Thunder on the Hill

Convicted murderess, Valerie Carns (Ann Blyth), is being transported to Norwich to be executed when a flash flood strands her and her guards at a convent hospital.

As Nurse Sister Mary (Claudette Colbert) grows to know Valerie, she becomes convinced of her innocence and sets out to find the real killer... and gets much disapproval from doing so ...

King of melodrama Douglas Sirk sharply directs this whodunnit in which several people harbour a secret that could stop an innocent woman from being hanged. There's wonderful gothic atmosphere, drama especially around the convent; corridors, shadows, arched windows and winding stone staircases, complete with a bell tower, of course. The cute face of Claudette Colbert is luminously-lit as she puts on her detective hat on in the race of ensnaring a killer - a killer amongst a small group in a convent. Sounds very much like Agatha Christie. Unlike in a Christie novel, it's not hard to guess who the killer is, but it's a highly enjoyable film nevertheless, with fine acting (Claudette Colbert, Ann Blithe and Michael Pate are standouts) and a very strong plot teemed with enough suspense. Maybe some flashbacks would've been good to flesh out the "murder". Ends with a nail biter sequence on top of a bell tower.

This film is based on a play, entitled BONAVENTURE, the title of which refers to the lead character, the nun named Sister Mary Bonaventure. But the film was released in 1951 as THUNDER ON THE HILL and has been released on DVD and Blu-Ray recently under that title as well. The story is highly dramatic, indeed can properly be described as a melodrama, and is powerfully directed by Douglas Sirk. It is set in the county of Norfolk, 8 miles from the city Norwich. Enormous floods have made the land impassable, so that some travellers cannot reach Norwich and they take refuge in a large convent, where they are welcomed by the sisters, who feed and shelter them. Amongst those taking refuge there are a policeman and a woman prisoner, as well as her female guard. We learn that she is on her way to Norwich to be executed for murder, and is due to be hung by the neck on a gallows the very next morning. But she will be late for her own execution, because there is no way to get to Norwich, and the phone lines are down so that a police boat cannot be summoned either. This sets the scene for a high intensity situation. A very saintly young nun feels instinctively when she meet the supposed murderess that she is really innocent. The nun is played by Claudette Colbert, and the condemned girl by Ann Blyth. The cinematography is terrific, evoking moods and atmospheres with every shot, and is by William H. Daniels. The combination of his camera work, Sirk's direction, and standout performances by the actors (Gladys Cooper play the Mother superior) make the drama immensely powerful. This is a major early work by Douglas Sirk. And it focuses intently on questions of guilt and innocence, and highly emotional scenes with a great deal of tension, as the confrontations play out one after the other, things are revealed, and there are surprises in store.

Based on a undistinguished play, in lesser hands this would have been totally forgettable. Director Douglas Sirk endows it all with a sense of style but still does not manage to salvage the pedestrian stagy dialog.

Claudette Colbert is as always, winning in her role as the nun with a feisty spirit she finds difficult to hold in check and Gladys Cooper lends her renowned haughtiness. While there are some well played smaller parts there's much wooden acting too which bogs the film down measurably.

One can't help wondering if Hitchcock ever saw this, as the climax in the bell tower is a forerunner of the famous scene from "Vertigo", but there the similarity ends.

Since Sirk went on to become an important director, this film is of certain interest, but not one to make any particular effort to hunt down.

A murder mystery dealing with a convicted murderess named Valerie Carns (Ann Blyth) who's being transported to Norwich to be executed by hanging when a flood strands her and her guards at a convent hospital. Then Nurse Sister Mary (the great Claudette Colbert) becomes convinced of her innocence and sets out to find the real killer , there six desperate people...hiding one guilty secret . There's a simple janitor , an attendant comic nun and a killer visible a mile off adding to fun .

A suspenseful movie in which our starring , the understanding , sweet nun Claudette Colvert , becomes a stubborn detective to discover the true killer throughout the story . Sirkian intrigue/melodrama movie in Agatha Christie style , it melds with the director's earlier , pulpier mode in a Norfolk convent hospital , where a condemned murderess is trapped by a flash flood the night before her execution . Here there is mystery , emotion , a love story , suspense and plot twists . Interesting and attractive plot based on the play ¨Bonaventure¨ written by Charlotte Hastings with agreeable script from Oscar Saul and Andrew Solt. Interpretation actors are first-rate . Colbert is nice as the nun to get her off with blind faith and a casual disrespect for the law of the land and the convent . She is obstinate , comprehensive, perfect and pig-headed , while the allegedly guilty is wonderfully grotesque , then stirring . They are very well accompanied by a fine support cast , such as : Robert Douglas , Anne Crawford , Philip Friend , Gladys Cooper, Michael Pate, John Abbott, Connie Gilchrist , Tudor Owen, among others .

It contains a superb cinematography in black and white by William H. Daniels , Greta Garbo's usual cameraman , mostly shot in interior , as filming Locations : Universal Studios - 100 Universal City Plaza, Universal City, California . Likewise, atmosperic and enjoyable musical score by Hans J. Salter . The motion picture was well directed by Douglas Sirk who milks the giant set for all its atmospherics. Douglas was a fundamental filmmaker who gave prestigious movies , usually collaborating with similar technicians as cameraman Russell Metty , Production Designer Alexander Golitzen , Producer Ross Hunter and writer George Zuckerman . Sirk directed a lot of classic melodramas, such as : Never say goobye , Interlude , Summerstorm , The first legion , The lady pays off , Tarnished Angels , A time to love a time to die , Magnificent obsession , All that heaven allows , Written in the Wind . But he also directed other genres as WWII : Mystery submarine , Hitler's madmen ; Thrillers and Film Noir : Shockproof , Thunder on the hill , A scandal in Paris , Lured ; Historical : Attila with Jack Palance ; Adventures : Thunderbolt and Lightfoot with Hudson and Barbara Rush ; and even a Western : Taza with Rocka Hudson , his fetish actor . Rating : 6.5/10 , better than average . Worthwhile. The picture will appeal to Claudette Corbett fans .

There really isn't anything to criticize about this movie. The plot was interesting and well handled; the cast was good. This is a solid movie and well worth watching.