IMDb रेटिंग
7.0/10
4.4 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंA washed-up movie queen finds romance, but still desires a comeback.A washed-up movie queen finds romance, but still desires a comeback.A washed-up movie queen finds romance, but still desires a comeback.
- 1 ऑस्कर के लिए नामांकित
- कुल 1 नामांकन
Robert Warwick
- R.J., Aging Actor at Party
- (as Robert Warrick)
David Alpert
- Keith Barkley - Director
- (बिना क्रेडिट के)
Florence Auer
- Annie's Friend in Store
- (बिना क्रेडिट के)
Marie Blake
- Annie, Stones' Maid
- (बिना क्रेडिट के)
Paul Bradley
- Party Guest
- (बिना क्रेडिट के)
Claire Carleton
- Jailbird
- (बिना क्रेडिट के)
Steve Carruthers
- Party Guest
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
Although some of Bette Davis' films were not great, a few like'Wicked Stepmother' not even good, her best films were incredible. 'All About Eve' in particular is a personal favourite film and performance of mine, both for Davis and in general. 'The Star' also has a subject that is easy to relate and is still relevant oddly enough today, on the outside stardom seems glamorous but underneath all the glamour it is much darker than it looks and many struggled, and still are struggling, with the pressure it causes.
'The Star' may not be one of Davis' best films or performances, but she still comes off very well which says a lot about the general high quality of her performances and her as an actress. It took a lot for her to give a bad performance, even in her twilight years. The film does a good, if not quite great, job with the subject, it is relatable and it holds up. For what 'The Star' lacks in subtlety and an ending that is in keeping with the rest of the film, it makes up for in emotion and intelligence.
For my, and other people's, tastes, 'The Star' does go a little too over the top on the melodrama. Melodrama can tend to get overheated, and the melodramatic bits here are on the overwrought side. It can be contrived with things happening too easily.
Did have reservations with the ending. It did admittedly leave me misty eyed, but it had a tacked on and studio interference-like feel and doesn't gel with the rest of the film, a darker and more daring ending would have been better perhaps.
On the other hand, Davis gives it absolutely everything in a meaty role and is terrific. Gutsy but also vulnerable. There is also strong work from Sterling Hayden playing his role with integrity and young pre-'Splendor in the Grass' and 'West Side Story' Natalie Wood is also worth looking out for. The direction is very skilled and judges and paces everything well, though other more distinguished directors understood Davis' strengths more perhaps.
It is an in general intelligently scripted film, subtlety is not a strong suit as said already but there are some memorable lines that made me think and came over as sincere. The story moves swift and, although it is far from flawless, it has the right amount of tension and poignancy when needed and doesn't soften the subject too much. 'The Star' is not lavish visually but it has atmosphere, as does Victor Young's haunting score.
All in all, not great but well done. 7/10
'The Star' may not be one of Davis' best films or performances, but she still comes off very well which says a lot about the general high quality of her performances and her as an actress. It took a lot for her to give a bad performance, even in her twilight years. The film does a good, if not quite great, job with the subject, it is relatable and it holds up. For what 'The Star' lacks in subtlety and an ending that is in keeping with the rest of the film, it makes up for in emotion and intelligence.
For my, and other people's, tastes, 'The Star' does go a little too over the top on the melodrama. Melodrama can tend to get overheated, and the melodramatic bits here are on the overwrought side. It can be contrived with things happening too easily.
Did have reservations with the ending. It did admittedly leave me misty eyed, but it had a tacked on and studio interference-like feel and doesn't gel with the rest of the film, a darker and more daring ending would have been better perhaps.
On the other hand, Davis gives it absolutely everything in a meaty role and is terrific. Gutsy but also vulnerable. There is also strong work from Sterling Hayden playing his role with integrity and young pre-'Splendor in the Grass' and 'West Side Story' Natalie Wood is also worth looking out for. The direction is very skilled and judges and paces everything well, though other more distinguished directors understood Davis' strengths more perhaps.
It is an in general intelligently scripted film, subtlety is not a strong suit as said already but there are some memorable lines that made me think and came over as sincere. The story moves swift and, although it is far from flawless, it has the right amount of tension and poignancy when needed and doesn't soften the subject too much. 'The Star' is not lavish visually but it has atmosphere, as does Victor Young's haunting score.
All in all, not great but well done. 7/10
Watching The Star I wondered how close to him it all was for Davis. There's a scene in the end where it gets meta and you can almost see Davis as Margaret hearing the script storyline that she is offered. Regardless, this is a fine film and it has Davis working with her usual spark and unlikeable presence. But like always, she knows how to make you root for her. I also think the running time, while seems short, is pretty much the perfect length for the story the film is trying to tell. This is a problem I thought Mr. Skeffington had, way too long for its own good. So yeah, if you want to seek out all of Davis this is still a fine entry and a required one really.
Davis (in an Oscar-nominated performance) plays Margaret Elliot as washed out has been actress. She was big once but now can't get a job. She's divorced and penniless but refuses to give up hope for one more acting job. She also has a man who loves her (Sterling Hayden) and is trying to get her to face reality. There's also a scene or two of Margaret with her daughter played by an impossibly young Natalie Wood.
It's a depressing movie of course but you can't stop watching. It's short (89 minutes) and moves quickly. It does have a ridiculously false but happy ending that had me getting misty-eyed. This is worth seeing for Davis alone. She's just great. She also gleefully said she modeled her character after Joan Crawford! OUCH!
It's a depressing movie of course but you can't stop watching. It's short (89 minutes) and moves quickly. It does have a ridiculously false but happy ending that had me getting misty-eyed. This is worth seeing for Davis alone. She's just great. She also gleefully said she modeled her character after Joan Crawford! OUCH!
Bette Davis went to 20th Century Fox and scored a hit in this film "The Star:" which had the tag line "Only the Star Of Stars" Could have starred in this film.
Bette Davis plays a washed up movie star hankering for a comeback. Bette has to take a screen test for a supporting role and it goes badly
Bette says "Bless You" twice in this drama and as we may all know that was what Joan Crawford often said. So maybe Bette was giving a jab below the belt to Crawford?
Bette got an Oscar nomination and deservedly so. A Great Star.
Natalie Wood and Sterling Hayden give great support.
Bette Davis plays a washed up movie star hankering for a comeback. Bette has to take a screen test for a supporting role and it goes badly
Bette says "Bless You" twice in this drama and as we may all know that was what Joan Crawford often said. So maybe Bette was giving a jab below the belt to Crawford?
Bette got an Oscar nomination and deservedly so. A Great Star.
Natalie Wood and Sterling Hayden give great support.
The story of a washed up and penniless movie actress who doesn't want to give up her hope of making a comeback. The critics hated it, but I knew I would love it, and sure enough, it was one of the best films I have ever seen, simple, unpretentious, human-scale, full of compassion, eloquence and BEAUTY. This is one of the most BEAUTIFUL films ever made, visually ravishing in its simple and unobtrusive way. It instantly draws you in. The camera is warm and friendly. It doesn't browbeat you.
Unlike "Sunset Boulevard", this film does not put on artistic garb, but it triumphs as a work of art. The story, though similar, is far more interesting. In Sunset Boulevard the faded star is wealthy, and money is no object. That impoverishes the plot. Movies about the rich are invariably poor.
It is most sad that such wonderful films are almost never shown. This is one of Davis' best films and performances. Several scenes are memorable. Davis' sister remarks, she can't imagine where all the money went. Davis is justifiably furious at such ingratitude, and throws her out of her room, after reminding her that she spent countless thousands helping her. In another scene Bette has been talked into giving up "chasing rainbows" and works as a sales clerk at a department store. Two elderly women recognize her, and she overhears one of them say: "What a disgrace they hired a jailbird". Davis loses her temper and quits yelling: "The disgrace is that I am waiting on two old bags like you!!!".
Although Davis has her flaws, you have to give her credit for selecting so many good films. There are many famous actors who do not have a single solid film to their credit.
Unlike "Sunset Boulevard", this film does not put on artistic garb, but it triumphs as a work of art. The story, though similar, is far more interesting. In Sunset Boulevard the faded star is wealthy, and money is no object. That impoverishes the plot. Movies about the rich are invariably poor.
It is most sad that such wonderful films are almost never shown. This is one of Davis' best films and performances. Several scenes are memorable. Davis' sister remarks, she can't imagine where all the money went. Davis is justifiably furious at such ingratitude, and throws her out of her room, after reminding her that she spent countless thousands helping her. In another scene Bette has been talked into giving up "chasing rainbows" and works as a sales clerk at a department store. Two elderly women recognize her, and she overhears one of them say: "What a disgrace they hired a jailbird". Davis loses her temper and quits yelling: "The disgrace is that I am waiting on two old bags like you!!!".
Although Davis has her flaws, you have to give her credit for selecting so many good films. There are many famous actors who do not have a single solid film to their credit.
क्या आपको पता है
- ट्रिवियाWhen a drunken Margaret Elliot takes her Oscar for a ride in her car, Bette Davis used one of her own Oscars.
- गूफ़When Gretchen changes direction on the boat for the second time, Margaret is knocked way over to the left by the sail. She turns around to laugh, but is shown seated on the far right.
- भाव
[to her Oscar statuette]
Margaret Elliott: Come on, Oscar, let's you and me get drunk!
- कनेक्शनFeatured in Hollywood: The Great Stars (1963)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is The Star?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Lágrimas amargas
- फ़िल्माने की जगहें
- May Company Department Store - 6067 Wilshire Boulevard, लॉस एंजेल्स, कैलिफोर्निया, संयुक्त राज्य अमेरिका(Margaret Eliot's workplace)
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
- चलने की अवधि
- 1 घं 29 मि(89 min)
- रंग
- पक्ष अनुपात
- 1.37 : 1
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