Latin Lovers

There is enough music in this film-minus the big name singers and dancers of the era-to make it a must-see musical. Although at times her hair looks like actual platinum, Lana Turner appears in so many mind-bogglingly gorgeous outfits that her wardrobe alone makes the movie worth watching. Then there is Ricardo Montalban in perhaps the sexiest (especially for those who remember him as Khan in Star Trek) film role of his career as a leading man, his singing voice dubbed by one Carlos Julio Ramírez in "A Little More of Your Amour." My favorite lines from that song: "Your samba is a stand-out, but I wish that you would hand out a little more of your amore." Turner is gorgeous throughout, and Montalban equals her sexiness on every level. Next-to-the-best treat: the great Rita Morena as the jealous Brazilian who stands in contrast to the excesses of wealth on display in the film. Bonus: Jean Hagen (of "Singin' in the Rain") as Turner's sidekick.

This one is much more fun than its inevitable detractors might lead you to believe. The cast, including Jean Hagen (who almost stole the show with her unforgettable Lina Lamont in "Singin' in the Rain"), Louis Calhern strutting his elegant stuff as a superannuated Brazilian, a very young Rita Moreno, the handsome John Lund once again playing a stuffy moneybags (as he did a little later in "High Society"), and Dorothy Neumann who gets some of the best of Isobel Lennart's cleverly scripted lines (with digs at psychoanalysts and their patented brand of voodoo.)

The story is pure Hollywood dream manufacture but it's so handsomely mounted and lushly photographed by that master of the color cameras, Joseph Ruttenberg, that objecting to it prompts the inevitable question, "Why in the heck did you watch it if you weren't in the mood for something with no relationship whatsoever to the real world?" Lana looks gorgeous and Helen Rose had the inspiration to dress her only in black and white and combinations thereof, contrasting her more than strikingly against the ultra-lush Technicolor trappings. She gets to do an ultra-smooth samba with her co-star Ricardo Montalban, who had the good fortune to step in as a replacement for the originally cast Fernando Lamas, whose real-life romance with Luscious Lana had very publicly come to a rocky impasse. Mervyn LeRoy, who had the distinction of mentoring Lana in the earliest days of her Hollywood ascendancy, directs with that machine-tooled efficiency that a vehicle of this kind must have if it is going to come anywhere near to a suspension of disbelief. With all of the first-class elements that Miss Turner was traditionally surrounded during her days as M-G-M's reigning boxoffice beauty, this is the kind of escapism that is, perhaps lamentably, a thing of a very distant past. When you're feeling benign, this one is fine!

When I was young I thought the two most beautiful women in the world were Sophia Loren and Lana Turner. Then I saw Lana Turner in an extensive interview, and discovered that she was close to being the clichéd dumb blond. There is something more stupid however -- this movie. Another one of those feel sorry for the rich because they have such difficult lives...even more pathetic since this is a romantic comedy.

Speaking of beauty, Lana is not at her most beautiful here...a little full in the face. And it's difficult to judge her acting here since the story is so dumb. Ricardo Montalban actually does quite well here, as does John Lund. Louis Calhern is absolutely delightful in the illogical role of the Latin Lover's grandfather. And, it's nice to see Beulah Bondi in an atypical role for her -- psychiatrist (too bad it was such a small -- though pivotal -- role). Jean Hagen is pretty good in her supporting role here, but Eduard Franz has a disappointing role for such a fine character actor.

But, the film is beautiful in its color, and there's some very nice Latin music here.

Mervyn Leroy is one of the great directors, but, as the old saying goes, you can't win them all.

Ricardo Montalban stepped in as last minute substitute for Fernando Lamas for this film Latin Lovers. Originally meant as a follow up for the Fernando Lamas/Lana Turner version of The Merry Widow, the breakup between Lamas and Turner was not amicable. Lana just did not want to emote for the big screen with Lamas any more.

One thing Lamas did leave behind was possibly his singing voice. Ricardo had a couple of numbers to sing and he did not sing. If you've seen The Merry Widow or Rose Marie you know that Fernando Lamas did have a strong singing voice. What comes out of Montalban's mouth sounds an awful lot like Fernando Lamas.

Lana is a wealthy woman who worries all the time that men are interested in her for her money only. To be rich and have worries like that. She's going out with John Lund who's a bit richer, but he is such a titanic bore.

Things do pick up when on a trip to Brazil she meets Montalban who also has a few shekels though the family fortune is really in the hands of his grandfather Louis Calhern. What follows are the usual romantic games people play and is the outcome ever in doubt?

Also note in the cast are Jean Hagen as Turner's girl Friday and Archer MacDonald as the nerdy American embassy employee who is giving Turner lessons in Portugese. Sadly MacDonald would be dead in two years and by his own hand.

Latin Lovers is a pleasant if not taxing piece of romantic fluff.

"Latin Lovers" is a tough movie to love. After all, the main character, Nora (Lana Turner), is very rich AND very arrogant. Through much of the film she seems to think she is entitled due to her money...yet she also is worried a man might want her for her money. Oddly, despite this, she is uninterested in marrying her long-time boyfriend (John Lund)...who is even richer than her.

When the boyfriend goes to Brazil to play polo, she follows and soon is smitten with Roberto (Ricardo Montalban). She worries he, too, wants her money. And, when she tells him she's loaded, he's thrilled...futher convincing her that all men want is her cash, not her circa 1953 hot bod.

In addition to Nora acting dumb and annoying through much of the film, the two men in her life aren't exactly prizes either--though you still often wonder WHAT they see in her! This is because Nora OFTEN gets angry and huffy and is as pleasant as a lion with a toothache. So, with some unlikable characters all you have left is the nice MGM gloss...which this one has in spades.