Paul Temple Returns

This film, released in America as BOMBAY WATERFRONT, is the last of the four feature films made between 1946 and 1952 which were based upon the stories of Frances Durbridge and featured her character, the detective Paul Temple. Anthony Hulme played Temple in the first film (SEND FOR PAUL TEMPLE, 1946, see my review) and John Bentley played the character in the succeeding three films, including this one. Temple's wife 'Steve' was played in succession by Joy Shelton, Dinah Sheridan (twice), and Patricia Dainton here. The third film in the series, PAUL TEMPLE'S TRIUMPH (1950) is unavailable, having never been released on video or DVD. The other three are readily available on DVD in digitally remastered form. CALLING PAUL TEMPLE (1948, see my review) is a rather limp and unsatisfactory film. This one is much better. The atmosphere is mysterious and effective, despite the low budget. John Bentley is an engaging, if somewhat lightweight, hero. One of the finest performances in the film is by the seventy-something Peter Gawthorne, as Sir Graham Forbes, the head of Scotland Yard. The young Robert Urquhart, later a fine actor, is strangely ineffectual here. Christopher Lee, who had already appeared in many films, does well as usual. This story is based on Durbridge's radio serial PAUL TEMPLE INTERVENES, which was broadcast on the BBC in 1952. The story concerns a series of mysterious murders of people who appear to have no connection with one another. But eventually the common thread is discovered to be a secret papyrus recently excavated in Egypt by the character played by Lee, which contains the antidote for all narcotic drugs, and could destroy the world narcotics cartels if it became known. The unknown killer calls himself 'The Marquess', though the reason for the name is never given. There are many candidates for 'The Marquess', and it is made as difficult as possible for us to guess his or her identity. The film is very entertaining if you like this kind of thing. There are numerous interesting shots of the London streets as they were in 1952, particularly at night.

Luminously pretty Patricia Dainton and handsome co-star John Bentley are the resolute crime-busting Temples, dangerously entwined in this ripping 50s murder mystery about a sordid series of especially grisly murders. This delightful trip into warmly crumpeted cinematic nostalgia includes an early, and no less magisterial performance from future Hammer Films icon Christopher Lee as the deliciously ambivalent, charmingly charismatic Mr. Felix. 'Bombay Waterfront' cannot be regarded as the most sophisticated Paul Temple thriller, but our whip-smart, sharp-shooting sleuth makes for an engaging hero hot on the dastardly trail of the wholly despicable criminal mastermind 'The Marquis, who frustratingly proves to be a most worthy and Machiavellian adversary for Mr. Temple! 'Bombay Waterfront' aka 'Paul Temple Returns' retains much of its period charm, being a serviceable, rather than sensational 50s B/W potboiler, but the entirely splendid cast effortlessly smooths the jaunty thriller's rougher edges!

The temples (john bentley, patricia dainton) are hot on the trail of "the marquis", a murderer roaming the streets. He's even sent letters to the temples, daring them to catch him. Number one suspect is sir raybourne. That's the guest star christopher lee, who pops up in so many dark, mystery films. Lee also played saruman and some evil star wars characters. Of course, there's a running gag where the servant rikki from rangoon has been replaced by his brother sakki. And his cooking is just as bad. It's all okay. Nothing too special. Lots of suspects, and nothing too clever to tip us off as to who-dunnit. Directed by maclean rogers. Based on the story by francis durbridge. The original british title was "paul temple returns". A pretty rough copy of the film. The picture is okay, but there's a high pitched noise present for the first half of the film. And near the end, when they are in the warehouse, it's pitch dark for such a long time, with just nothing happening. Really brings the film to a halt. It's all just okay.

The fourth and final adaptation of the Paul Temple radio plays, PAUL TEMPLE RETURNS sees the vacationing sleuth living up the high life in New York, where he now makes a living from his work as a crime writer. However, the powers that be call him back to Britain after a sinister figure known only as the Marquis begins to carve his way through the upper ranks of society.

It's a well paced, Edgar Wallace-style storyline and one that's a lot more fun than the last Paul Temple film I watched, SEND FOR PAUL TEMPLE. The main character and his associate Steve remain a bit boring, but the supporting cast are better here, and overall the budget seems a bit bigger too. Certainly there are some strong moments in the murder scenes and an exciting rooftop atmosphere which is dripping with atmosphere.

The supporting cast also incorporates number of past and future horror greats, including the Man in Black himself, Valentine Dyall, as one of the policemen. Horror fans will be chiefly impressed by the inclusion of Christopher Lee in a sinister turn as one of the main suspects, a professor whose collection of Egyptian artifacts neatly precursors his later role as THE MUMMY. Robert Urquhart (THE CURSE OF FRANKENSTEIN) is here too as yet another suspect, and the dependable Ronald Leight-Hunt plays a copper.

With Scotland Yard puzzled by a serial killer, and with himself already being warned off by the perpetrating "Marquis", amateur sleuth "Paul Temple" (John Bentley) and his wife "Steve" (Patricia Dainton) are drafted in by "Sir Graham" (Peter Gawthorne) to help "Insp. Ross" (Ronald Leigh-Hunt) with the investigation. Pretty swiftly, with the body count starting to mount, they begin to become embroiled with the enigmatic Egyptologist "Sir Felix" (Christopher Lee), some ancient papyri and a vial of something mysterious. With no shortage of candidates and events become ever more menacing, the couple have to get their thinking caps on before their heads no longer need them. There's an amiable degree of chemistry between Bentley and Temple and with a few red herrings straddling their path, the mystery unfolds steadily for just over an hour of rope climbing, dark passages and burning hay bales. I didn't love the factotum "Sakki" (Dan Jackson) so much - a sort of Mantan Moreland without the mischief or the charm and the ending is all a bit rushed, but it's a passable afternoon watch for budding criminologists.