IMDb रेटिंग
5.5/10
2.6 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंWhen underground beings explore the surface world from a deep oil well and inadvertently cause a panic, only Superman can prevent a tragedy.When underground beings explore the surface world from a deep oil well and inadvertently cause a panic, only Superman can prevent a tragedy.When underground beings explore the surface world from a deep oil well and inadvertently cause a panic, only Superman can prevent a tragedy.
- निर्देशक
- लेखक
- स्टार
J. Farrell MacDonald
- Pop Shannon
- (as J. Farrell Macdonald)
John T. Bambury
- Mole-Man
- (बिना क्रेडिट के)
John Barton
- Townsman
- (बिना क्रेडिट के)
Stephen Carr
- Eddie
- (बिना क्रेडिट के)
Bill Coontz
- Townsman
- (बिना क्रेडिट के)
Billy Curtis
- Mole-Man
- (बिना क्रेडिट के)
Russell Custer
- Townsman
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
"Superman & The Mole Men" tells a story that's way ahead of it's time for 1951. Clark Kent & Lois Lane go to the small town Silsby to do a story on "The World's Largest Oil Well". When they arrive they find out the well is being shut down due to complications that have come about. They had drilled 6 miles down, & realized the earth's center is hollow, & there may be life down there. Their suspicions are correct when small (possibly radioactive) "mole men" start coming up & roaming around the town. (They aren't very frightening, but may have been by 1951 standards). One old man, at the well, sees them & has a heart attack & dies. Lois sees them too & describes them as having, "the bodies of moles with big human heads". A child encounters them in her bedroom & plays ball with them. She demonstrates the innocence of unjaded youth who sees someone without prejudice. The majority of the small town goes ballistic & wants to destroy the unknown "visitors". This is an excellent portrayal of small town ignorance ready to snuff out something that they don't understand, is different, out of the ordinary, or "strange" in their opinion(s). These "mole men" not only signify 'out of this world' beings, but people in one's own society as well (ridiculed for one's race, sexuality, etc.) The movie "Powder" represented the same premise in 1995! I can't write this review without mentioning that Phyllis Coates was the BEST actress to play Lois Lane! She portrayed her as feisty, sassy, independent, & resilient.
In anticipation of the television series, 'The Adventures of Superman', this third 'live-action' Superman was the first 'feature' film (the previous entries had been serials). Replacing serial 'King' Kirk Alyn as the 'Man of Steel' was George Reeves, a gifted 37-year old actor who had been impressive in such 'A'-list productions as 'Gone With the Wind', 'The Strawberry Blonde', 'Lydia', and 'So Proudly We Hail!' Returning from the war, however, his career, as was the case with so many other young actors, had stalled. Reduced to supporting roles, or leads in 'B' films and serials, 'Superman and the Mole Men' represented yet another minor film, but Reeves hoped the exposure from both film and television might jump-start his flagging career...
He little anticipated what impact Superman was about to have on his life!
A cautionary tale, with elements 'lifted' from 'Frankenstein' and 'The Day The Earth Stood Still', begins as miners drill the world's deepest shaft, and break through to an underground world. Two of it's inhabitants, bald, radioactive midgets, decide to secretly investigate our world. Doing a feature story on the well for the 'Daily Planet', reporters Lois Lane (Phyllis Coates, inheriting the role from the serials' Noel Neill), and Clark Kent (Reeves), finds a town gripped with fear and prejudice, as an old man had suffered a heart attack after seeing the 'visitors'. Despite pleas for tolerance, the residents arm themselves, and plan to 'shoot first and ask questions later', particularly after the ball of a little girl who sees them (and has an innocent encounter), has enough residual radioactivity to glow in the dark. Shots are fired, the aliens bring up their own weapons, and it's up to Superman to 'save the day'!
Reeves' interpretation of 'Clark Kent/Superman' was far less jovial and buoyant than Alyn's; decisive, serious, and nearly combative, this was a 'Superman' you didn't mess with (the characterization would be toned down, for television). Square-jawed and more muscular (aided by a tee shirt with sewn-in shoulder pads, beneath the costume, to make him even more formidable-looking), the greatest variance between his interpretation and the comic books' was in his 'take' on Clark Kent. Reeves gave the reporter courage and integrity, as opposed to the 'meek, mild-mannered' geek that readers were familiar with (and who would be revived by Christopher Reeve, 26 years later). While some critics complained that he made Kent and Superman's personalities too similar, Reeves and the producers wisely realized that as budgetary restraints kept Superman's presence in the movie (with the FX required to show his 'super powers') to a minimum (there aren't ANY flying sequences in 'Superman and the Mole Men, only cast comments..."Look, up in the sky"... and a close-up of his 'catching' a falling alien), Clark Kent would be on-screen more, 'standing in' for the Man of Steel. Kent 'had' to be stronger, to fill the void.
Phyllis Coates was fabulous, as Lois Lane. No longer the serials' air-headed girl reporter who kept getting into trouble, Coates' Lois was strong, smart, and every bit Clark Kent's equal. She redefined the role, and when Noel Neill returned to the part, on TV several years later, she had big shoes to fill!
Aided by an excellent supporting cast (including screen veterans Jeff Corey, Walter Reed, and J. Farrell MacDonald), 'Superman and the Mole Men', despite its small budget, offered excellent performances, and a theme of tolerance that still rings true, today.
With the success of the film, 'Superman' moved on to television...and history was about to be made!
He little anticipated what impact Superman was about to have on his life!
A cautionary tale, with elements 'lifted' from 'Frankenstein' and 'The Day The Earth Stood Still', begins as miners drill the world's deepest shaft, and break through to an underground world. Two of it's inhabitants, bald, radioactive midgets, decide to secretly investigate our world. Doing a feature story on the well for the 'Daily Planet', reporters Lois Lane (Phyllis Coates, inheriting the role from the serials' Noel Neill), and Clark Kent (Reeves), finds a town gripped with fear and prejudice, as an old man had suffered a heart attack after seeing the 'visitors'. Despite pleas for tolerance, the residents arm themselves, and plan to 'shoot first and ask questions later', particularly after the ball of a little girl who sees them (and has an innocent encounter), has enough residual radioactivity to glow in the dark. Shots are fired, the aliens bring up their own weapons, and it's up to Superman to 'save the day'!
Reeves' interpretation of 'Clark Kent/Superman' was far less jovial and buoyant than Alyn's; decisive, serious, and nearly combative, this was a 'Superman' you didn't mess with (the characterization would be toned down, for television). Square-jawed and more muscular (aided by a tee shirt with sewn-in shoulder pads, beneath the costume, to make him even more formidable-looking), the greatest variance between his interpretation and the comic books' was in his 'take' on Clark Kent. Reeves gave the reporter courage and integrity, as opposed to the 'meek, mild-mannered' geek that readers were familiar with (and who would be revived by Christopher Reeve, 26 years later). While some critics complained that he made Kent and Superman's personalities too similar, Reeves and the producers wisely realized that as budgetary restraints kept Superman's presence in the movie (with the FX required to show his 'super powers') to a minimum (there aren't ANY flying sequences in 'Superman and the Mole Men, only cast comments..."Look, up in the sky"... and a close-up of his 'catching' a falling alien), Clark Kent would be on-screen more, 'standing in' for the Man of Steel. Kent 'had' to be stronger, to fill the void.
Phyllis Coates was fabulous, as Lois Lane. No longer the serials' air-headed girl reporter who kept getting into trouble, Coates' Lois was strong, smart, and every bit Clark Kent's equal. She redefined the role, and when Noel Neill returned to the part, on TV several years later, she had big shoes to fill!
Aided by an excellent supporting cast (including screen veterans Jeff Corey, Walter Reed, and J. Farrell MacDonald), 'Superman and the Mole Men', despite its small budget, offered excellent performances, and a theme of tolerance that still rings true, today.
With the success of the film, 'Superman' moved on to television...and history was about to be made!
Before Henry Cavill, before Brandon Routh, before Dean Cain, even before Christopher Reeve but after Kirk Alyn we had George Reeves as Superman. Make no mistake the man was iconic and many would argue the real Superman as he was in over 100 episodes of the original Superman television series.
Here in his first and sadly due to his passing last big screen adventure Superman has to tackle mysterious creatures that have come up through a drilling site.
This "Movie" is actually a two parter from the television series that they stuck together and released in cinemas. For that reason it's only an hour long but is just the right length for such a brief story.
It's not action packed, the creatures aren't super villians and no super powers are really seen. This is a more subtle approach and see's the citizens as the antagonists as they rally together into a mob (As people probably would in such a situation)
I didn't expect to enjoy this as much as I did but it's a nice short bit of take your brain out entertainment and considerably better than anything Cavill has done as the worlds most famous superhero.
The Good:
Simple story
Well written
A more realistic approach
The Bad:
The Mole People look ridiculous
Here in his first and sadly due to his passing last big screen adventure Superman has to tackle mysterious creatures that have come up through a drilling site.
This "Movie" is actually a two parter from the television series that they stuck together and released in cinemas. For that reason it's only an hour long but is just the right length for such a brief story.
It's not action packed, the creatures aren't super villians and no super powers are really seen. This is a more subtle approach and see's the citizens as the antagonists as they rally together into a mob (As people probably would in such a situation)
I didn't expect to enjoy this as much as I did but it's a nice short bit of take your brain out entertainment and considerably better than anything Cavill has done as the worlds most famous superhero.
The Good:
Simple story
Well written
A more realistic approach
The Bad:
The Mole People look ridiculous
Considering it was shot in 11 days; considering its "special effects" are something less than primitive, George Reeves and this film still pack a Kryptonite-sized wallop.
Mysterious Mole-Men emerge from "the world's deepest oil well," and scare the inhabitants of the nearby town of Silsby. Despite pleas for tolerance and patience, Superman must disarm the town and protect the aliens while hard-headed Luke Benson repeatedly tries to kill them.
FACTOID #1: Despite other accounts, this film was NOT a "pilot" for the eventual series. In fact, there WAS no pilot. The day after shooting wrapped, the company spent another 12 weeks shooting 24 half-hour episodes. The comic book company decided to include a feature film as part of the schedule, so they'd be sure to recoup their investment at the box office in case no one bought the series. Lucky for us, that didn't come to pass.
FACTOID #2: Although the two-part TV version, "Unknown People," had been edited and packaged with the other 24 half-hours, it had to be withheld during the series' original run. It had been produced in 1951, and SAG rules forbade films copyrighted after 9/48 to air on TV without residuals. Not until 1960, when the rules were revised, did "Unknown People" appear.
Mysterious Mole-Men emerge from "the world's deepest oil well," and scare the inhabitants of the nearby town of Silsby. Despite pleas for tolerance and patience, Superman must disarm the town and protect the aliens while hard-headed Luke Benson repeatedly tries to kill them.
FACTOID #1: Despite other accounts, this film was NOT a "pilot" for the eventual series. In fact, there WAS no pilot. The day after shooting wrapped, the company spent another 12 weeks shooting 24 half-hour episodes. The comic book company decided to include a feature film as part of the schedule, so they'd be sure to recoup their investment at the box office in case no one bought the series. Lucky for us, that didn't come to pass.
FACTOID #2: Although the two-part TV version, "Unknown People," had been edited and packaged with the other 24 half-hours, it had to be withheld during the series' original run. It had been produced in 1951, and SAG rules forbade films copyrighted after 9/48 to air on TV without residuals. Not until 1960, when the rules were revised, did "Unknown People" appear.
Superman and his supporting cast of characters have been portrayed on the silver screen, the small screen and the stage by a number of actors and actresses. However somehow no one can play the man of steel and the Daily Planets star female reporter Lois Lane quite like George Reeves and Phyllis Coates. Certainly no one can portray Superman's alter ego Clark Kent like Reeves did. This film has probably been seen by many as the two part "Unknown People" episode on the classic TV series but if you haven't seen the feature film of this story do so. Coates gives a great performance as Lois Lane and seems to come the closest of any actress who has portrayed this character to being the Lois that was depicted in the comics. (When she called Clark Kent a Pantywaist she meant it!) During one scene Clark almost gives away his true identity when he advises terrified townsfolk about the subterranean visitors "Go to your homes lock your doors and windows let me handle this". He then bolts away and Lois turns to the Oil well boss and exclaims "He always does that, gets himself into a jam and then runs away" Classic Lois Lane! While the effects by today's standards seem antiquated and the Mole Men/Unknown People aren't as scary as alien characters that frequent TV shows today they aren't to be missed.
क्या आपको पता है
- ट्रिवियाAccording to director Lee Sholem, both Phyllis Coates and George Reeves were knocked out cold on the same day in fights involving stuntmen.
- गूफ़A few times, the zippers in the back of the Mole-Men costumes can be seen.
- इसके अलावा अन्य वर्जनReleased as this feature film to minimize losses if the proposed TV series did not sell; the footage also was assembled as a two-part episode of Adventures of Superman (1952): The Unknown People: Part I (1954), The Unknown People: Part II (1954).
- कनेक्शनEdited into Adventures of Superman: The Unknown People: Part I (1954)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Superman and the Mole-Men?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Superman contra los hombres ratones
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बॉक्स ऑफ़िस
- बजट
- $2,75,000(अनुमानित)
- चलने की अवधि
- 58 मि
- रंग
- पक्ष अनुपात
- 1.37 : 1
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