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The Hoaxters

  • 1952
  • Approved
  • 36 मि
IMDb रेटिंग
5.5/10
216
आपकी रेटिंग
The Hoaxters (1952)
डॉक्यूमेंट्रीलघु

अपनी भाषा में प्लॉट जोड़ेंSo called snake oil salesmen at carnivals are often used as the symbols of hoaxters. There are much more globally sinister hoaxters in the form of world leaders of totalitarian regimes, lead... सभी पढ़ेंSo called snake oil salesmen at carnivals are often used as the symbols of hoaxters. There are much more globally sinister hoaxters in the form of world leaders of totalitarian regimes, leaders such as Adolf Hitler, who promised of a bright new world in order to gather support. A... सभी पढ़ेंSo called snake oil salesmen at carnivals are often used as the symbols of hoaxters. There are much more globally sinister hoaxters in the form of world leaders of totalitarian regimes, leaders such as Adolf Hitler, who promised of a bright new world in order to gather support. A longer term hoax than that of Naziism is Communism, the two which, despite being on a dif... सभी पढ़ें

  • लेखक
    • Herman Hoffman
  • स्टार
    • Marilyn Erskine
    • Howard Keel
    • George Murphy
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    5.5/10
    216
    आपकी रेटिंग
    • लेखक
      • Herman Hoffman
    • स्टार
      • Marilyn Erskine
      • Howard Keel
      • George Murphy
    • 14यूज़र समीक्षाएं
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      • कुल 1 नामांकन

    फ़ोटो3

    पोस्टर देखें
    पोस्टर देखें
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    टॉप कलाकार32

    बदलाव करें
    Marilyn Erskine
    Marilyn Erskine
    • Narrator
    • (वॉइस)
    Howard Keel
    Howard Keel
    • Narrator
    • (वॉइस)
    George Murphy
    George Murphy
    • Narrator
    • (वॉइस)
    Walter Pidgeon
    Walter Pidgeon
    • Narrator
    • (वॉइस)
    Dore Schary
    Dore Schary
    • Narrator
    • (वॉइस)
    Barry Sullivan
    Barry Sullivan
    • Narrator
    • (वॉइस)
    Robert Taylor
    Robert Taylor
    • Narrator
    • (वॉइस)
    James Whitmore
    James Whitmore
    • Narrator
    • (वॉइस)
    Winston Churchill
    Winston Churchill
    • Self
    • (वॉइस)
    Dwight D. Eisenhower
    Dwight D. Eisenhower
    • Self
    • (आर्काइव फ़ूटेज)
    William Green
    • Self
    • (आर्काइव फ़ूटेज)
    Hermann Göring
    Hermann Göring
    • Self
    • (आर्काइव फ़ूटेज)
    Rudolf Hess
    Rudolf Hess
    • Self
    • (आर्काइव फ़ूटेज)
    Adolf Hitler
    Adolf Hitler
    • Self
    • (आर्काइव फ़ूटेज)
    J. Edgar Hoover
    J. Edgar Hoover
    • Self
    • (आर्काइव फ़ूटेज)
    King George V
    King George V
    • Self
    • (आर्काइव फ़ूटेज)
    Vladimir Lenin
    Vladimir Lenin
    • Self
    • (आर्काइव फ़ूटेज)
    • (as V.I. Lenin)
    George C. Marshall
    George C. Marshall
    • Self
    • (आर्काइव फ़ूटेज)
    • लेखक
      • Herman Hoffman
    • सभी कास्ट और क्रू
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    उपयोगकर्ता समीक्षाएं14

    5.5216
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    फ़ीचर्ड समीक्षाएं

    Michael_Elliott

    Poor

    Hoaxters, The (1952)

    * 1/2 (out of 4)

    MGM short is pure propaganda, which ranks right down there with Triumph of the Will and various other films. The film tries to show claims that Communist and anyone wanting to make money are no different than Nazis. This film runs just over 30-minutes and I'm sure at the time it had its heart in the right place but it's very dated today and some of the films claims are just downright silly. Howard Keel, George Murphy, Walter Pidgeon, Barry Sullivan, Robert Taylor and James Whitmore narrate various parts of the film. Technically speaking the film is very well made but that doesn't add to the entertainment value.
    aimless-46

    Amusing and Scary

    To really appreciate the amusement value of this pseudo-documentary (and the truly scary nature of this sort of propaganda) it is necessary to understand the political situation of Europe and North America during the middle years of the 20th century. While isolationism (America First Committee) was generally favored by much of the population; both Europe and America had seen a growth of antiliberalism (a mix of fascism and interventionist sentiment). This surge in antiliberalism was part of a gradual evolution over the preceding six decades.

    It expressed violent opposition to liberalism and social democracy; but reserved its most vitriolic rants for Marxism (later communism and Bolshevism-Hitler termed it Judeo-Bolshevism). In Germany before the war and in America after the war, it included an extreme brand of nationalism. "The Hoaxters" even spends a moment at the grave site of Karl Marx; branding him the greatest evil of the world.

    The irony of "The Hoaxters" (and the quality Nazi propagandist Joseph Goebbels would have found most amusing) is its basic premise of equating Nazi antiliberalism (an ideology much closer to that of this film's makers and backers) with the perceived ideology of America's enemy-of-the-decade; the Soviet Union.

    Indeed Hitler nicely summed up his core belief and social Darwinist attitude as: "In this struggle the stronger, the more able, win, while the less able, the weak, lose. Struggle is the father of all things ... It is not by the principles of humanity that man lives or is able to preserve himself above the animal world, but solely by means of the most brutal struggle". Which is much closer to free market capitalism than to Marxism's: "From each according to his ability, to each according to his need".

    Flush from their triumphs over Germany and Japan; both America and the Soviets were in need of a credible enemy. They served each other well in this capacity; with fear routinely employed by both countries to prevent a return to isolationism.

    But the documentary does not limit itself to traditional saber rattling. It evokes the snake oil salesman analogy to discredit and dismiss any new fangled notions of government. It even anticipates that the socio-economic situation of blue-collar workers, women, and minorities back in 1952 might make them less receptive to simplistic arguments about freedom and democracy. Jackie Robinson and Walter Reuther appear briefly to proclaim that their respective races and classes are solidly behind America (something to the effect that they would rather be discriminated and exploited here; than have to live in the Soviet Union).

    The documentary is professionally made and narrated.

    Then again, what do I know? I'm only a child.
    7BrianN

    "Beware of the Phony Patriot"

    This is a nifty little piece of American Cold War propaganda. Much time is spent comparing the methods of the USSR to those of the WWII Axis powers.

    Deeper than that, though, is the ending, which draws a clear comparison of the "medicine-man" tactics used by all those aforementioned enemies and the McCarthyites, who at the time of this film's release were in full swing.
    4reader4

    Sickening Propaganda Piece

    The Hoaxters only rates a four out of ten. The production value is very high, and it has big-name stars doing the narration, but the subject is so repugnant that it is almost nauseating to watch.

    I'm glad it wasn't listed as a Documentary, because it is certainly anything but. Its purpose is indoctrination, pure and simple. It is sort of the American version of a Leni Riefenstahl film, except that her films are a lot more upbeat and enjoyable to watch.

    It starts out equating Hitler, Mussolini and Hirohito. Then, the first banner headline word zooms across the screen: "COMMUNISM" Almost immediately, Stalin is equated with the first three. "All dictators are the same," is chanted throughout the film at intervals in between segments of the narration.

    The film is a classic example of what George Orwell termed "double-think." It rails against "The Big Lie" while at the same moment spouting some of the most incredible whoppers I have ever heard! Just a minor example is J. Edgar Hoover, the King of Blackmail, stating that he would never want to see anyone publicly embarrassed as a result of his investigations.

    At one point, it is railing against dictators and the one-party system, and in the same breath has the nerve to show film footage of Senator Joseph McCarthy!

    The thing I personally found most offensive was its presentation that all the anti-war protests at the White House were engineered and funded by the International Communist Party, and that as soon as Stalin and Hitler had a falling out, the demonstrations instantly evaporated.

    The film kept my interest. In fact, it is fascinating. But rather in the same morbid way as I imagine watching a train wreck taking place would be.

    At the very least, "The Hoaxters" is worth watching as a lesson in history, and also as a textbook example of propaganda techniques which are still widely used and very effective today.
    7nickenchuggets

    Snake oil

    In the 1950s, the word "communist" was essentially used to describe anything americans didn't like. The USSR's previously friendly attitude towards the United States was gone by this point, although you could argue they never liked us to begin with. In this half hour film from the 50s, we learn how Soviet Russia was really not much different from Germany under Hitler, and was even worse than him in many respects. The early part of the film shows a snake oil salesman, meant to represent people like Hitler, Mussolini and Stalin. The salesman claims what he's selling is like magic and will make all your problems go away, strikingly similar to what dictators in the 30s and 40s were telling their citizens in regards to their policies. The film argues that despite Hitler saying Communism was his regime's ultimate nemesis, there's very little difference between the two ideologies. Nazis believe that everyone should work together for the betterment of the whole country (just like communists), and both parties had offshoot organizations in the USA, such as the German American Bund. These people were living in America under its protection but were still preaching about how Hitler will make things right. It's also worth pointing out that many people in Hollywood in the 30s were actual communists, as they wanted to take a stance against Hitler. Both communists and nazis were treated with equal disdain by the FBI, who shut down many of their meetings and arrested their members. The film then goes on to draw comparisons between Nazi Germany and the USSR, saying how both countries banned free speech and people voting in elections had their choice of only one person: Hitler or Stalin respectively. The most interesting part of the film comes when the narrator says the Soviet Union changed its attitude towards America 7 whole times in the 30s and 40s. He says they hated America at first because they viewed us as dirty capitalists, but then changed their attitude when they noticed Germany becoming more and more powerful. Later, Stalin changes his mind again and accepts a peace deal with the Nazis, hoping to bide his time long enough until his country can achieve military parity with Germany. Once Hitler invades the USSR, they have no choice but to once again change their thoughts on America, as they desperately need vehicles and weapons. Finally, after the war is over, the Soviets decide to be hostile to the US since they see them as an adversary with a different, non-socialist mindset. Russia is once again America's enemy, but during ww2, we put our differences aside to defeat the common threat of national socialism. I thought this film was interesting, but it didn't tell me much I didn't know already. Anyone with a brain in their head should be aware of the fact that Stalin was more evil than Hitler, but for whatever reason he is still widely venerated in Russia, alongside other human garbage like Trotsky and Lenin. Even the biggest mass murderer in history Mao Zedong, whose industrial and agricultural policies killed around 70 million Chinese, is held in high esteem today. Every single chinese bank note has his face on it. It's a good example of the winners writing history, since if Stalin lost world war 2 (or if Mao lost china's civil war), they would probably be just as hated as Hitler is now. The USSR was also a horrible place to live for much of its existence, and only started to improve towards the very end of its life in the mid 1980s. Even then, saying anything bad about the government was liable to get you in prison. Overall, this short brings up some good points about how the Soviet Union used many of the same tactics the nazis did, such as crushing free speech, getting rid of political adversaries, and silently disposing of troublemakers via a secret police force. It goes to show that most dictators are all the same, despite their differing beliefs.

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      The credits show the title 'The Hoaxters' change from typeface to stylized letters composed of tools of oppression and tyranny, with concentration toward Nazi and Communist symbols. The 'H' is made up of a Machine Gun/Knife combination, the 'O' is a Noose, the 'A' is made up of a Whip crossed with a Blackjack, The 'X' becomes a Swastika, the 'T' becomes a Gallows, the 'E' a combination Sickle and Hammer, the 'R' is shaped from a Ball and Chain, and the 'S' becomes a rattlesnake.
    • भाव

      [first lines]

      [opening title card]

      Title Card: The film you are about to see is an objective report. This film is based on fact, documented by history, and presented in the cold photographic light of events that have actually occurred.

    • क्रेज़ी क्रेडिट
      All credited performers listed after the 8 narrators are identified by one of the narrators.
    • साउंडट्रैक
      Entry of the Gladiators
      (1897) (uncredited)

      Written by Julius Fucík

      Played during the opening scenes

    टॉप पसंद

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    बदलाव करें
    • रिलीज़ की तारीख़
      • 5 दिसंबर 1952 (यूनाइटेड स्टेट्स)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
    • भाषा
      • अंग्रेज़ी
    • उत्पादन कंपनी
      • Metro-Goldwyn-Mayer (MGM)
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      • $1,19,000(अनुमानित)
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    • चलने की अवधि
      • 36 मि
    • रंग
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      • 1.37 : 1

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