IMDb रेटिंग
5.7/10
2 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंA Quaker colony tries to save the giant sequoias from a timber baron.A Quaker colony tries to save the giant sequoias from a timber baron.A Quaker colony tries to save the giant sequoias from a timber baron.
- निर्देशक
- लेखक
- स्टार
Mel Archer
- Ole
- (बिना क्रेडिट के)
Benjie Bancroft
- Townsman
- (बिना क्रेडिट के)
John Barton
- Lumberman
- (बिना क्रेडिट के)
Arthur Berkeley
- Lumberman
- (बिना क्रेडिट के)
Lilian Bond
- Daisy's Girl
- (बिना क्रेडिट के)
Chet Brandenburg
- Lumberman
- (बिना क्रेडिट के)
Sue Casey
- Young Lady
- (बिना क्रेडिट के)
Jess Cavin
- Townsman
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
Kirk Douglas offered a very good performances in a movie that I really didn't expect much out of, but that turned out to be surprisingly interesting. Neither the title nor the plot gave me high hopes. The story is about the efforts of a religious community to prevent the cutting down of California's giant redwoods by a Wisconsin lumberman. It doesn't sound particularly exciting, but actually turns out to be pretty good. Douglas is the lumberman - Jim Fallon - a charismatic conniver who seems able to convince anyone of his good intentions, even while he plots to take as much advantage of them as he possibly can. There's some decent enough action, particularly the scene in which Fallon tries to rescue Sister Chadwick (Eve Miller) from the out of control train. There's also good use of humour, provided both by Douglas and Edgar Buchanan as "Yukon" Burns, who becomes first Fallon's right hand man and then his antagonist - and who actually ends up being appointed as a marshall by a local judge (Roy Roberts) who's sympathetic to the religious folk and is willing to twist and turn every law on the book to help them.
That evolution is one of the problems with the movie, however. People change too fast from good guys to bad guys, or from friends into enemies, and it's hard to really understand how the changes came upon them, which sometimes makes it hard to keep track of who's on whose side at any given time, and the final evolution of Fallon - telegraphed as it from the moment he arrives in California - is still hard to believe. I also thought that aside from Douglas and Buchanan, the performances were average at best. Still, it's not a bad watch. 6/10
That evolution is one of the problems with the movie, however. People change too fast from good guys to bad guys, or from friends into enemies, and it's hard to really understand how the changes came upon them, which sometimes makes it hard to keep track of who's on whose side at any given time, and the final evolution of Fallon - telegraphed as it from the moment he arrives in California - is still hard to believe. I also thought that aside from Douglas and Buchanan, the performances were average at best. Still, it's not a bad watch. 6/10
Okay western tells the tale of Kirk Douglas as a would-be lumber baron with more charm than business savvy. Not as good as it could have been with a little sharper direction, but the dialog has some spark and Douglas shines like a new penny when he smiles.
He gets adequate support from the usual suspects, with Patrice Wymore particularly good as his dance hall prostitute girlfriend. Eve Miller as the real love interest is a bit flat by comparison, even granted that she's stuck in the role of a holy roller trying to protect California's giant redwoods.
The plot manages to get genuinely clever at times, with the local judge conspiring to help the Quakers foil Douglas's lumber scheme, Douglas scheming right back, and then the whole thing going topsy-turvy. Still, something is missing (and the faded print I saw didn't help) but the ending goes big to try to save it and nearly succeeds. Worth the time for fans of Douglas, but not a must-see title.
He gets adequate support from the usual suspects, with Patrice Wymore particularly good as his dance hall prostitute girlfriend. Eve Miller as the real love interest is a bit flat by comparison, even granted that she's stuck in the role of a holy roller trying to protect California's giant redwoods.
The plot manages to get genuinely clever at times, with the local judge conspiring to help the Quakers foil Douglas's lumber scheme, Douglas scheming right back, and then the whole thing going topsy-turvy. Still, something is missing (and the faded print I saw didn't help) but the ending goes big to try to save it and nearly succeeds. Worth the time for fans of Douglas, but not a must-see title.
"The Big Trees" is a Western, set in northern California around 1900. The main character is Jim Fallon, a timber baron who has recently moved to the state from Wisconsin. Fallon's motive is to take advantage of a new law which will allow him to stake a claim to the area's dense forests. Fallon especially has his eyes on the giant redwoods, the world's largest (and among its oldest) trees which he believes will net him a handsome profit. There is, however, a problem. A religious community have made their home in the forest and are determined to save the trees, which they regard as symbols of the power and majesty of God. So sacred are the trees to them that they even hold their services outdoors in a redwood grove rather than in a church. (The sect have some similarities with both the Amish and the Quakers, although they are probably not intended to be identified with either). A further complication arises when Fallon falls for Alicia, an attractive young widow who is a member of the sect.
In the first half of the film Fallon is portrayed as a rogue, smooth and plausible but unscrupulous and not always likable. About halfway through, however, he undergoes a change of heart and becomes one of the good guys, fighting alongside the sect in order to save the trees from his former associates, who turn out to be even more greedy and unscrupulous than he ever was.
The film has some good points. The photography of the Californian forests is well done and there are some good action sequences, including a scene where Kirk Douglas leaps onto a runaway train . The theme is a potentially interesting one; environmentalism was not as hot a topic in the early fifties as it has become since, so a film with a conservationist theme was something of a novelty. Moreover, the film gives an interesting slant to the subject, showing the religious roots of the environmental movement.
Despite this, however, the film also has its weaknesses. The plot is excessively complex; at times it seems as though you need a thorough knowledge of Californian land law in order to understand what is going on. It also goes through too many twists and turns, with characters assumed to be bad turning out to be good and vice versa, with abrupt changes of mood. At times it all seems fairly light-hearted and then turns into serious drama as two major characters meet violent deaths in quick succession. The acting is generally poor. This is not, by any stretch of the imagination, Douglas' best film or best performance, but the supporting cast are no better. Overall, "The Big Trees" tries to be unusual but ends up as just a standard action movie, and not a very good one. 5/10
In the first half of the film Fallon is portrayed as a rogue, smooth and plausible but unscrupulous and not always likable. About halfway through, however, he undergoes a change of heart and becomes one of the good guys, fighting alongside the sect in order to save the trees from his former associates, who turn out to be even more greedy and unscrupulous than he ever was.
The film has some good points. The photography of the Californian forests is well done and there are some good action sequences, including a scene where Kirk Douglas leaps onto a runaway train . The theme is a potentially interesting one; environmentalism was not as hot a topic in the early fifties as it has become since, so a film with a conservationist theme was something of a novelty. Moreover, the film gives an interesting slant to the subject, showing the religious roots of the environmental movement.
Despite this, however, the film also has its weaknesses. The plot is excessively complex; at times it seems as though you need a thorough knowledge of Californian land law in order to understand what is going on. It also goes through too many twists and turns, with characters assumed to be bad turning out to be good and vice versa, with abrupt changes of mood. At times it all seems fairly light-hearted and then turns into serious drama as two major characters meet violent deaths in quick succession. The acting is generally poor. This is not, by any stretch of the imagination, Douglas' best film or best performance, but the supporting cast are no better. Overall, "The Big Trees" tries to be unusual but ends up as just a standard action movie, and not a very good one. 5/10
Hi, Everyone,
This movie lumbers along. I would (wood) be going out on a limb if I said it was exciting, but it has some good moments. The runaway train sequence is OK, but not up to some other movie runaway trains, like Runaway Train. The scenes with Kirk (or his stuntman) jumping onto a train work very well. He was in good physical condition when this was made. His closeups are even exciting during the action sequence.
Kirk Douglas has been much better in many other movies. He looks athletic here and he acts adequately. Edgar Buchanan is miscast, even though he does a good job as a tough guy, of sorts. I would have tried to get Victor Mature or maybe Robert Mitchum for the part Edgar did.
If you like train movies, try The Train with Burt Lancaster or Silver Streak with Gene Wilder. For better train wrecks, try Greatest Show on Earth or Bridge on the River Kwai.
There is one musical number that is done well. Beautiful scenery galore. A couple of good stunts. Not so good fight scenes. This would be a good film for a double feature Kirk Douglas night, but it is not his best.
I will leaf you now.
Tom Willett
This movie lumbers along. I would (wood) be going out on a limb if I said it was exciting, but it has some good moments. The runaway train sequence is OK, but not up to some other movie runaway trains, like Runaway Train. The scenes with Kirk (or his stuntman) jumping onto a train work very well. He was in good physical condition when this was made. His closeups are even exciting during the action sequence.
Kirk Douglas has been much better in many other movies. He looks athletic here and he acts adequately. Edgar Buchanan is miscast, even though he does a good job as a tough guy, of sorts. I would have tried to get Victor Mature or maybe Robert Mitchum for the part Edgar did.
If you like train movies, try The Train with Burt Lancaster or Silver Streak with Gene Wilder. For better train wrecks, try Greatest Show on Earth or Bridge on the River Kwai.
There is one musical number that is done well. Beautiful scenery galore. A couple of good stunts. Not so good fight scenes. This would be a good film for a double feature Kirk Douglas night, but it is not his best.
I will leaf you now.
Tom Willett
I have a home in the middle of a redwood forest, so I was thrilled to see "The Big Trees". Imagine my surprise when I then learned that the story was set very close to us--in the Mendocino National Forest. Much of the film was filmed closer to the coast in Eureka...but both are certainly beautiful places and are pretty much unspoiled today...something that might shock folks when they hear of California.
When the story begins in 1900, Jim Fallon (Kirk Douglas) is trying to fast-talk his men, as he keeps making promises but he's a lying huckster. Now his latest scheme is to get rich off California redwood lumber...and he has a new partner, Yukon Burns (Edgar Buchanan), and he sends the man out west to investigate the land before he arrives a bit later. When Fallon arrives, he learns that Yukon has been taken in by some very nice Quakers and this partner doesn't realize Fallon is a scheming jerk who wants to cheat those folks off their land.
So is this any good? Well, not especially. Although Warner Brothers did some nice location shooting and filmed the movie in color, it really is a B-western with only a few minor changes. This time, instead of the baddies trying to steal all the land for their cattle empires (the most familiar plot in these B-westerns), it's folks stealing land for trees. And, although Kirk Douglas stars in this one, he really wasn't a big star yet...though he was well on his way. But I couldn't love this slick movie because some of it simply doesn't make sense--especially the love interest. We are to believe that although Fallon, at least indirectly, was responsible for a man's death, only moments later in the film the dead man's daughter announces she's in love with Fallon! Plus, Fallon never really deserved this love...he was an underhanded jerk...at least until the obligatory redemption at the end. Overall, a nice looking film....and I liked the trees...but one that I can understand why Douglas himself wasn't very proud of the movie. Overall, watchable but not much more.
When the story begins in 1900, Jim Fallon (Kirk Douglas) is trying to fast-talk his men, as he keeps making promises but he's a lying huckster. Now his latest scheme is to get rich off California redwood lumber...and he has a new partner, Yukon Burns (Edgar Buchanan), and he sends the man out west to investigate the land before he arrives a bit later. When Fallon arrives, he learns that Yukon has been taken in by some very nice Quakers and this partner doesn't realize Fallon is a scheming jerk who wants to cheat those folks off their land.
So is this any good? Well, not especially. Although Warner Brothers did some nice location shooting and filmed the movie in color, it really is a B-western with only a few minor changes. This time, instead of the baddies trying to steal all the land for their cattle empires (the most familiar plot in these B-westerns), it's folks stealing land for trees. And, although Kirk Douglas stars in this one, he really wasn't a big star yet...though he was well on his way. But I couldn't love this slick movie because some of it simply doesn't make sense--especially the love interest. We are to believe that although Fallon, at least indirectly, was responsible for a man's death, only moments later in the film the dead man's daughter announces she's in love with Fallon! Plus, Fallon never really deserved this love...he was an underhanded jerk...at least until the obligatory redemption at the end. Overall, a nice looking film....and I liked the trees...but one that I can understand why Douglas himself wasn't very proud of the movie. Overall, watchable but not much more.
क्या आपको पता है
- ट्रिवियाAccording to Kirk Douglas in his autobiography "The Ragman's Son", he agreed to act in this film for free, in order to end his contract with Warner Bros. He later said, "It's a bad movie."
- गूफ़Walter 'Yukon' Burns has come from the Yukon gold rush, supposedly in Alaska. Although the gold fields of the Yukon Gold Rush of 1897 were predominately in Canada, the Yukon Territory is (and was) completely landlocked, accessibly only by traveling through Alaska on routes such as the Chilkoot Trail, the White Pass Trail, or the Klondike River. It is appropriate to regard 'Yukon' Burns as coming from Alaska.
- भाव
Daisy Fisher: [to Frenchy] You stye on the eye of a flea on a thigh of a nit on the neck of a gnat!
- कनेक्शनReferenced in The Dick Cavett Show: Kirk Douglas (1971)
- साउंडट्रैकThe Soubrette on the Police Gazette
(uncredited)
Music by M.K. Jerome
Lyrics by Jack Scholl
Sung and Danced by Patrice Wymore
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is The Big Trees?Alexa द्वारा संचालित
विवरण
- चलने की अवधि
- 1 घं 29 मि(89 min)
- पक्ष अनुपात
- 1.37 : 1
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