Horizons West

As in many westerns, including Richard Thorpe's VENGEANCE VALLEY, or Phil Karlson's GUNMAN'S WALK, it is question of a brothers feud story; here Robert Ryan and Rock Hudson, and in the MGM western, there were Burt Lancaster and Robert Walker. There is always a bad brother and the good brother, as in the Bible you have Cain vs Abel, a recurrent western scheme. And the Civil War element of course enhanced, emphasized, this feud between brothers matters. No surprise in the end. Here, you explore the Universal Studios Budd Boetticher period, before he came to Columbia and the awesome Burt Kennedy's stories, starring Randolph Scott, his best of the best stuff. It is very unusual to see Bob Ryan working for another studio than RKO. The rest of the cast is however typical Universal Studios"home": Rock Hudson, Julia Adams; only Piper Laurie and Tony Curtis or Jeff Chandler missed.... So, this is an efefctive, taut, Boetticher's material. Ray Burr is of course excelent as a genuine villain character.

the best thing about this western is its title. the next best thing is its glorious technicolor imagery. the 'look' of this film makes it a classic western - fully lit western skies, iconographic star close ups of confederate soldiers and texas belles - richly textured in luscious technicolor. the title - horizons west - and the beauty of the images sum up the idea of manifold destiny and western expansion. curiously the narrative itself contradicts the look as elder brother robert ryan abandons the simple homestead lifestyle for the corruptly sophisticated attractions of town life. as younger brother (rock hudson)is pitted against older brother (ryan), there are suggestions of biblical undertones. hudson, now a deputy marshal, eventually hunts down ryan for murder thereby restoring the idea of honesty and integrity as part of western expansion.

How many westerns (and others) feature two brothers ,the good and the bad,Abel and Cain?It was already in Genesis after all.It's more Ryan too old to be Hudson's brother than the other way about;sixteen years between the two leads is much and it shows.But Robert Ryan was as excellent as ever in his part of an ex-confederate soldier who does not want to work on a ranch and dreams of building an empire ,abetted by a femme fatale -a rare character in westerns.But as Springsteen sings,a king ain't satisfied till he owns everything and as Shakespeare wrote,(man)gains the world and loses his soul.On the contrary ,brother Hudson is a loyal good son,probably remembering the prodigal son parable ;Hudson would play a similar part in Sirk's modern western (the sport car replacing the horse)"written on the wind" (1956):some kind of adoptive child opposite a wealthy bad son (Robert Stack);he was also the good guy in "Giant" in which Dean became a racist tycoon.

"Horizons west" is an entertaining western,its last pictures summing up its moral in admirably succinct style.

One of a number of interesting psychological westerns from the fifties though this isn't in the same class as the later Budd Boetticher/Randolph Scott westerns, (it's let down by a poor script and poor acting). Robert Ryan and Rock Hudson play brothers returning from the Civil War to the vanquished Confederate side. Ryan goes to the bad while the mealy-mouthed Hudson stays on the side of law and order and that's basically it. But Boetticher sets up a number of interesting scenarios that make the Ryan character far from a cut-and-dried villain, (late in the film there is even a little speech as to what turned him the way he is), and the familial relationships are nicely drawn.

I have the deepest admiration for films directed by Budd Boetticher, even lesser ones. They reflect a level of realism and human contradictions seldom seen in this genre.

Charles Boyle's simple but highly effective cinematography only deepens character building, ushering pleasant introductory vistas that steadily disappear as the materialistic nature of oldest son Dan (superbly portrayed by Robert Ryan) increasingly dominates action. Rock Hudson as the younger brother and John McIntire as the pater familias have smaller but nonetheless strking roles, as does the villainous Cord Hardin (Raymond Burr), thereby initially giving Ryan's character some apparent decency by comparison.

In time, though, their true natures emerge and the film churns along to a credible conclusion. Definitely worth watching, more than once, too. 8/10.