Sirocco

This could have been a better film; but it was made to conform to the strict rules of the Hayes Commission. One of those strict rules was that any obvious acts of "immorality" (whatever that is) must result in the demise of the person committing such immoral acts. Bogart is not a good guy or bad guy in this film; he is just a guy playing both sides of the fence to make some money. If that is immoral, then 90% of American CEOs would be killed off in any film they were in. I did not buy Lee J Cobb as a French officer as well, although the female lead did a pretty good job. The end result is a pretty watchable film that could have been much better. And the conclusion of the film is not the least bit believable, nor satisfying.

Bogie's role was not really unsympathetic unless you happen to be a Francophile. This can be looked at as a prequel to Casablanca. Harry is very much like a young Rick would have been in 1925. Problem is, Bogie is 10 years older and is basically playing Rick as he was in the 20's. The woman is,though, one of the most unsympathetic creatures ever in films. High maintenance, manipulative, out for everything she can get wherever she can get it. Damn sexy too. Not by any means a great picture but if you like Bogie and you like older films, it is worth a summer night.

There are films that have been made that are no go, the reasons for creation not Key Largo, to be honest and quite franka, this just isn't Casablanca, as a fan of the great man, this is a blow. Although he plays with all the usual charisma, but for reasons this is just silly miasma, Everett Sloane you can't applaud, he's just a shadow of our Claude, and poor old Marta, holds no candle, to fair Ilsa. When the end arrives relief is quite immense, but at least you have a little recompense, ticking from a quite long list, this is one more you haven't missed, you can park it now, and let it all condense.

Not a great flick, but interesting to see that conflicts between foreign occupiers and arab locals has been going on for a long time, with similar results. Its a recurring theme in Arabia - foreign armies come in hoping to pacify the locals, only to fall into a bloody pattern of terrorism and retribution. The amazing thing is that its been going on for so long and in so many places. It's an insight on today's middle-east events.

And like so many middle-east conflicts, in this movie you are left being not very sympathetic to either side. Yes, its the Syrian's home, but their tactics are sickening. The French come off no better as the aggressors and oppressors. The third parties, such as Bogart's character, are just vultures feeding off the tragedy.

Good one to watch if you're thinking of invading an Arab nation.

In a way Bogart's greatest performances have left Sirocco "priced out of the market." I won't argue that it's on the same level as Casablanca, The Maltese Falcon, or Key Largo, but it is a surprisingly nuanced picture that gets unfairly criticized for not living up to some of the greatest films Hollywood ever produced.

Bogie is Bogie, tough-talking and trenchcoat-wearing as usual. He plays Harry Smith, a man who, ordinarily, doesn't take sides, but this time, see... there's a dame! That sounds a little dismissive, it's not meant to be. Nobody's ever played a "shades of gray" character quite like Bogart, in my opinion he could have done it a dozen *more* times.

Swedish actress Märta Torén (pegged as 'The Next Ingrid Bergman') is the dame. She really seems almost as out-of-place in the picture as she would have been in war-torn Damascus. Lee J. Cobb, playing the French commander Col. Feroud, chews the scenery a little but overall he gives a good portrayal of a man fighting for a cause he no longer believes in.

I'm a fan of both Zero Mostel (the original Max Bialystock) and Nick Dennis (the exuberant Greek mechanic from 'Kiss Me Deadly') and they both have good if small roles here.

I was impressed by the way Sirocco refused to overtly side with either the French or the Syrians. Neither does the film present Smith as anything but what he is, an opportunist. In fact, for me, it his teetering on the brink of whether to take sides or stay neutral (and thus be true to his own self-serving moral code) that provides the film's best drama.