अपनी भाषा में प्लॉट जोड़ेंPianist Paul Marvan is sponsored by wealthy widow Diana Fowler in America. He marries dancer Margo, straining his relationship with Diana. Facing financial troubles, he tries to collect insu... सभी पढ़ेंPianist Paul Marvan is sponsored by wealthy widow Diana Fowler in America. He marries dancer Margo, straining his relationship with Diana. Facing financial troubles, he tries to collect insurance by intentionally injuring himself.Pianist Paul Marvan is sponsored by wealthy widow Diana Fowler in America. He marries dancer Margo, straining his relationship with Diana. Facing financial troubles, he tries to collect insurance by intentionally injuring himself.
Michèle Montau
- Yvette
- (as Geneviève Aumont)
Pat Holmes
- Walter Fowler
- (as Patrick Holmes)
Ross Thompson
- Dr. Thompson
- (as Dr. Ross Thompson)
Paul Bradley
- Man in Audience
- (बिना क्रेडिट के)
Franklyn Farnum
- Man in Audience
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
I won't belabor you with plot details -- other reviewers have done that just fine.
I do disagree with most of the ratings that precede mine. Greatness here? No. But definitely watchable with two very real characters (that's scripting) and two solid performances.
I have no idea what the cost of making Strange Fascination was. It seemed low-cost but not corner-cutting. I'm no high-brow musically, I never heard of Hugo Haas and barely knew of Cleo Moore. I didn't enter with great expectations. I came away pleasantly surprised. I found a good mix of on-screen chemistry, despite the characters' wide variance in background and age.
Directors who act in their own films would probably want to be their own lawyers. (This means you, Heywood Allen.) Here, Haas comes out OK both in front of and behind the camera. Moore is appropriately attractive, as well as being effective.
Good, tight, well executed B-plus film. Worth your while. Mine, anyway.
I do disagree with most of the ratings that precede mine. Greatness here? No. But definitely watchable with two very real characters (that's scripting) and two solid performances.
I have no idea what the cost of making Strange Fascination was. It seemed low-cost but not corner-cutting. I'm no high-brow musically, I never heard of Hugo Haas and barely knew of Cleo Moore. I didn't enter with great expectations. I came away pleasantly surprised. I found a good mix of on-screen chemistry, despite the characters' wide variance in background and age.
Directors who act in their own films would probably want to be their own lawyers. (This means you, Heywood Allen.) Here, Haas comes out OK both in front of and behind the camera. Moore is appropriately attractive, as well as being effective.
Good, tight, well executed B-plus film. Worth your while. Mine, anyway.
A European pianist comes to America and falls for a dancehall girl. Written, directed, produced and starring Hugo Haas, who doesn't do a particularly good job in any of those roles. The script is lifeless and poorly written (including a second act twist that doesn't make a lick of sense), a lot of very prosaic drama that never catches fire. The camera-work is entirely uninteresting, and borderline amateurish. The performances and characterizations are bland. This is the first of seven films that Haas did with pin-up gal Cleo Moore, which is odd because here they have little chemistry together. The film is categorized as noir, but that seems like a stretch by any definition of the genre. Only in the final 10 minutes do we get any compelling plot material, and I will say I quite liked the ending. But otherwise it's a snooze.
Entertaining run of the mill 1950s b movie brightened by the beauty and charisma of Cleo Taurus Moore.
Hugo Haas was a middle-aged character actor who began writing, producing and starring in (though playing second fiddle to glamorous blondes) low-budget films in the 1950's. His first two films as "auteur" starred Beverly Michaels but it was his seven collaborations with beautiful Cleo Moore that are better remembered today. STRANGE FASCINATION was their first film together and one of the more conservative, less lurid of the bunch, a fairly conventional drama of a renown concert pianist (Haas) who becomes attracted to and marries a nightclub dancer (Moore) which starts him on the road to ruin. A few years later, Moore's character would have been a bad girl who took him for everything he had, here she's rather sweet girl who is really not responsible for his problems. Since the melodrama here is low key this is one of the duller Moore/Haas romps but Cleo looks close to her most beautiful with a pageboy hairstyle and cute clothes and for movie buffs there's 1930's starlet Mona Barrie in a featured part.
The Czech actor Hugo Haas was a very popular film star. However, after fleeing the Third Reich he came to America and his career never reached the same heights. He mostly appeared in lower budgeted movies, though a few times he managed to do what he did in "Strange Fascination"...he directed, wrote, produced AND starred in it!
Paul (Haas) is a concert pianist who is unknown in America. Through the help of a rich American lady, he is brought to the States for a concert tour. While this works well, things start to go amiss when he falls for a trampy dancer, Margo (Cleo Moore). She is an expert at playing men and the middle-aged Paul hasn't a chance with her. Soon she is a major part of his life and he marries her. However, he isn't a rich man and is beholden to his sponsor, Diana (Mona Barrie). And, this sponsor soon abandons him when Paul makes a mess of his life. What's next in this tragic tale? Plenty!
Is this a fun film to watch? Nope. It's pretty tragic and sad. It is, however, well made I also appreciate how Moore's character is conniving but not 100% awful...and many of Paul's problems are self-created. It's not just a 'black & white' marriage. Overall an interesting character study but also a downer of a story. So, if you are feeling depressed, it's NOT a story for you!
Paul (Haas) is a concert pianist who is unknown in America. Through the help of a rich American lady, he is brought to the States for a concert tour. While this works well, things start to go amiss when he falls for a trampy dancer, Margo (Cleo Moore). She is an expert at playing men and the middle-aged Paul hasn't a chance with her. Soon she is a major part of his life and he marries her. However, he isn't a rich man and is beholden to his sponsor, Diana (Mona Barrie). And, this sponsor soon abandons him when Paul makes a mess of his life. What's next in this tragic tale? Plenty!
Is this a fun film to watch? Nope. It's pretty tragic and sad. It is, however, well made I also appreciate how Moore's character is conniving but not 100% awful...and many of Paul's problems are self-created. It's not just a 'black & white' marriage. Overall an interesting character study but also a downer of a story. So, if you are feeling depressed, it's NOT a story for you!
क्या आपको पता है
- ट्रिवियाFinal film of Maria Bibikov.
- गूफ़When Margo calls Paul from a phone booth, the exchange "Hollywood" is clearly visible on the dial, even though the scene takes place in New York City.
- साउंडट्रैकNocturne
Composed by Jakob Gimpel (as Jacob Gimpel)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- Pushover
- फ़िल्माने की जगहें
- Salzburg, Tyrol, ऑस्ट्रिया(set-up shot for festival performance)
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
- चलने की अवधि1 घंटा 20 मिनट
- रंग
- पक्ष अनुपात
- 1.37 : 1
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