The Strip

These types off film were being hammered out weekly in the 1950's. Superficially, there is little to distinguish this from the rest. However as it progresses, there is much to admire and enjoy. I love the format of an a hour and a quarter running time. Long enough to tell a simple tale, but without any time for padding, every frame counts.

Mickey Rooney is a fine character actor. One of the minor amusements here is watching a diminutive Rooney playing the lead, being dwarfed by everyone apart from his leading lady, Sally Forrest, who is probably the only actor on screen smaller than him! The premise of the loser/little guy who stands up for himself works well with several acutely observed scenes. The tragic denouement is a genuine surprise and is well told with clever editing keeping the tale skimming along at a brisk pace.

The musical,and song and dance interludes provide pleasing pauses in the action resulting in a film that ultimately delivers because it works so conspicuously within it's boundaries, rather than trying to push them.

The murder/suspense plot is little more than a convenient set of bookends to showcase the post-adolescent Mickey Rooney, Sally Forest and a gathering of jazz greats (Louis Armstrong, Jack Teagarden, Earl Hines, Vic Damone) in the setting of a Sunset Strip nightspot. James Craig isn't bad as the mustachioed "heavy" doting on his office foliage (after Dewey's defeat in '48, mustaches became quite unAmerican). This movie is neither fish nor fowl nor good red herring, and only marginally "noir" by virtue of date, setting and plotline, but it's watchable -- the music and dance numbers are pretty good. Like a couple of other films ("The Man I Love;" "Love Me or Leave Me") it gives evidence that a new genre might have been in formation: the musical noir.

There are things we can learn from the movies. Like in this movie we learn that if you have a girlfriend, it's probably not a good idea to introduce her to your mob buddy because he'll only steal her away from you. Besides the educational value of "The Strip", it is a true classic if only for all the drum solos it contains. I'm a big advocate of movies having lots of drum solos and Mickey Rooney's drumming is really showcased here. He's very good, and although the film suggests a downer noirish ending, ultimately Mickey's character "Stan" apparently gets to play in Louis Armstrong's band indefinitely, which strikes me as a great gig. It was fun to see William Demarest sit behind the drum kit too. Without the music interludes the story could have been told in about ten minutes, so the main reason to watch "The Strip" is for the music and dance numbers.

Mickey Rooney as discharged Korean War veteran Stanley Maxton not only gets a chance to act as a grown up out on his own in the big city of L.A the movie "The Strip" also showcases his ability to play the drums which he's very good at.

The story in itself is more or less average with Stan getting in with the wrong crowd. later when he meets pretty Jane Tafford, Sally Forrest, as he was running from the L.A vice squad. Stan falls so madly in love with the "Fluff's" nightclub cigarette girl and part-time dancer that he quits his job working for local mobster Sonny Johnson, James Craig,to work full-time as a drummer with the Louie Armstrong band at the club.

We already know before were even introduced to Stan that Jane is badly injured and dying in the hospital and Sonny is dead from a gunshot wound as the movie started. In a "Dragnet" like introduction we see a police car pull up at Jane's apartment in L.A finding her on the floor bleeding to death. Stan later picked up at his pad is taken to the police station and quizzed about both, Jane & Sonny's, shooting. The film then goes into a long flashback to how this whole tangled and deadly affair began. Stan wasn't too bright in his falling for Jane's obvious attempt to exploit his connections with big time mobster Sonny Johnson.

Sonny promising to get Jane a screen test and a short-cut into the movies as an actress had the star-struck Jane fall for Sonny's line that he knows people in high places in Hollywood, hook line and sinker. Jane then dropped Stan who thought that she was in love with him like a hot potato. Sonny also wasn't that fond of Stan checking out on him to work for Fluff's and sent two of his goons to Stan's place to first talk him into coming back and later work him over for not being too cooperative.

Stans later warning Jane about Sonny's involvement with the mob backfired when she went to have it out with him about his stringing her along and getting her nowhere in the movies which resulted in his being shot and killed and her ending up on life-support. At the police station Stan in another one of his hair brain attempts to get Jane to come back to him confessed to killing Sonny. It's then that he's told later by L.A police Detective Let. Bonnablo, Tom Powers, that she already confessed to the killing in a typed statement and didn't survive her injuries. Even there with him wanting to take the rap for Jane Stan ended up looking like a total jerk.

What I thought was the biggest boner that Stan made in the movie, and he made a lot of them, was him not noticing how Edna, Kay Brown, another girl who worked at "Fluff's" was absolutely crazy about him and how he just shoved her off every time she tried to make the slightest attempt to talk and get friendly with him. Edna who for some reason was called "kid" by everyone in the film, I had to find out what her name was in the IMDb credits, was as pretty, if not more so, then Jane and much nicer and kinder to Stan. But as usual, like with everything else he did in the movie, Stan completely overlooked a good thing when he saw one by being blind to the feelings that she had for him. Even when she was right in front of Stan sweetly asking him for a date!

I was stationed in Korea for a year during the spring offensive , heartbreak ridge, etc. and they showed this movie one night. We loved it. Satchmo singing a "kiss to build a dream on" was fantastic. And would you believe we had the projectionist replay the Sally Forrest dance scene a dozen times!I gave this movie a 7 because it brought back memories after 50 years, even though ,aside from the good jazz, and Sally Forrest, the acting and story was mediocre. I only regret that it isnt on VHS.