Wings of Danger

Zachary Scott comes over from across the pond to star in this British noir film about a pilot investigating the crash of another pilot whom he supervised that he let go up in a storm over the English Channel. As it turned out Scott was between a rock and a hard place, he has to let Robert Beatty fly because Beatty knows that Scott suffers from occasional blackouts and the Board of Trade wouldn't like that if they heard about it.

Why does Beatty go up. The more Scott digs on his own he uncovers, blackmail, counterfeiting, and smuggling. And a few more surprises before this film ends.

Although Hammer Films before it started doing horror films and became known for same, they turned out some decent low budget noir films that the British call quota quickies. This isn't one of them it drags in many spots and such talented folk as those already mentioned are wasted. Even Kay Kendall who plays the gangster's moll in this and well doesn't spark this film at all.

I think most will be bored with this one.

For the most part drab and talky, it shows evidence, however, of Hammer upgrading their product. This particularly shows in the female contingent with Diane Cilento receiving an 'Introducing' credit and the funniest line going to Kay Kendall: "It's your own fault. You shouldn't go around murdering people!"

"Dead on Course" is sort of like an American film noir movie but made in the UK. And, like many European films from the 1950s, they lured an American actor (Zachary Scott) to star in the film-- presumably to give the film greater international marketability. Unfortunately, it's still a relatively bland film.

Richard (Zachary Scott) is a pilot working for his small air transport company. His friend, Nick, knows Richard's secret--that he occasionally blacks out due to some old injury! So using this as leverage, Nick takes off in a plane during crappy weather---and the plane crashes. What follows is a dark story involving smugglers and Richard trying to sort out who his real friends are.

The best thing about this film is Zachary Scott and his dialog. It's pure noir--and works very well. But the rest of the cast all seem very dreary--with limp dialog and an almost complete lack of menace. Not terrible...just not all that interesting.

Maybe it could be a contradiction, but none Noir picture walks under 7 out 10, because this genre is quite unique, enough to be on high level taking account their greatness, in this American-British co-production they took the notable Zachary Scott to leading role, in my opinion Zachary is to Noir as Lee Van Cleef is to Western pictures, such similarity between them, the plot circles around a counterfeit money made somewhere at United Kingdom and smuggling through a small Air Cargo Line, which Van Ness ( Zachary Scott ) was in charge on the ground, after his closest friend a Company's pilot insist to fly under bad weather condition end up disappearing on storm, the police attachs him, track down his footsteps to finds a hint to links him with the his mastermind Boss, low bugde?? Quite sure!! Second class casting?? Perhaps!!! The plot has some flaws?? Very possible!!! Uninteresting ??? Absolutely not!!! even having a poor copy without restoration yet a great pleasure to watch!!

Resume:

First watch: 2019 / How many: 1 / Source: DVD / Rating: 7

The first Hammer noir I saw was the excellent Hell is a City; and it's a good job too because if the first one I saw was one of the ones I saw after Hell is a City, I probably wouldn't have bothered watching any more! Wings of Danger is directed by Hammer veteran Terence Fisher, who also directed the disappointing Hammer noir The Stranger Came Home. This one is actually slightly better, but there's not a lot in it. Wings of Danger focuses on cargo plane pilot Richard Van Ness. He tries to stop another pilot from flying due to the weather, but is blackmailed into allowing it. The plane crashes and this leads the police to begin questioning Richard about his own affairs. The film is very short at only seventy minutes, and I do have to say that's a good thing because any longer and I've have gotten really tired of it. The plot is always at least fairly interesting and the film does manage to present a handful of interesting characters. The dialogue can be a little suspect at times, but that's not such a bad thing as it's often unintentionally comedic. The film holds the audience's interest for the duration and boils down to an interesting and satisfying conclusion. Overall, I really wouldn't recommend this film, though I wouldn't say it's awful either.