Horizons West

Horizons West is directed by Budd Boetticher with a story written by Louis Stevens. It stars Robert Ryan, Rock Hudson, Julia Adams, John McIntire, Raymond Burr & Dennis Weaver. It's a Technicolor production with Charles P. Boyle on photography.

It's the end of the Civil War and the Hammond brothers Neal (Hudson) and Dan (Ryan) return to the family ranch in Texas. Neal is happy to graft away on the ranch but Dan wants considerably more. But Dan's plans are altered after an encounter with Cord Hardin (Burr), an encounter that sees Dan switch to the wrong side of the law. A switch that drives a wedge thru the Hammond family, particularly since Neal has decided to don a badge and become a Marshal of Austin.

Interesting and watchable early Western effort from Budd Boetticher. It has some psychological aspects that mark it out as being above average. Themes of greed and family strife are of course nothing new in the grand scheme of the Western movie, but Boetticher and his cast knit them together here with some conviction, notably Ryan who was in the middle of a great run of movies that included On Dangerous Ground, Beware, My Lovely and The Naked Spur. There's no real complexities to the characters, but they are well formed, and the finale has the courage of its convictions. There's also some very neat period costuming from Rosemary Odell, with the quite ravishing Adams benefiting greatly there. The main problematic issues outside of some narrative familiarity come with being asked to believe that Ryan and Hudson (whose limp) are brothers, and that McIntire is Ryan's father (there's only two years between them in reality). Whilst there's sadly a lack of impacting outdoor photography; even if that's off set a touch by the easy on the eye set designs for the town by Russell A. Gausman & Joseph Kish.

A more than adequate time filler for the discerning Western fan. 6/10

One of a number of interesting psychological westerns from the fifties though this isn't in the same class as the later Budd Boetticher/Randolph Scott westerns, (it's let down by a poor script and poor acting). Robert Ryan and Rock Hudson play brothers returning from the Civil War to the vanquished Confederate side. Ryan goes to the bad while the mealy-mouthed Hudson stays on the side of law and order and that's basically it. But Boetticher sets up a number of interesting scenarios that make the Ryan character far from a cut-and-dried villain, (late in the film there is even a little speech as to what turned him the way he is), and the familial relationships are nicely drawn.

I have the deepest admiration for films directed by Budd Boetticher, even lesser ones. They reflect a level of realism and human contradictions seldom seen in this genre.

Charles Boyle's simple but highly effective cinematography only deepens character building, ushering pleasant introductory vistas that steadily disappear as the materialistic nature of oldest son Dan (superbly portrayed by Robert Ryan) increasingly dominates action. Rock Hudson as the younger brother and John McIntire as the pater familias have smaller but nonetheless strking roles, as does the villainous Cord Hardin (Raymond Burr), thereby initially giving Ryan's character some apparent decency by comparison.

In time, though, their true natures emerge and the film churns along to a credible conclusion. Definitely worth watching, more than once, too. 8/10.

As in many westerns, including Richard Thorpe's VENGEANCE VALLEY, or Phil Karlson's GUNMAN'S WALK, it is question of a brothers feud story; here Robert Ryan and Rock Hudson, and in the MGM western, there were Burt Lancaster and Robert Walker. There is always a bad brother and the good brother, as in the Bible you have Cain vs Abel, a recurrent western scheme. And the Civil War element of course enhanced, emphasized, this feud between brothers matters. No surprise in the end. Here, you explore the Universal Studios Budd Boetticher period, before he came to Columbia and the awesome Burt Kennedy's stories, starring Randolph Scott, his best of the best stuff. It is very unusual to see Bob Ryan working for another studio than RKO. The rest of the cast is however typical Universal Studios"home": Rock Hudson, Julia Adams; only Piper Laurie and Tony Curtis or Jeff Chandler missed.... So, this is an efefctive, taut, Boetticher's material. Ray Burr is of course excelent as a genuine villain character.

the best thing about this western is its title. the next best thing is its glorious technicolor imagery. the 'look' of this film makes it a classic western - fully lit western skies, iconographic star close ups of confederate soldiers and texas belles - richly textured in luscious technicolor. the title - horizons west - and the beauty of the images sum up the idea of manifold destiny and western expansion. curiously the narrative itself contradicts the look as elder brother robert ryan abandons the simple homestead lifestyle for the corruptly sophisticated attractions of town life. as younger brother (rock hudson)is pitted against older brother (ryan), there are suggestions of biblical undertones. hudson, now a deputy marshal, eventually hunts down ryan for murder thereby restoring the idea of honesty and integrity as part of western expansion.