La ilusión viaja en tranvía

To all Buñuel fans that haven't seen this one, let me tell you that the big laugh comes at the end and keeps you laughing for a long time.after the movie is over. Very unusual for Buñuel, but nevertheless very realistic and enjoyable. For the delightful laughing effect he produced at the end, I rated 9.5.

Illusion Travels by Streetcar is a wild ride of situations that little by little derail to make for a fascinating mess of ridiculous situations. The film manages to be both a celebration of life, a playful retelling of the Christian mythology in a Georges Méliès-esque manner, and a criticism of capitalist companies and their ineffective operation. While neither the most meaningful, nor the most coherent Luis Buñuel movie, it nevertheless is one of the most enjoyable.

Two streetcar conductors whose streetcar is set to be dismantled sneak into the station late one night to take it for one last spin. They spend all night and most of the next day having small adventured throughout Mexico City. Agustin Isunza is the film's standout as an old man, Papa Pinillos, who worked for the streetcar company most of his life. He was laid off a while back, but he does little with his time besides get on random streetcars to see if their drivers are competent. When he jumps on the 133, he quickly realizes that it's stolen and he spends the rest of the film desperately trying to get the company to believe him. It's a fun movie and very charming. Not a necessary Bunuel film, but fans should certainly catch it. 8/10.

Another of Bunuel's Mexican films wherein he tells the picaresque tale of two bumbling streetcar workers who, after swiftly repairing a streetcar that had been deemed obsolete (and a few beers), decide to steal it for one last spin. Their adventures take them across Mexico City and in contact with a solid cross-section of the public, including slaughterhouse workers who gleefully (and surreally) hang huge slabs of meat (and heads) from the roof of the tram. Perhaps there is a metaphor or a moral here – certainly Bunuel takes the opportunity to poke fun at corporate capitalism – but any message takes a back seat (ahem) to the overall good time on offer. I particularly enjoyed the staging of Lucifer's banishment from Heaven and Adam and Eve's departure from Eden at the local festival, not unlike the amateur theatrical performances in Renoir's The Rules of the Game in their wacky but creepy surrealism.

A streetcar is to be dismantled and two pals are not prepared to accept it.

Bunuel's touch can be felt in the scenes dealing with religion: -The show that takes Genesis to the stage ;the grotesque actors play God,Lucifer,Adam and Eve and more ...Certainly ,the director had much fun directing these scenes -which have little to do with the main plot- -The two ladies and their Virgin Mary statuette ;while people are giving raw meat for free (even heart!)in the streetcar,they are puzzled because "normally" you've got to pay for everything.They forget that Christ gave bread and fish to His people as reported by the Gospels.

Apart from these sequences,it is a simple comedy,and in Bunuel's great filmography,it is nothing by a curio.