One Minute to Zero

Love and war are a favored show theme in a number of films... Love often brings people of completely different backgrounds together, as in Huston's "The African Queen," Hemingway's "A Farewell to Arms," Arthur Hill's "The Americanization of Emily," Douglas Sirk's "A Time to Love and a Time to Die." Also Anatole Litvak's "Act of Love" explores the relationship between an embittered GI (Kirk Douglas), and a lonely, helpless French girl (Dany Robin) fearful of becoming an outright tramp...

"One Minute to Zero" uses love to make the Korean War acceptable... Ann Blyth is a nurse who has already lost a lover to the war... She is deeply hurt and cannot bear the though of falling in love with a soldier... However, she does, with a fighter pilot played by Robert Mitchum... In the end she becomes convinced that he is doing the right thing...

One interesting point about the film is the scene where Mitchum (evacuating American civilians) strafes a column of refugees because it was feared that some guerrillas had infiltrated among them...

While many today remember Robert Mitchum for noir movies (like NIGHT OF THE HUNTER, OUT OF THE PAST and THE BIG STEAL) he also was great in other genres. And even though this is not his best war movie Mitchum shines in this forgotten movie. He plays a infantry colonel stationed with his men in South Korea before the Korean War. The movie has two subplots: Mitchum at war with his men or winning the affection of a UN worker (played by Ann Blyth). He is among the most believable characters I ever saw in a war movie, and that because he is NOT larger than life or hard as nails. Instead he looks like a decent man which everyone could count on. The only problem with the film is that even though it has some light moments (and Mitchum handles them well) it's very explicit as for some scenes of soldiers injured or killed that look a bit brutal. Not a war movie for the faint of hearth, but still awfully good.

ONE MINUTE TO ZERO is a typical American war movie with the then-contemporaneous Korean War serving as the theatre of battle in this instance. The film stars the ubiquitous Robert Mitchum as a hard-bitten combat veteran and colonel in the US army tasked with helping evacuate the local population while at the same time protecting them from advancing North Korean troops. There's not much in the way of a big story here as the war itself IS the story; however, as a realistic depiction of battle it works very well.

This is a visual film with some highly memorable combat scenes in it. Realism is enhanced through the use of real-life wartime footage and the scenes of jets firing rockets are quite incredible and never bettered by Hollywood special effects even in this day and age. I loved the tank battles as well although the film's tense highlight involves the Commies hiding inside refugee columns and ready to burst out and massacre at a moment's notice. A duck is involved in one of the film's tragic highlights. Character actors like Richard Egan, Charles McGraw, and William Talman flesh out realistic supporting roles although Ann Blyth's love interest suffers from the era's usual sexist depiction of women and feels like an unnecessary addition to the story.

Personally overseen by Howard Hughes, and thus long in gestation (originally under the title 'The Korean Story') and full of aerial action.

South Korea is portrayed as David taking on Goliath in the form of Moscow arming the North to the teeth, thus necessitating killing civilians being used by the commies as cover. Between taking such tough decisions Col. Bob Mitchum finds time to romance UN bleeding heart Ann Blyth, to whom he sings at one point in Japanese; while an instrumental version of Victor Young's hit 'When I Fall in Love' is constantly on the soundtrack.

In 1999 there was a big to-do about a supposed atrocity during the Korean War, the strafing of civilians fleeing fighting during the initial push by the North Koreans down the Korean peninsula at No Gun Ri. It turned out that the main eyewitness for the story was a liar who was not even in in-country in 1950. The fuss would have been no surprise to viewers of this movie. Here it was artillery fire rather than air attack that caused civilian casualties, but the situation was basically the same. The film depicts the sad necessity of firing on a column of refugees, driven at gunpoint by communist soldiers hidden among them in civilian clothes, who were trying to get past U.N. lines. The blame in the movie is clearly on the commies, but there is no attempt to gloss over the ugly necessities of war. This movie was the first time I ever heard the phrase "Fire for Effect", a phrase I was to utter myself frequently years later as an artillery officer in Vietnam and Cambodia.