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The Abbott and Costello Show

  • टीवी सीरीज़
  • 1952–1957
  • TV-G
  • 25 मि
IMDb रेटिंग
8.1/10
1.4 हज़ार
आपकी रेटिंग
Bud Abbott and Lou Costello in The Abbott and Costello Show (1952)
The Abbott And Costello Show: The Pigeon
trailer प्ले करें2:00
53 वीडियो
84 फ़ोटो
स्लैपस्टिककॉमेडीपरिवाररहस्य

अपनी भाषा में प्लॉट जोड़ेंBud and Lou are unemployed actors living in Mr. Fields' boarding house. Lou's girlfriend Hillary lives across the hall. Any premise would lead to slapstick, puns, lots of gimmicks from their... सभी पढ़ेंBud and Lou are unemployed actors living in Mr. Fields' boarding house. Lou's girlfriend Hillary lives across the hall. Any premise would lead to slapstick, puns, lots of gimmicks from their movies.Bud and Lou are unemployed actors living in Mr. Fields' boarding house. Lou's girlfriend Hillary lives across the hall. Any premise would lead to slapstick, puns, lots of gimmicks from their movies.

  • स्टार
    • Bud Abbott
    • Lou Costello
    • Sid Fields
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    8.1/10
    1.4 हज़ार
    आपकी रेटिंग
    • स्टार
      • Bud Abbott
      • Lou Costello
      • Sid Fields
    • 19यूज़र समीक्षाएं
    • 10आलोचक समीक्षाएं
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  • एपिसोड52

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    वीडियो53

    The Abbott And Costello Show: The Pigeon
    Trailer 2:00
    The Abbott And Costello Show: The Pigeon
    The Abbott And Costello Show: Public Enemies
    Trailer 1:57
    The Abbott And Costello Show: Public Enemies
    The Abbott And Costello Show: Public Enemies
    Trailer 1:57
    The Abbott And Costello Show: Public Enemies
    The Abbott And Costello Show: Beauty Contest Story
    Trailer 1:33
    The Abbott And Costello Show: Beauty Contest Story
    The Abbott And Costello Show: Private Eye
    Trailer 2:00
    The Abbott And Costello Show: Private Eye
    The Abbott And Costello Show: Efficiency Experts
    Trailer 1:51
    The Abbott And Costello Show: Efficiency Experts
    The Abbott And Costello Show: South Of Dixie
    Trailer 1:15
    The Abbott And Costello Show: South Of Dixie

    फ़ोटो84

    पोस्टर देखें
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    पोस्टर देखें
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    + 78
    पोस्टर देखें

    टॉप कलाकार99+

    बदलाव करें
    Bud Abbott
    Bud Abbott
    • Bud Abbott
    • 1952–1954
    Lou Costello
    Lou Costello
    • Lou Costello
    • 1952–1954
    Sid Fields
    Sid Fields
    • Sid Fields…
    • 1952–1954
    Gordon Jones
    Gordon Jones
    • Mike Kelly…
    • 1952–1954
    Bobby Barber
    Bobby Barber
    • Hercules…
    • 1952–1954
    Hillary Brooke
    Hillary Brooke
    • Hillary Brooke…
    • 1952–1953
    Joe Kirk
    Joe Kirk
    • Mr. Bacciagalupe…
    • 1952–1953
    Milt Bronson
    Milt Bronson
    • Police Sergeant…
    • 1952–1954
    Joe Besser
    Joe Besser
    • Stinky Davis…
    • 1952–1953
    Donald Kerr
    • Engineer…
    • 1953–1954
    Bingo the Chimp
    Bingo the Chimp
    • Bingo the Chimp…
    • 1953
    Joan Shawlee
    Joan Shawlee
    • Cash Register Lady…
    • 1953
    Ray Walker
    Ray Walker
    • Policeman…
    • 1952–1954
    Murray Leonard
    Murray Leonard
    • Doctor…
    • 1953
    Veda Ann Borg
    Veda Ann Borg
    • Angry Wife…
    • 1953–1954
    Renie Riano
    Renie Riano
    • Helen Davis…
    • 1953–1954
    Lucien Littlefield
    Lucien Littlefield
    • First Man…
    • 1953–1954
    Dorothy Granger
    Dorothy Granger
    • Arguing Wife…
    • 1953
    • सभी कास्ट और क्रू
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    उपयोगकर्ता समीक्षाएं19

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    फ़ीचर्ड समीक्षाएं

    max von meyerling

    All of the greatest Burlesque routines done for the ages

    The raison d'etre of these 52 shows is the desire of Lou Costello to leave behind definitive versions of all of their burlesque and vaudeville routines. Most of these were not original, some having circulated since Plautus. Floogle Street (also known, incorrectly, as the Susquehanna Hat Company), Crazy House,

    Niagara Falls (Slowly I Turn) were all such staples that every new burlesque comic was expected to know them in case they were needed to fill in at a moments notice. They were part of the stock repertoire. What Abbott and Costello did was present the absolute perfect version of each bit. It was this absolute perfection which caused them to rise to the very top of burlesque, and to, uniquely, make the transition to the mass medium of films.

    They did these bits in their films but they were usually compromised by having plots and sub plots and romance and songs and whatever the studio executives or their agents (actually the same person) thought people who went to the movies wanted. Comparing their late films with the TV series is night and day. They look old and tired and out of shape in the films but crisp and perfectly timed on TV. The big difference with the TV series is that Lou Costello was in complete charge and did things his way. Absolutely the ne plus ultra of the burlesque comic genre, pardon my French.

    One day the National Film Registry will have to list the entire series as a national treasure. Lou Costello was right and their act was for the ages and this black and white series preserves it perfectly. Meanwhile watch that bit again where Mr. Bacciagalupe (I still call my greengrocer Mr. Bacciagalupe) convinces Lou that two bananas are really three bananas. Also the routine where Abbott convinces Costello not to let Mike the Cop push them around which keeps getting Lou hit on the head which is so much like modern international politics that it's frightening.

    P.S. Doing my Joe Besser ('Stinky') impression got me out of the draft.
    10jayraskin1

    Sublime Television. This is the Shakespeare of Television Vaudeville

    In the 1950's and 1960's, I believe these were run for an hour in the morning on WPIX in New York. This means I would watch ten episodes a week and after five weeks and one day, I saw every episode. Being born in 1953, I probably saw every episode ten times by the time I was five years old. I continued to watch them whenever I was home from school - sick, on holidays and during the Summer. I probably saw every episode 30-40 times by the time I was ten.

    In 2012, I bought the complete set DVD. Watching most of them for the first time in fifty years, I was amazed. They are as fantastically funny as they were back then for me. The only difference is that now I can appreciate the true brilliance of Lou Costello. This is the height of vaudeville comedy, an art-form developed and practiced from the 1860's to the 1940's in the United States. It was fast and witty and filled with slapstick kicks, slaps, punches and falls.

    Many films of the 1930's and 1940's was filled with this kind of material as was many television variety shows of the 1950's. The Three Stooges were perhaps the purest expression of it in movies, but Danny Kaye, Bob Hope and many others also put it in their movies.

    We get much of it in many Abbott and Costello films too, but it is generally mixed with songs, romance and many other plot elements. In the television series, the vaudeville elements dominate. We get about 20 minutes of straight vaudeville routines in many of the shows.

    Lou Costello produced the series, while Bud Abbott was just a hired hand on it. So the series really showcases Costello. Yet, he generally shows off all the other performers wonderfully. There are a half dozen other brilliant comedians like Sid Fields, Joe Besser, Joan Shawlee, Joe Kirk, Gordon Jones, and Hilary Brooke who are given a chance to shine. Even the chimpanzee, Bingo, the chimp, may be the funniest animal performer ever on television.

    The show creates a warm and beautiful world, where eccentricity is the norm. It is a place where violence is silly, not painful. The normality of this world breaks up swiftly into the absurd almost every minute.

    The only sad thing about this series is that there are only 52 episodes.
    10kurtack

    Genius Surrealism

    For the love of . . . Cecil! This stream of Burlesque bits, connected by the flimsiest - and surreal-est - of segues is very funny.

    Lou does tend to ad-lib, but watch also Abbott. He's hysterical! He was really the best "straight" man. He kept Lou on track. But, he also echoed Lou's actions in the background, as a sort of punctuation.

    And, of course, Mr. Fields, with all his relatives.

    Hard to pick a favorite bit. "Loafin'"; "Gold Ore"; "Floogle Street"; "Vacation".

    Don't forget "Hold That Cuckoo!", the quiz show the boys went on. Lou wins 1,000 pieces of bubblegum. A few days after the show, Abbott says "Are you still chewing that gum?", slaps Lou, the gum falls on the sidewalk in front of Mr. Fields' Rooming House, where a "Mr. Rednose" (Bobby Barber), slips and falls on the gum, gets up claiming he broke his leg,and ends up suing Mr. Fields. They all go to court, where Lou drives the judge crazy. And, "I'm positive!" about that!
    Russell Dodd

    Great fun

    The first series(with the montage of earlier films in opening credits) was excellent. Very funny and great atmosphere. They hardly made any sense and the scenes with Stinky seemed to be used mostly to pad out the episodes. Most enjoyable.

    The second series(Where Costello yells"Heeeeeeey Aaabbooooott!!) concentrated more on plot and the laughter was all from children and was less funny. Only a handful of episodes stood out. Half the cast left after the 1st series and they were sorely missed and Sid Field's character was toned down for some reason.

    This nostalgic fun should please the viewer. Always good for laugh. Good fun and good atmosphere.
    frankfob

    The grandfather of modern sitcoms?

    Sitcoms had been around for a few years when this show premiered, but none of them were anywhere near as funny (Jerry Seinfeld is on record as saying this show was the inspiration for his creating "Seinfeld") as this one. The premise of the show lent itself to Bud & Lou's reprising many of their most famous routines, and it was good to see them back in action. The two of them--especially Costello--seemed to have regained the spark they once had before a string of movie failures and the team's personal and physical problems (Lou's infant son had fallen into their backyard pool and drowned several years previously, a tragedy Lou never got over; Bud--unknown to many at the time--had epilepsy and his seizures were becoming more serious) combined to send their career into a tailspin, and this show was their chance to revive it. Even though Costello was no longer a young man (he was in his mid-50s when the series debuted) he could still take the pratfalls he was famous for, and the team's exquisite sense of timing seemed to have resurfaced (in one episode they did their famous "Lemon" gag that was simply amazing to watch). A first-rate supporting cast and a somewhat more adult atmosphere (Costello had a major--and completely understandable--case of the hots for beautiful Hillary Brooke, and he and Joe Besser's wonderful Stinky had some quite nasty fights) elevated this show beyond just kid's fare.

    Although it lasted only two seasons, this is a very fondly remembered show. It holds up well and is just as funny today as it was back when it was first shown.

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    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Even though he was a middle-aged man of 46 when the show began, Lou Costello did most of his own stunts on the show. An athlete in his youth, he was actually a stuntman in Hollywood for a time back in the silent era before he teamed up with partner Bud Abbott, and was renowned for taking spectacular pratfalls in his films and on stage. Stuntmen were used for the more potentially dangerous stunts--being knocked through walls, getting hit by cars, etc.--but most of the falls you see Costello take were actually done by him. For example, in the episode The Tax Return (1954), there's a scene in which two crooks break into Bud & Lou's apartment, and a rather knock-down, drag-out brawl erupts. Although it looks like a stuntman is doubling for Lou in the fight scene, at one point the "stuntman" turns around and it is very clear that it actually is Costello doing the fighting.
    • भाव

      Bud Abbott: Just mark down, "Dear druggist".

      Lou Costello: "Dear druggist"... Go ahead.

      Bud Abbott: Here's what you want. You want seven milligrams of sulfursilic monosetic acid diluted in seven micrograms of tincturized chlorophyll. Have you got that?

      Lou Costello: All but one part.

      Bud Abbott: What part?

      Lou Costello: The part that comes after "Dear druggist".

    • कनेक्शन
      Featured in Hey, Abbott! (1978)

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    अक्सर पूछे जाने वाला सवाल17

    • How many seasons does The Abbott and Costello Show have?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 14 सितंबर 1957 (यूनाइटेड किंगडम)
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      • Memorable Entertainment
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      • The Abbott and Costello show
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      • Hal Roach Studios - 8822 Washington Blvd., कल्वर सिटी, कैलिफोर्निया, यूएसए(Studio, 1952-1953)
    • उत्पादन कंपनी
      • Television Corporation of America
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