" movies. She didn't really like "The Bicycle Thief" but I did, and this movie was recommended by Blockbuster. So I put it in my queue- and it was not a mistake. OK, so some of the acting is stilted and unprofessional and sometimes the movie feels longer than 75-80 minutes (depending on which version you view).

But, whether you're a big or little brother or sister, you can definitely relate. Even my child, who's my only child, can relate because she has younger cousins. I agree with many of the posters that the children act like children and act like how they would act in that situation. If you're blessed to get the DVD with the commentary, it evens add to your viewing pleasure.

What most gratified me was when my daughter, who has gone to almost every kiddy-themed entertainment center, said about several of the rides that they looked fun! This movie about Coney Island helped me visualize what my mother always talked about Riverdale, a Chicago area amusement park from the 40's and brought back memories of Funtown, Old Chicago, and Santa's Village, the local amusement parks of my day from the 70's.

A brilliant masterful one of a kind film. Morris Engel's beautiful photography and Ruth Orkin's talented editing take this film to heights rarely seen. An innovative camera allows for a `documentary/candid' quality to this film about a 6 year old boy (Richie Andrusco) who runs away to Coney Island because he thinks he accidentally killed his brother. Beautifully composed shots under the boardwalk a images never to be forgotten. For any serious film student (in fact for anyone) this is a `must see'.

French New Wave cinema must be incredibly indebted to this poignant, sensitive and insightful film.

"The Little Fugitive" is less a movie than it is an immaculately pristine and wistful time-capsule of the '50's. A self-exiled 7-year-old wanders an amusement park in a now long-lost world free--relatively speaking--of child-molesters and out-of-control tort lawyers. Filmed on location on Coney Island, using only its crowds and beach as it was in the Summer of 1953, and not a phony backdrop or clueless extra anywhere in sight. In high-quality black & white that misses nothing.