The Secret of Convict Lake

Six condemned convicts escape over a mountain pass (one of them doesn't make it, leaving five) in a blizzard and take refuge in an outpost where the men have temporarily left their wives and assorted other females to watch over the property. It's quite a setup and the movie does not let it down. Directed by Michael Gordon who did the superior Another Part of the Forest, this film nearly equals that one, with the women acting fairly mesmerizing as they eye these cons first with suspicion and later with sympathy and then a little lust. It's fairly predictable but that does not detract from the scenes, especially with Ford and Gene Tierney and Scott with Ann Dvorak. While Glenn Ford is great and has the hero's role, the parts for both Zachary Scott and Jack Lambert as the two heavies, are both excellent. Shot in black and white, the opening scene of them trekking over a mountain in a full on blizzard looks dark and ominous. Gordon doesn't waste any character in the film. Everyone has a background which is revealed with just enough information to leave a lasting impression. Amazing this film hasn't been seen more.

The Secret Of Convict Lake is based on the proposition in the title, if you're a thief you think everyone steals. So when Glenn Ford who was framed for a robbery and murder leads a breakout in a Nevada prison and takes six men over the Sierras to a remote town in the foothills. Ford is looking to even the score with the guy that framed him, but the others who include Zachary Scott, Cyril Cusack, Jack Lambert, and Richard Hylton don't believe him, they believe he's hidden the stolen money there.

One of their number dies, frozen to death on a mountaintop, but the others arrive at a small settlement on a mountain lake. The men are gone and the women are led by tough old pioneer lady Ethel Barrymore. Ford has a tough time keeping the others in line, especially Scott who definitely has his own ideas.

It's pretty tough among the women as well, they haven't seen their men for weeks and some of them are looking good. For Barbara Bates especially, a young inexperienced girl who Hylton takes a fancy to. By the way in those days of The Code, Hylton's portrayal of a sex offender was pretty daring.

Barrymore and Gene Tierney are pretty good at reading character and realize Ford is not a real criminal type. How that all works out you have to see The Secret Of Convict Lake.

The film was shot in another remote Sierra town called Bishop, California and in Durango, Colorado. The cinematography is both stark, forbidding, and strangely beautiful. It happens to be based on a true story at a place called Monte Diablo Lake renamed Convict Lake as per the film.

According to Peter Ford's biography of his dad, Glenn sustained a serious eye infection during the shoot and wore a patch over the infected eye when the cameras weren't rolling. He also had a great admiration for Ethel Barrymore as actress. And he and Gene Tierney found each other's company delightful.

The Secret Of Convict Lake is a must for Glenn Ford's legion of fans.

I just want to say that this is a better than average western with a good cast. The first half was rather slow, boring and uneventful. I was about to turn it off, but I fortunately stayed with it. The second half really came to life with lots of action, a fast moving intricate plot and soap opera-like goings on.

It's interesting that the resolution is similar to Glen Ford's oater "The Fastest Gun Alive," another good Western.

The whole cast shined. Besides Ford and Tierney, Zachary Scott and Ann Dvorak were compelling.

Though not an "A" production by 20th century Fox, it was far from the typical "B" production values. The cinematography (Leo Tover), acting, music, dialog, etc. were all top-notch.

Those opening scenes of mushing through snow under arctic conditions made me appreciate the comforts of an easy chair and fireplace. It's an oddball Western from start to finish with a strong cast and a noirish atmosphere. Essentially a band of escaped convicts invade a small mountain village whose men are away leaving only the women. As you can guess a number of subplots evolve from the premise, the most important of which has Glenn Ford trying to clear himself of an unjust murder charge.

I love it when evil-eyed bad guy Jack Lambert has a stare-down with gimlet-eyed bad guy Zachary Scott. It's almost like a couple of Darth Vaders squaring off. There are a number of good scenes most of which involve Scott, especially when he's vamping the hapless Ann Dvorak. But, the best scene defies our expectations when the two youngsters run off to the woods. It's a chilling, well done sequence. The cast is almost an A-list, with Ford quite good as the resolute Jim Canfield when he stands up to the other four convicts. Ditto, the other performers who manage to make some difficult dramatic scenes convincing enough.

And catch that ending. It made me wonder just what does comprise a "duly constituted jury". It's an unusual resolution for its time, to say the least. I don't think I ever found out the "Secret" of the title, nor I believe do we ever see Convict Lake. Nonetheless, there's more than enough going on to fill a lively 83 minutes, and I agree with the others that the movie is generally an under-rated Western.

I first saw this peak time one Saturday night on UK ITV in the '70's and it's always stuck with me. It's a B+ Western with a good story and production, good acting and photography, and the very definition of Simple Yet Effective.

Six convicts on the run from a posse in blizzardy California in 1871, become five and then apparently stumble across a small settlement solely er manned by women. It turns out that their menfolk are away on some premise but on their way back while the good convict handsome Glenn Ford was waiting for one of them to return so he could kill him for revenge. Slimy Zachary Scott played the main bad convict manically convinced there was a fortune to be stolen somewhere. The women were in the main only lonely but the bad men were hogged up and dangerous even when not armed, and confirmed main old dame Ethel Barrymore's concern that they were wild bears and not men. The characters were all strong and strongly delineated, if made today the sex would probably be literally in your face but there'd also be a much greater sublety in everything as films are taken more leisurely nowadays. Everyone followed their correct moral paths right down to the morally ambiguous ending – however I suppose Glenn Ford should really have owned up to save the moral dilemma he put both the townsfolk and the majority of us viewers through who think it a good ending to a good little film.