Way of a Gaucho

Rory Calhoun is found guilty of murder. His sentence, a term in the army. This is 19th Century Argentina, however, so he prefers to turn bandit and court aristocratic Gene Tierney.

Sounds like a good idea to me, particularly the part about Miss Tierney. I was expecting one of those Shaky A westerns that Calhoun starred in, but that's not what I got. This was originally planned for Henry King to direct Tyrone Power Jr. in, so Fox went all in. After King and Power walked, Rory Calhoun took the lead role, and he does a surprisingly good job with it. If you think that Fox Technicolor is all overlit and bright colors like a Grable musical, you'll be surprised too. DP Harry Jackson, who shot a bunch of those Grable pix offers a color palette with lots of black in it, offering a richness rarely seen outside of British Technicolor. After shooting in Argentina wrapped, the crew was getting ready to head back to the US when Eva Peron died and they stayed to shoot her funeral.

A different kind of western, on Argentine's Pampas, an ill-tempered Gaucho Martin (Rory Calhoun) killed on a knife's fight a man who insulted is "brother" (Hugh Marlowe) his was sentenced to serve the Army, there he meets a tough Major Salinas (Pat Boone) the clash between them is matter of time, due the nature of both, he deserts and becomes an outlaw as Valverde, he gathered a bunch of all sort of the men, including his former inmates at prison, meanwhile he falling in love by the beauty Teresa (Gene Tierney), Major Salinas wounded on right hand was a crippled on fight on Martin's escape pursued him on the edge of the Pampas, however the sudden pregnancy of Teresa will change their destiny, it seems odd at first look, therefore has something magic on this unusual western, mainly by the priceless direction of the master Jacques Tourneur and the beautiful Argentine's landscape, compelling story with religious oriented!!!

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First watch: 2019 / How many: 1 / Source: DVD / Rating: 7.5

Twentieth-Century Fox put together this unusual little adventure story, filmed almost entirely on location on the Argentinian Pampas. It's the tale of a proud young Gaucho and his long struggle against injustice. Rory Calhoun never quite made it as a big star, but he carries this one ably enough, though I found his unrelenting surliness a little wearying. It is worth noting that he does his own stunt riding.

A young Richard Boone is excellent as (what else?) the villain. His character, Major Salinas, bullies Martin (Calhoun) when the latter is forced to join the Argentinian Army. Martin deserts and becomes Val Verde, the brigand king. Salinas quits the Army and becomes chief of police, and is thus able to continue his vendetta against the Gaucho. What puzzled me is, if Calhoun can change names so easily, how come Boone has to wear the same uniform in two different jobs?

Gene Tierney, Fox's specialist film noir love interest, appears in this one as Teresa, the respectable woman who falls for the Gaucho outlaw. Tierney is great, affecting a softer, more natural look than in her urban crime movies and (unusually for her) hitting the screen in colour.

Jacques Tourneur directs with proficiency, capturing both the glorious freedom of the Pampas and the imposing beauty of the Andes. It is just a pity that Philip Dunne's screenplay is so artificial and wordy. Is it really necessary to put in stuff like, "Our knives are thirsty, but we will not give them drink yet"?

Val Verde knows that the Gauchos, the semi-wild ethnic group of the Pampas, are heading for oblivion. He chooses to defy destiny and fight against hopeless odds. His elemental heroism, and the urbane malice of Salinas, make this little picture worth watching.

Way of a Gaucho is directed by Jacques Tourneur and adapted to screenplay by Philip Dunne from the Herbert Childs novel. It stars Rory Calhoun, Gene Tierney, Richard Boone, Hugh Marlowe, Everett Sloane and Enrique Chaico. Music is by Sol Kaplan and cinematography by Harry Jackson.

1875 Argentina, and after killing a man, gaucho Martin Penalosa (Calhoun) is sentenced to serve army duty. Not one to be conformist, Martin deserts and becomes a leader of bandits.

A most pleasing Oater filmed predominantly out of Argentina and in Technicolor, story essentially revolves around Penalosa's refusal to accept progress, where his beloved Pampas is set to see its landscape changed. With him already having a non conformist attitude anyway, the impending railroad incursion onto the lands tips him still further beyond the law. But he has many other things to contemplate, not least the appearance in his life if the delectable Teresa Chavez (Tierney), and that he is a very wanted man, particularly by Major Salinas (Boone), who has taken umbrage at Penalosa's desertion from his army.

Charge him with a wilful misunderstanding of history.

With some high grade locations photographed superbly, and a rousing musical score that sticks in your head for hours afterwards, tech credits are impressive. Which then only leaves it to the cast and director to seal the deal for this to be a must see for genre enthusiasts. Thankfully all deliver the goods. The best portions of the pic - as per characterisations - comes via the Calhoun/Boone series of confrontations, both characters having a grudging respect for each other. Their moral compasses differ greatly, as does their goals in life, but it's two men who are chipped from the same granite stone and both brought vividly to life by two great character actors.

He's a fool, but very gaucho.

Tourneur's CV shows him to have been at times an outstanding director, and even though this pic is more a case of being a passable mark for him, there's nice framing touches on show to showcase his keen eye for detail. He also plays a good hand with the action, with plenty of exciting scenes involving the Gaucho's and their trusty steeds. He gets a more than competent turn out of a radiant Tierney, whilst Enrique Chaico is most memorable, his director letting him hold court as a very important religious character.

The moral of the story is nothing new, and in truth from a narrative viewpoint it could have been bolder with its telling of the last days of the Pampas - as the Gaucho's knew it - and one crude imposed projection shot dampens ever so slightly an otherwise great action sequence. But these are minor irritants in what is a very enjoyable and beautifully mounted South American themed Oater. 7/10

"Way of a Gaucho" was filmed in the wild Argentina of 1950. The beauty of the locations is fantastic and alone makes the movie worth a view. Not only the endless Pampas and the awesome Andes are breathtaking, also the towns and farms, with their ancient, decadent, cracking Spanish-style buildings and churches are incredibly evocative.

The photography is accurate, the colors are magnificent. The story is quick and entertaining, but perhaps too melodramatic. The dialogue is somewhat declamatory. The characters of Martin - Rory Calhoun and Salinas - Richard Boone are not fully realistic: one is too sullen and gruffy to be a youngster, the other is over-bad.

Then, of course, there is Gene Tierney, as Teresa. Her unparalleled splendor wins the beauty of Argentine landscapes (I admit I'm not a fair judge in this matter). At first we see a dishevelled Gene with her shirt torn on a shoulder (she has just been abducted by an Indio, you know). How I like these old-fashioned, good-taste erotic touches! Martin has the incomparable luck to save her. Follows a long ride together in the Pampas, with a pair of my most favorite romantic scenes: Gene sleeping on the high grass, close to a pond with exotic birds, then waking up and looking for her rescuer, with a dreaming look; later, at sunset, Gene resting in the shade of one of those lonely, huge, marvellous trees of the Pampas, silently contemplating Miguel. Love is sprouting: how beautifully romantic.

Let me remark a theme of the movie, much creditable in rendering the climate of the 19th century. Teresa is pregnant, and Miguel repeatedly endangers his life to get to a church, trying to marry her, in order that the coming child could have a "real, legitimate father". The necessity to face death, to get a legal wedding, for both Teresa and Miguel is utter matter-of-factness: another option is inconceivable. This was the actual way people were in the 19th century! By contrast, how preposterous is the show of anachronistic feelings (such as feminist ideology, dislike for religion etc.) in many current movies placed at that epoch.

"Way of a Gaucho" is a good way of spending 90 minutes for everybody, and, of course, a must-see for Gene Tierney's fans.