A Girl in Every Port

Groucho Marx and William Bendix play two navy buddies, Benny Linn and Tim Dunnovan, who get a race horse that turns out to have a twin.They try to make a little money with the help of the twin horses.Chester Erskine's comedy A Girl In Every Port from 1952 isn't all that bad of comedy, if you ask me.It has got Groucho Marx in it, who can safe any movie.If course this doesn't reach near the classic stuff he did with his brothers Harpo and Chico, but he still gets to deliver some witty lines that safe a lot of this movie.William Bendix doesn't stay too much behind.He and Groucho make a great team.Marie Wilson plays Jane Sweet, a dumb blonde and isn't at all dumb in her role.Don DeFore does also good job as Bert Sedgwick.This movie may not be a masterpiece, but pretty good anyway.It made my Sunday afternoon a little better.

Groucho Marx made this film for his friend, producer Irwin Allen and they would work together again with co-star Marie Wilson in the overblown epic comedy THE STORY OF MANKIND. A GIRL IN EVERY PORT is an unfunny comedy starring funny people (William Bendix included) that perhaps were a bit beyond their prime (products of the studio system which had fallen apart they were dumped into TV with some success and took what ever they could get in low-budget theatrical garbage like this). Irwin Allen, who showed greatness in adventure and science fiction just didn't have the knack for a full blown comedy and had the good sense to quit producing comedies after making just a couple (though some would argue Irwin Allen's LOST IN SPACE became a camp comedy after the first year). Marie Wilson (best known as MY FRIEND IRMA) starred in another horse racing comedy called SWEEPSTAKES WINNER (1939). If you can catch that film on TCM it's a lot funnier and a much better year for movies.

After years of knowing about this movie, I just now finally watched this online. It stars Groucho Marx without either of his brothers with William Bendix, Marie Wilson, and Don DeFore, the latter two I previously saw in My Friend Irma when DeFore was potentially romantically paired with the other leading lady, Diana Lynn. The movie's about a couple of sailors dealing with a horse. I think that's all I'll say about the plot which can be quite confusing but is still quite funny considering some of the lines and the delivery of especially Groucho. By the way, this was only the second of producer Irwin Allen's movies starring that Marx brother, the previous one being Double Dynamite. He'd cast Groucho one more time in The Story of Mankind which also featured his siblings Harpo and Chico, all in separate segments.

Groucho Marx and William Bendix deserve much better material than what they are given here. A bad script with unfunny jokes gives these two talents nothing to work with. Why they ever agreed to do this film is one of the great mysteries of Hollywood!

"A Girl In Every Port" is the story of two navy buddies who are stuck with a bum horse and try with all of their brilliance to turn a buck in the end.

Although not a great comedy by any means, "A Girl In Every Port" still shines in its own right. We are able, once we acknowledge that this is a vehicle for Groucho, to disregard any technical flaws and view it on its primary aspects: acting and scripting. In terms of acting, this is the intersection of three type-cast performers at the height of their type. Groucho Marx, older than we all remember, had just begun "You Bet Your Life," and was beginning to establish himself as a solo performer. His wise-guy persona, without the foils of his brothers, stands up well on its own. Marie Wilson plays her part as spot on as ever. She is a trite as the "dumb blonde," but she is just so good at it that we can forgive the cliché and embrace the goofiness. Finally, William Bendix plays the dumb but lovable tough that we will always remember him as. Mix up these caricatures with a script full of one-liners in three varieties and we have successful lightness. Bendix and Wilson are able to be dumb together, but, of course, in their own way, and the naïveté of their characters is wonderful against the poison that Groucho Marx brings to the screen. The jokes are wicked, mostly, and the story, although confused, unintelligent, and played out, is decent enough to string along the performances of two great B-listers and one master of comedy.