The Whip Hand

'Bad Day at Black Rock' meets 'Quatermass 2' in this gothic-looking RKO quickie directed by visionary production designer William Cameron Menzies and atmospherically photographed by veteran noir cameraman Nicholas Musuraca in which reporter Eliot Reid receives a frosty welcome in a decaying little hamlet straight out of Lovecraft.

Laurence Tuttle, later Sheriff Chambers' wife in 'Psycho' presciently plays a character called Molly Loomis.

This film was, obviously, made during the era when communists were considered to be the major threat to the security of the USA. If the viewer watches the film strictly to indulge in approximately 85 minutes of escapism it can provide some low key entertainment. The story moves pretty fast and never bogs down with any over-emphasis on character development or plot.

I had never seen this film prior to my viewing it on Turner Classic Movies. I was pleasantly surprised by the performance of Elliott Reed. I have seen him in several movies and, in all of the others, he portrays, basically, the same type of character, that is, a slightly officious mid level executive, a spurned suitor, etc. I really enjoyed seeing him, in this film, actually portray a romantic, leading man hero, type of character. Yes, this film is strictly fluff. But, it can provide enjoyment and, IMHO, is notable, for the casting of Mr. Reed as the "star".

A young reporter on vacation injuries himself and finds himself in a small town called Winnoga which seems to harbour a dark secret.

The Whip Hand is a suspenseful and taut thriller. There are plenty of colourful characters as a town full of fear are helped by a confident reporter who senses things are not as they seem. Elliott Reid is convincing as the reporter and Raymond Burr is quietly menacing as one of the conspirators.

The plot although featuring a sinister subject is fairly routine and predictable to today's audience but probably packed much more of a punch in the post war paranoid 1950's.

Although by no means a classic, this is a fairly enjoyable thriller and well worth watching at least once.

It's odd that I would give a propaganda film like this such a high score, but despite the odd plot the film IS very entertaining and tense and is still well worth seeing.

Matt Corbin (Elliott Reid) is a reporter for a news magazine. When he arrives in a small town in rural Minnesota, his reporter senses start tingling because things just don't add up there. Despite always being known as a great place to fish, all the fish are dead. And, despite there being no local industry or jobs, folks have moved INTO the town despite the crash of the fishing industry. And, finally, there is a compound nearby that is guarded like Fort Knox! Clearly something is going on here...and little does Corbin know that it's actually a base for germ warfare run by Commie-Nazis!! Why they didn't build it in the good 'ol USSR, I have no idea!

The plot is silly...but the sign of a good film is taking a ridiculous idea and making it seem possible and engaging. So don't worry that it's filled with mostly no-name actors and is a relatively low-budget picture, it's surprisingly good.

I was 12 years old when I first learned of this film from reading John Baxters chapter on William Cameron Menzies in his ground breaking book "Science Fiction in The Cinema.' The plot concerning germ warfare and Baxters praise of the film made me want to see it. I later learned from other sources that this film was made from a finished film called THE MAN HE FOUND, about Adolph Hitler being alive and well and living the USA. RKO studio heads did not like the film and ordered a new story written and new footage shot that would use as much footage from THE MAN HE FOUND as possible. This made me want to see it even more. But for years this film eluded me. It never showed up on TV, never shown as part of a Menzies retrospective and never turned up officially on video. It then turned up in the early 1990's late one night on TNT, where I taped it and have watched several times since.

While I found the film of some interest, I can certainly say Baxter over praised this film. Its not a bad cold war era espionage thriller, but other than the plot, its nothing special either. It is no doubt the least interesting of Menzies fantastic films that he both designed and directed. The court yard where infected guinea pigs wander around like zombies and Otto Waldis's lab are of some visual interest, but over all there isn't much of Menzies design genius evident. To comment on his direction is pointless, because Menzies was never a good director of actors. The reshooting and incorporating old scenes with the new scenes is done fairly well. I noticed where new scenes were inserted, but only because I was looking for them. Note that this film uses a lot of close ups. Otto Waldis as the former Nazi scientist, now working for Russian Communists is a bit hard to take. He praises his new adopted ideology. While its true Nazism and Communism have more in common then with western style democracy, most of the Nazi scientists who went to work for the Commies after the war did so more out of pragmatic and mercenary reasons than ideological ones.