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Sirocco

  • 1951
  • Approved
  • 1 घं 38 मि
IMDb रेटिंग
6.2/10
3 हज़ार
आपकी रेटिंग
Humphrey Bogart and Märta Torén in Sirocco (1951)
A cynical American expatriate gets involved in smuggling and gun-running for the rebels during the 1925 Syrian insurgency against French occupation.
trailer प्ले करें2:06
1 वीडियो
82 फ़ोटो
फ़िल्म नोयरएक्शनड्रामायुद्धरोमांस

फ्रांसीसी कब्जे के खिलाफ सीरियाई विद्रोह के दौरान विद्रोहियों के लिए तस्करी और बंदूक चलाने में एक सनकी अमेरिकी प्रवासी शामिल हो जाता है.फ्रांसीसी कब्जे के खिलाफ सीरियाई विद्रोह के दौरान विद्रोहियों के लिए तस्करी और बंदूक चलाने में एक सनकी अमेरिकी प्रवासी शामिल हो जाता है.फ्रांसीसी कब्जे के खिलाफ सीरियाई विद्रोह के दौरान विद्रोहियों के लिए तस्करी और बंदूक चलाने में एक सनकी अमेरिकी प्रवासी शामिल हो जाता है.

  • निर्देशक
    • Curtis Bernhardt
  • लेखक
    • A.I. Bezzerides
    • Hans Jacoby
    • Joseph Kessel
  • स्टार
    • Humphrey Bogart
    • Lee J. Cobb
    • Märta Torén
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    6.2/10
    3 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Curtis Bernhardt
    • लेखक
      • A.I. Bezzerides
      • Hans Jacoby
      • Joseph Kessel
    • स्टार
      • Humphrey Bogart
      • Lee J. Cobb
      • Märta Torén
    • 52यूज़र समीक्षाएं
    • 24आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • वीडियो1

    Official Trailer
    Trailer 2:06
    Official Trailer

    फ़ोटो81

    पोस्टर देखें
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    + 75
    पोस्टर देखें

    टॉप कलाकार80

    बदलाव करें
    Humphrey Bogart
    Humphrey Bogart
    • Harry Smith
    Lee J. Cobb
    Lee J. Cobb
    • Col. Feroud
    Märta Torén
    Märta Torén
    • Violette
    • (as Marta Toren)
    Everett Sloane
    Everett Sloane
    • Gen. LaSalle
    Gerald Mohr
    Gerald Mohr
    • Major Jean Leon
    Zero Mostel
    Zero Mostel
    • Balukjiaan
    Nick Dennis
    Nick Dennis
    • Nasir Aboud
    Onslow Stevens
    Onslow Stevens
    • Emir Hassan
    Ludwig Donath
    Ludwig Donath
    • Flophouse Proprietor
    David Bond
    David Bond
    • Achmet
    Abdullah Abbas
    • Arab Singer
    • (बिना क्रेडिट के)
    Leon Alton
    Leon Alton
    • Soldier
    • (बिना क्रेडिट के)
    Tony Barr
    • Soldier
    • (बिना क्रेडिट के)
    John Bleifer
    John Bleifer
    • Hungarian
    • (बिना क्रेडिट के)
    Nick Borgani
    Nick Borgani
    • Waiter
    • (बिना क्रेडिट के)
    Dick Botiller
    Dick Botiller
    • Minor Role
    • (बिना क्रेडिट के)
    Paul Bradley
    Paul Bradley
    • Reporter
    • (बिना क्रेडिट के)
    Peter Brocco
    Peter Brocco
    • The Barber
    • (बिना क्रेडिट के)
    • निर्देशक
      • Curtis Bernhardt
    • लेखक
      • A.I. Bezzerides
      • Hans Jacoby
      • Joseph Kessel
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं52

    6.22.9K
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    फ़ीचर्ड समीक्षाएं

    5arthur_tafero

    Sirocco - Another Victim of the Production Code

    This could have been a better film; but it was made to conform to the strict rules of the Hayes Commission. One of those strict rules was that any obvious acts of "immorality" (whatever that is) must result in the demise of the person committing such immoral acts. Bogart is not a good guy or bad guy in this film; he is just a guy playing both sides of the fence to make some money. If that is immoral, then 90% of American CEOs would be killed off in any film they were in. I did not buy Lee J Cobb as a French officer as well, although the female lead did a pretty good job. The end result is a pretty watchable film that could have been much better. And the conclusion of the film is not the least bit believable, nor satisfying.
    7telegonus

    Cavern To Cavern

    This 1951 Bogart vehicle, produced by the great man himself, and directed by the estimable Curtis Bernhardt, is a slow-moving rehash of some of Bogart's better known films, going back to Casablanca. This one's set in 1925 Syria, with the Trenchcoated One working both sides against the middle. He's a gun runner selling arms to the Arabs, which at the time was illegal, since Syria was controlled by the French. Bogart had an affinity with the Levant, and was most at ease in an occupied city, with terrorists, revolutionaries and criminals,--often hard to tell apart--running around, blowing up things, and making life difficult for the authorities. As usual, Bogart couldn't care less who wins as long as he gets paid.

    Sirocco is a back lot picture, yet an attractive one. It was made at a time when movies of its type were getting either a whole lot bigger or a whole lot smaller. As such it was somewhat of an anachronism when it came out, and its box-office was modest. This was really the end of the line for the old-style Bogart pics, which it is the last of; and Bogie's next movie, The African Queen, filmed on location and in color, would open up a whole new career for him. I like this one better than most people do, for its cast (Marta Toren, Lee Cobb, Everett Sloan, Gerald Mohr), and its shabby fatalism. A good deal of the picture is set indoors, in cafés, hotel rooms and warehouses. There is a circular, labyrinthine aspect to the movie, as it seems at times as if all the action were taking place literally underground, with the various characters moving from cavern to cavern.
    9godamndevil1977

    A Bogart hidden treasure..

    I totally enjoyed this film. I wasn't expecting much from what I had previously read (on here) and if you can try and not think about some of Bogart's other triumphs, this is a quick moving, interesting enough film with underlining truths..

    Basically Bogart has been presented with a choice of doing right or wrong in a war torn city in Syria, trying to mind his own business and continue to profit himself with supplying guns to rebel fighters, he is steered towards helping the French. Of course this would also help him get out of the city and onto better places..but the story unveils complications for him..

    Bogart's role is similar to his other characters but not entirely, he's definitely got that "cynic on the outside, but heart pointing in the right direction on the inside" thing going on.

    Also, the film does have other strong roles, in particular the very beautiful Märta Torén as Violette, she trys to resist Bogart's outlaw charm but in the end like the rest of us, cant get enough..she is also a good choice of casting, definitely an unusual beauty about her with a presence to match.

    My only glitch about this film and I noticed it right away, was that the French / Foreign army officers and in particular Everett Sloane as Gen. LaSalle speak with American and British accents. Could they not even try and break out in a French accent? What was the director thinking (You will notice in the glorious 'Casablanca', every nationality was played with the utmost truth to where they had come from, even a line or two in their given language)? However, overlooking that, this is a great film and I can't see why any Bogie fan would not dig it.

    ~paul browne.
    9manuel-pestalozzi

    Another stalemate in the Middle East

    This is a most unusual movie for its time, and it is fascinating to read the comments on it here on the IMDb. Many viewers are apparently undecided what to make of Sirocco as it does not fit any of the known stereotypes. This is neither Algiers (1938) nor Casablanca (1942), there is no romance, you don't find anything exotic about the place in question (Damascus, Syria) and no great friendships are about to develop. It is basically a movie about people who are confronted with a drab and hopeless situation (messagewise I would compare it with The Sand Pebbles (1966)). It painfully reminds todays viewers of the ongoing conflicts in Afghanistan and Iraq (well, the Jasmine salesman bolts off before his handgranades go off in the cafe, the suicide bomber had not been invented yet). Western powers (they have a mandate from the League of Nations) are pitted against so called "patriots" (they have no mandate at all) in a bloody battle without a discernible cause. The Bogart character is an opportunist arms dealer and a coward to boot. At one time he really hits rock bottom in the Catacombs underneath the city as he tries to hide in his tattered Bogey-raincoat - one of the many great visual moments in this beautifully photographed nightmare of a movie with its superb set design.

    The main message of Sirocco is a depressing one: If things turn bad, the efforts of single individuals are of negligible effect. We have a disillusioned French officer (Lee J. Cobb who I have never seen better). He wants to prevent a planned execution of civilians as a retaliatory act after an ambush, not out of idealistic motives or with any hope but just because he is sick of all the killing. Like all the other characters he gets bogged down by the circumstances and in the end departs on a meeting with the "patriots" with the Bogart character's help. Everyone agrees that this action is meant to be a suicide. The officer even gets out of his uniform which heretofore had the function of a corset.

    Great sets and scenes abound here. Damascus is a place of eternal night - and we never get out of the place into the open. The Roman Catacombs seem to be inspired by Giovanni Piranesi's "carceri" drawings. There is a great scene in which the Bogart character buys a belly dancer's finger cymbals. Another scene begins with the focus on a visibly tender and juicy steak which the Bogart character starts cutting into. "He brings his own food", the waiter explains to other patrons who would like the same. What a better way to depict a war profiteer?

    As the lines above suggest, the storyline of Sirocco is pretty sprawling and the film is more of a situation than a story. That makes it only more realistic and instructive. Our time is right for anti-war movies of this kind. In can recommend it.
    6Xstal

    Blows Cold, then gets Colder...

    There are films that have been made that are no go, the reasons for creation not Key Largo, to be honest and quite franka, this just isn't Casablanca, as a fan of the great man, this is a blow. Although he plays with all the usual charisma, but for reasons this is just silly miasma, Everett Sloane you can't applaud, he's just a shadow of our Claude, and poor old Marta, holds no candle, to fair Ilsa. When the end arrives relief is quite immense, but at least you have a little recompense, ticking from a quite long list, this is one more you haven't missed, you can park it now, and let it all condense.

    इस तरह के और

    Tokyo Joe
    6.3
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    6.6
    Knock on Any Door
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    7.0
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    7.5
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    6.4
    The Left Hand of God
    The Enforcer
    7.2
    The Enforcer
    The Family Secret
    6.2
    The Family Secret
    The Desperate Hours
    7.4
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    Battle Circus
    5.9
    Battle Circus
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    6.8
    Across the Pacific
    Sahara
    7.5
    Sahara

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      According to actor Jamie Farr, the movie debuted on Saturday night at the Rivoli in his home town of Toledo. Most of Toledo's Arab-American community turned out to see it. As a scene where Bogart walks though a crowded bazaar begins to fade, an Arab voice is heard shouting, "Ya hallah deen bayak!" which caused most of the audience to collapse in laughter. The non-Arabs in the house did not understand why everyone else was laughing until the line was translated for them: "Goddamn your father!"
    • गूफ़
      In a very key plot point scene Balukjiaan goes to Smith's warehouse on behalf of French intelligence and tries to find out if there are any dried apricots. He uses as an excuse that he is throwing a birthday party for himself and has plenty of pilaf and pahklava, but nothing sweet for dessert. Pahklava is the Armenian name for baklava, which is a very sweet Greek and Middle Eastern dessert. Either the writers didn't know what pahklava is or the whole premise of needing dessert is mistaken.
    • भाव

      Col. Feroud: Why don't you do both? Take the money and kill me too.

      Emir Hassan: You want to die? Why do you want to die?

      Col. Feroud: I only want to arrange a truce. Cease fire for 24 hours, so that Syrians and Frenchmen can sit together.

      Emir Hassan: And what shall we discuss, the terms of our surrender?

      Col. Feroud: We can try to settle our differences according to the dignity of man.

      Emir Hassan: There is dignity in men who are willing to give their lives for what they believe in.

      Col. Feroud: Men needn't die to prove their dignity.

      Emir Hassan: You're asking me to surrender!

      Col. Feroud: I'm asking you to consider your people. An effort must be made. We must make some effort! Otherwise, we're not civilized men. Perhaps we'll fail and the war will go on, but at least we will have tried. That's all I want.

      Emir Hassan: Colonel, you are a fool.

      Col. Feroud: I come to talk of peace and understanding and you call me a fool?

      Emir Hassan: Yes, Colonel. I respect you, but you are a dreamer and a fool.

    • कनेक्शन
      Referenced in Play It Again, Sam (1972)

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल16

    • How long is Sirocco?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 13 जून 1951 (यूनाइटेड स्टेट्स)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
    • भाषाएं
      • अंग्रेज़ी
      • अरेबिक
    • इस रूप में भी जाना जाता है
      • Sirocco - Zwischen Kairo und Damaskus
    • फ़िल्माने की जगहें
      • Yuma, एरिज़ोना, संयुक्त राज्य अमेरिका
    • उत्पादन कंपनी
      • Santana Pictures Corporation
    • IMDbPro पर और कंपनी क्रेडिट देखें

    बॉक्स ऑफ़िस

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    • दुनिया भर में सकल
      • $4,349
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    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      • 1 घं 38 मि(98 min)
    • रंग
      • Black and White
    • पक्ष अनुपात
      • 1.37 : 1

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