The Mechanical Monsters

This is the only Superman short in which I have seen this X-Ray Vision method used, and I must say if it can put wonder and amazement in the heart of a 20 year old black kid from New York in the year 2003, imagine what it did for people in 1942 !! This is a truly priceless and classic peice of American animation.

The Mechanical Monsters see's the return of our favourite superhero as this time he takes on a villian with a small army of giant robots he uses in his jewellery heists.

Alike the others this is quaint and highly nostalgic, with action happening in time with the music, cheesy one liners and Lois Lane there simply to be saved.

At 10 minutes in length there isn't much to see but it makes up for it being a nice slice of old school wartime entertainment.

The Good:

Highly nostalgic

Charming

The Bad:

Very short

Somewhat cheesy

Things I Learnt From This Short:

Every good villian needs a moustache

A villians lair isn't complete without a lava pool

I'm suddenly genuinely curious whether the police actually had tommy guns

Do you like killer robots? Well, THE MECHANICAL MONSTERS is one of the earliest appearances of these audacious automatons. Superman must battle an army of them and uncover their human master.

One of the best of the series, this short cartoon is loaded with action, including the robots robbing banks, defying the police and their puny weapons, and flying!

The boffo finale pits Superman against all of them!

Innovative and meticulously animated, the Fleischer brothers really made a quality series of cartoons here. The robots themselves are wonders to behold. Their lair, complete with charging stations, is also worth mentioning.

A true blast from the past that's built to last!...

Sometimes you don't realize how drab something is until you see it juxtaposed against something really bright. And so it is with this old Fleischer Superman short.

Acting as the "bright", it illustrates just how "drab" the modern world, and by extension its pop culture, has become.

The animation here is just incredible. That it was done over 80 years ago makes it even more so. Can you imagine seeing this on a big screen in 1941? They must've been scraping the audience's Jaws off of the floor.

Completely free from the ironic, relativistic and naval-gazing zeitgeist of the 21st century, this "Oh, boy!"/"Gee whiz!" little serial is a breath of fresh air.

BEING the second entry into the Fleischer Brothers Studios' line of SUPERMAN Cartoons, 'The Mechanical Monsters (Fleischer Studios/Paramount Pictures Corporation, 1941) was released for theatrical exhibition to the movie going public in November of 1941. This gave it the distinction of being on the theatre screens when the Sunday morning sneak-attack on Pearl Harbor on December 7th.

CLEARLY this would mark an abrupt change of direction that the series would be taking as the Fleischer animation operation would join in with the rest of Hollywood in the War Effort. The story lines from hence forth would be as populated with Nazi Soldiers, Imperial Japanese Agents and 5th Column Saboteurs as the were with all of those Mad Scientists.

MUCH in the same manner as the other entries into the SUPERMAN Series, there is no wasting of time. The trouble with the giant, metal creatures are in progress of wreaking their brand of havoc on the Good Folks of Metropolis when the Cartoon Short opens. They are in the middle of an in-progress menace. Much of the necessary exposition is put into place by means of headlines in the Daily Planet. (A clever use of the visual medium; as the inclusion of any Title Cards would be considered strictly passé and a throwback to the days of the Silent Movies.) FOR all of the magnificent scientific marvels that were embodied in the invention of the giant metal robots, the Mad Scientist is concerned only in looting bank vaults, pillaging jewelry establishments and repelling attacks from Tommy Gun wielding Uniformed Coppers. Perhaps this is due to poor pay, working conditions and lack of employment opportunities for brilliant, albeit Mad Scientists that they are forced to supplement their meager incomes through such unlawful means.

FURTHERMORE no one ever has truly explained just what makes these eggheads so 'Mad', anyhow! ALL kidding aside, the short is fast moving, well plotted and rendered in such a manner as to be an animated equivalent of a museum quality painting from one of the Dutch Masters. (No, Schultz; I didn't mean the Cigars!) 'MECHANICAL MONSTERS' comes complete with all the accoutrements that are needed in a series entry. First of all, the above mentioned renegade scientist is there for starters; along with some spectacular method of exacting the plunder on an otherwise helpless Metropolis. The regular Daily Planet gang gets involved in the natural manner; coming to the danger with hopes of getting "a Scoop!" MISS LOIS LANE, in order to have a chance to "Scoop the other Scoopers" gets a little too close and is abducted unwittingly by the baddies; having slipped and fallen into the iron giant's convenient and cavernous trunk space. (What's an Editor to do? She seems to get caught up in similar fashion time and time again! SPEAKING of recurring patterns, Superman manages to save the day, saving Miss Lane and her headline story. All's well that ends well, especially in Metropolis; as the episode closes out with a wink from Clark Kent to the audience.

WE suppose that we could brand the Superman Cartoons as being formula and even clichéd, but that may not be fair, either; for after all, the Fleischer/Famous Studios' productions were essentially blazing new trails in the field of the animated movie. Whereas here to for, virtually all of the animated cartoon out put was done using highly caricatured human characters, anthropomorphic talking animal's characters or both. The idea of writing an action-adventure story featuring realistically rendered human characters in fantastic, albeit serious short subjects hadn't been done before, unless it would be highly obscure.* THE Fleischer SUPERMAN Series changed all of that by paving the way for so many of those adventure cartoons that we have enjoyed over the years on Saturday morn. Like most of the rest of this series, we rate it very high on the scale.

NOTE * We can think of Walt Disney's FANTASIA (Walt Disney Productions/RKO Radio PUctures/1940) as being an exception; several of the segments having been done in a realistic style. Are there any others? POODLE SWCHNITZ!!