Murder by Invitation

No doubt prompted by the success of Elliot Nugent's 1939 remake of THE CAT AND THE CANARY, Monogram's MURDER BY INVITATION is a spit polishing of dusty doings distinguished by a cagey awareness of its own derivativeness. Like the imperiled teens of Wes Craven's SCREAM, the dramatis personae here – heirs to a sizeable legacy - enter into danger with full knowledge of the rules of the game - with comic star Wallace Ford (FREAKS) even cracking: `I'm the handsome young juvenile of this story – he never gets hurt.'

Supporting the ever-watchable Ford is a cast of faces familiar from the Poverty Roll payroll: Sarah Padden (THE MAD MONSTER), Dave O'Brien (THE DEVIL BAT, REEFER MADNESS), Minerva Urecal (THE CORPSE VANISHES) and John James (DEVIL BAT'S DAUGHTER), as well as Marian Marsh (Trilby to John Barrymore's SVENGALI) and Gavin Gordon (Lord Byron in THE BRIDE OF FRANKENSTEIN). A former Edison camera man turned prominent silent film director (ABRAHAM LINCOLN), Phil Rosen exhibits little enthusiasm for George Bricker's scenario, and seems grateful that the conventions of the murder mystery allow characters to remain seated for long stretches at a time. French cameraman Marcel Le Picard also shot the low-rent SPOOKS RUN WILD and VOODOO MAN.

Not a must-see film, but undemanding fun for fans of the murder mystery - and Wallace Ford never disappoints.

Talk about screwy films! "Murder By Invitation" almost takes first place! A daffy old lady, Aunt Cassie (a terrible performance by Sarah Padden who seems to be reading her lines off of cue cards) invites her greedy relatives to her country estate for the weekend and murders start to pop up all over the place. A reporter (Wallace Ford) and his secretary (Marian Marsh) arrive at the estate to get the scoop. Minerva Urecal (whom I usually like) overacts here as one of Aunt Cassie's relations. J. Arthur Young is totally offbeat as Trownbridge Montrose (Aunt Cassie's neighbor). Dave O'Brien is good, as usual, though as the estate's chauffeur. Zany dialog is almost unbelievable at times and Ford (although likable) is too old to be pretty Marsh's sweetheart boss. In spite of itself, "Murder By Invitation" is a film that works, although I don't quite know how!

Virtually indistinguishable from the scores of other comedy/mysteries so popular in the 30s and 40s. All the cliches are here - wealthy dowager, hidden fortune, isolated country house, hidden passages, venal relatives, intrepid reporter with his comic sidekick and wisecracking "doll", bumbling police detective - all that is missing is the dark and stormy night. Fun performances by some great character actors are about all that set this movie apart. There are better ways to spend your time.

"Murder by Invitation" is a B film from 1941 starring Wallace Ford as Bob White, a reporter who covers the trial of an elderly woman (Sara Padden) whose relatives want to have her declared insane so they can have her $3 million. She proves that she's very far from insane in an amusing court scene.

She then invites her family to her estate for the weekend. She wants to observe all of them and decide which family member is most deserving of her money. She wants them to arrive at midnight, which makes some of them nervous. Not long after they settle in, relatives start dying.

Good B with Wallace Ford and Marian Marsh as an attractive couple, and Sara Padden is quite sprightly as the dowager. The end is interesting and fun.

This is a comedy using the murder mystery genre as background. The main characters are a bit stiff - especially considering this was made in 1941 - but it's not a bad hour spent. The story revolves around old aunt Cassie, whose odd 'uh-heh' laugh is closer to caricature than character-defining. The newspaper columnist who serves as the detective in this film, is played by Wallace Ford. He and his secretary (?) and photographer play their stereotypical roles no better than the stereotypes you'd expect. The sheriff - presumably from New York somewhere, as that's where the court case was heard - sounds more like an Okie than an upstate New Yorker, and follows his own stereotype of the hayseed lawman, accent included. Of course, he's a buffoon as well, asking the newspaper columnist for advice at every turn.

So we know the flaws. Still, this was a B movie, intended as filler, and that's how we should judge it. There's nothing about it that made me want to hit the stop button - unlike some stinkers - and for fans of 1930s mysteries, it's an acceptable detour into comedy. Not laugh out loud comedy, but light amusement. It's out of copyright, and I found it on a 5 CD collection Mystery and Murder: 25 Crime Classics at my library. So it was worth every penny I paid for it.