Easy to Love

That line was first said by Van Johnson to Esther Williams near the start of film when he invites her to go to NY with him. Cut to scene at NY photography session where, after one of many photo shoots, Esther repeats "fun, nothing but fun" sarcastically to Van since his promise to make their trip to NY fun turned out to be more work. Next line, also funny: Van: "most girls would cut off their arm to be in your position". Esther: " this girl would like to cut your throat." I love how Esther loathes Van for never letting her have any time on her own terms. I mean, I would love to have a job where I get to waterski, pose for pictures, and swim in idyllically beautiful waters surrounded by flowers and beautiful music. But I can also understand Esther's feelings about not having any time on her own terms, and Van is smarmy and controlling here.

Then Esther meets Tony Martin. They fall head over heels in love during the photo session, then Esther watches Tony sing at a club with several beautiful girls that also work with him, "Didja ever", a cute, catchy song. Tony later (againced Van's will because he wants her to rest up for the grapefruit contest the next day, lol) takes Esther out drinking and dancing all night. She is totally in love with him now. He hooks her up with a swimming audition the next morning and a job offer working with him. I'd love to know the name of that piano piece playing during her audition swimming, it was beautiful. The song and Esther. I also like a number of different funny, quirky comments made throughout the film such as: Esther saying " 10:30 darling" by accident to the elevator operator cause Tony just told her "10:30 darling" about their next meet up, Esther talking to bubbles in glass of champagne after ditching Van to be with Tony " feels good to be free, doesn't it?", then she loathfully repeats Van's "fun, nothing but fun." Then Van asks Esther where she was all night, Esther tells him the truth about being with Tony. Van says "come on now, tell me the truth". Esther sarcastically says "I went swimming in Central Park, they threw pennies at me and I threw grapefruit at them". I loved that last one. Van kept trying to get her to that grapefruit convention that she was so unenthused about going to. Esther also has had relations with Hank, who Esther does a water ballet with surrounded by lots of flowers. I loved that piece of music played during that sequence. Also Tony's "lookout, I'm romantic", " little croquette" (with his beautiful girls again. Listen to the style of the music there, you can hear how the music style is slowly transitioning over from 30s and 40s swing style over to more almost 60s style almost like you'd hear on "Bewitched")."That's what a rainy day is for" (Tony dancing with a group of senior citizens) is also nice. Then we get the fabulous water ski sequence with Esther and many other water skiers played to a great tune and is visually fascinating. This is one of a number of wonderful esther water ballets. My other favorites are in "Bathing beauty", " This time for keeps", and "Million dollar mermaid". I'm not gonna add any spoilers here, because my reason for subtracting a couple points, I wouldn't be able to tell you why without a spoiler.

Despite the fact that most films done with Esther Williams are just "Little Ditties" The cast in this movie is absolutely delightful. And the choreographed water scenes of water skiing and swimming by Busby Berkley are beautiful. So is the song Easy to Love, sang here by Tony Martin. The cast includes Van Johnson, who gives a touching performance. There is something about this actor that pierces through me in whatever part he plays. There is an appearance of beautiful Cyd Charisse at the end of the film together with her husband Tony Martin. Seeing this movie brings back memories of the time that TV was not available and Cinema was the most prevalent outing. There is nothing frightening or harmful in this kind of film it is pure entertainment.

I liked seeing "Easy to Love" because it showed a part of Florida history that is now gone. Cypress Gardens was a premier destination in Central Florida up until Disney opened the Magic Kingdom in 1971. Following this, it was a steady decline until a few years ago when the property was bought by Legoland. I know that things change and I probably wouldn't have even liked Cypress Gardens but it is a shame that so much of the 1950s and 60s kitsch in Florida is gone--and this film is at least a nice chance to see a bit of it.

The film stars Esther Williams as the premier star of the theme park, Julie. Her boss, Ray (Van Johnson), is not an easy man to like--he's all business and seems more content to exploit this star than anything else. Yet, inexplicably, Julie secretly loves him. I frankly saw NOTHING about the man that would make anyone fall for him. Laer, tiring of this seemingly pointless love, she begins spending time with a famous singer, Barry Gordon (Tony Martin). He at least says he loves her, though he is a playboy. In addition to these guys is Hank (John Bromfield)--a nice guy who works at the park and who openly and repeatedly tells her he loves her....plus he's rich. Of the three, the choice is obvious....Hank. However, considering that John Bromfield is not exactly a star, it's obvious he hasn't a prayer in the world. So who does she pick? See for yourself. Just be forewarned--it's a HUGE step backwards for women and I would hate to see my daughters pick a guy like that! As a romance, the film was definitely lacking. But, it was fun, a bit silly (in a good way--offering the most ridiculously over the top scenes of Williams doing the water stunts), and I liked Tony Martin's singing (particularly "That's What a Rainy Day is For"). Worth seeing if you like the old fashioned Hollywood musicals of the 50s--though I do suspect that a lot of younger folks today would find them all awfully silly.

By the way, at the very end, look for a cute little cameo between Martin and Cyd Charisse--Martin's real-life wife.

While not quite an "easy to love" film, 'Easy to Love' is very much an "easy to like" film. Flaws and all, it is a very likable film, one of Esther Williams' most likable.

People will be disappointed at the paper-thin weakness of the story, and that other than the classic Cole Porter title number the songs while okay are not particularly memorable. While Williams swims through with flying colours, her two male leads are less than inspired. Van Johnson is relaxed in his rapport with Williams, but elsewhere looks uncomfortable and disinterested. Tony Martin's heavenly singing isn't enough to disguise his limited, wooden acting ability.

However, Williams is perfectly cast, her presence radiating star quality and she handles the comedic and romantic elements well and with a witty no-nonsense manner that never gets annoying. John Bromfield acquits himself well, as does a lively pre-'Baby Doll' Carroll Baker.

Then there is the involvement of Busby Berkeley. Responsible for some of the most jaw-dropping and imaginative choreography ever seen in film musical history, Berkeley does it again with his choreography of the water ballets something to be cherished forever.

'Easy to Love' looks glorious in rich, vibrant Technicolor, which is complemented by the cinematography and the beautifully designed costumes and sets. Charles Walters directs more than competently, while the pace is bright and breezy and the script is suitably peppy.

All in all, a very easy to like film. 7/10 Bethany Cox

Release dates for this one indicate that M-G-M decorated the nation's movie screens with this tuneful treat on Christmas Day. It was a delightful concoction with Esther displaying just about everything that made her one of the studio's biggest box office favorites, including a frantic number where she's dressed as a clown and required, no doubt by Busby Berkeley, assisting director Charles Walters, to perform some exceedingly lively stunts in the course of an elaborate aquatic display of why she was still a champion when wet.

Tony Martin croons the title tune, a Cole Porter standard, to Esther as she languidly swims for what seems like miles in a moonlit lagoon and there's an extremely sweet little song, entitled "That's What a Rainy Day Is For," tossed off, as they could afford to do in those melodious times, by Mr. Martin again, to a roomful of charming elderly ladies surrounding Miss Williams. The final extravaganza, set in Florida's Cypress Gardens, involves motorboats, dozens of swimmers, and Esther dangling and diving from a helicopter, no doubt the brainchild of Mr. Berkeley, the scourge of everyone assigned to execute the products of his fertile imagination (and, according to some reports, his alcohol-fueled tirades.)

Of course the plot, with Esther pining for a remarkably disinterested Van Johnson, probably irritated even the tolerant audiences of the early Fifties, but it was scripted cleverly enough to display Esther's gift for light comedy, something that is not as appreciated as it should be. When that lengthy sequence of scenes from Esther Williams movies was put together for "That's Entertainment!" in 1974, a young acquaintance of mine, completely unfamiliar with Hollywood's one-and-only mermaid, exited the theater thoroughly besotted with her charms. He found himself literally at a loss for words to express his admiration. I don't know if he ever had the opportunity to see one of her pictures in its entirety, but this wouldn't have been a bad choice, were he limited to just one title.