Carbine Williams

... and definitely a change from the more affable fellows he had been playing.

Marsh Willliams (James Stewart) is a guy with a chip on his shoulder, running a still during Prohibition. He is doing this for economic reasons, and also, like most people, thought that the 18th amendment was ridiculous. When his still is surrounded by federal agents. Marsh, along with the others working the still, run but first return fire with the agents, and one agent is killed. Convinced by his wife (Jean Hagen) to surrender, his murder trial ends in a mistrial - it could not be determined who fired the fatal shot - and Williams decides to plead guilty to second degree murder rather than have his father sell some of his land to pay for a second trial. He is sentenced to thirty years hard labor and unsuccessfully tries to convince his wife to divorce him so she can remarry somebody who can be with her.

On one level the film is a pseudo biography of Williams in prison and how he develops a semi-automatic rifle using just the tools he has in the prison blacksmith shop, and how focusing on that task literally changes his personality for the better. On another level it is a scathing indictment of the prison system and its brutality as it existed in the US until the middle of the twentieth century.

Jean Hagen plays Marsh's devoted and loyal wife, and Wendell Corey is good as H. T. Peoples, the warden of the prison farm Williams lands at after spending time in some horrendous places such as the chain gain and the rock pile. Peoples wants to know what makes Williams tick, but Williams keeps testing his authority in front of the other prisoners, creating a dangerous situation for himself should he just let these incidents go. When Williams ends up lasting 30 days in "the hole" when no other prisoner could endure a week he wants to know why, and the answer is intriguing.

At its core, Carbine Williams is a story of resilience, innovation, and redemption. Carbine's determination to develop a safer and more efficient firearm mechanism while serving time in prison is both inspirational and a testament to the human spirit's capacity for growth and change. The film does an excellent job of highlighting the importance of second chances and the potential for individuals to make positive contributions to society, even after making grave mistakes.

This is a great story about David Marshall Williams - an independent spirited man who rightfully or wrongfully gets accused of killing a law enforcement officer during a moonshine distillery raid and goes to prison. The twist is that he's not a career criminal but a strait forward man, and also an inventor who comes across wrong during the trial for speaking the event as he believes it, and gets the unfair blame for the death. Williams (Jimmy Stuart) is an honest man who says things as he believes it - which doesn't win him charm points with the prison warden, but has a principle he believes in. Some of his integrity shines through, and although seen as a trouble maker, he is entrusted to be in the machine shop of the prison. There he puts his mind to work and starts working on a new rifle design. During one altercation, he's thrown into solitary confinement where he uses the time to invent the new gas action loading mechanism for his rifle. By this time prison warden Capt. H.T. Peoples (Wendell Corey) is sympathetic with Williams and allows him to develop his idea. He even allows Williams to have time out of prison to spend with his wife. Marshall could have escaped during this time, but he returns to prison again showing his strait forward integrity. On the day Williams completes the design, to test fire the rifle, Capt. Peoples hands Williams the bullet - warden is giving his prisoner a bullet to fire a rifle ! The design works, and Williams applies for patent. Colt fire arms is interested in his design, and visits him in prison to license his design. The design becomes none other than the M1 rifle which became the staple fire arms during WW II for the U.S. military.

This is a great story told by great actors about a man who despite his odds achieved something no short of a miracle. It also tells a story about human heart, that there are good men who can be understanding, generous, and develop friendship despite situations they are placed under. James Stuart play the role of Carbine Williams character perfectly. An honest man of few words, but lives by a principle he believes in. He's an anti-hero of a sorts in this movie, but is my most favorite part he's ever played in a movie. Wendell Corey plays somewhat of a protective role to Williams who he understands is living life too honestly for his own good. Their muted but genuine friendship shines through in this film.

One of the few unknown classic of Hollywood. A marvelous movie to watch.

This is the story of convicted murderer David Marshall Williams who invented the M-1 carbine rifle that was used in WW11. This is James Stewart at his laid back, laconic best.However he injects a darker side to his role as a moonshiner,wrongly or rightly accused of killing a federal Marshall.His innocence or lack of it was neatly sidestepped as this is the story of his invention not of his crime. For modern films viewers the prison scenes may seem slightly twee and a bit too clean cut compared to modern prison classics such as The Shawshank Redemption and the Green Mile but some scenes really pack a punch they include a man being whipped and James Stewert in solitary confinement for differences with the prison warden. Jean Hagen does well in a supporting role as his wife who promises to wait for her husband till he completes his 30 year prison sentence. This film also has moments of great beauty the foremost being David M Williams being let out of jail for 24 hours to visit his wife.He is trying to get his wife to divorce him and she says, "without you I am only half a person,you are my other half".Priceless. This may not be considered by many to be a classic movie but it is certainly a very satisfying one that gives you a warm feeling inside at the end. Thank you TCM for showing another golden oldie.8/10

I joined the Navy in 1951. I saw Carbine Williams before I joined in Tacoma, Wa. I saw it in San Diego ,Ca. before I left for Korea Then it was shown aboard the carrier Kearsarge while in the Sea of Japan.I cant remember where I saw it the next few times but I remember I saw it a total of eight times and enjoyed it more each time I saw it. I was especially happy when Marsh was pardoned for his crime.They didn't know for sure if he shot the government man ,but since he was considered the best shot in the group he was blamed and convicted. It was just a movie with a lot of heart.I would watch it again if I could find a copy. If anyone knows where I can get a copy of this movie I would be very happy.

As an actor, James Stewart seems to have hit his stride in the fifteen years or so after the Second World War. Known up to this point as a gee-whiz, gulp-and-golly, boy-next-door Everyman type, Stewart took on roles of increasing complexity, most notably in the psychological "adult" westerns of Anthony Mann. Even his famous and much loved role as George Bailey in "It's a Wonderful Life" contains a dark brooding undercurrent which belies its sunny reputation as a feel-good family Holiday film. All of which goes to show that Stewart could bring something unexpected to even the "corniest" movies.

In "Carbine Williams", Stewart plays the title role, a moonshiner who is convicted of murdering a Federal agent, and who then gets sent to a chain gang after being implicated in a prison murder. His rebellious nature brings him into conflict with the warden at the prison farm, Captain Peoples (Dracut MA's own Wendell Corey), until he discovers a means of channelling his anger and bitterness.

The real-life David Marshall Williams did indeed invent the improvements in firearms which led directly to the development to the M-1 carbine, the weapon which helped to win World War II. And he did it while serving a long prison sentence for murder. The story is interesting enough on its own, but Stewart brings an intensity and heart to the role which makes it even more fascinating than a mere telling of the facts would be.

One of many excellent films James Stewart made during the 1950's, this one is somewhat obscure, not particularly well-remembered today. But it deserves to be.