Man Hunt

Fritz Lang's Man Hunt is a remarkable achievement in visual suspense and editing. Lang sustains tension throughout by creating a series of plausible hurdles for the protagonist to deal with giving the viewer little time to catch their breath as he is hunted by the Gestapo from Germany to London.

British officer and renowned big game hunter Alan Thorndike (Walter Pidgeon)literally sets his rifle's sight on Hitler at Berchtesgarten but is foiled by security then tortured by the Gestapo to sign a confession. When he refuses they throw him off of a cliff to cover-up but his fall is broken and he manages to escape back to England on a tramp steamer where Nazi agents (England and Germany were not at war at the moment)continue to pursue him. Enlisting the assistance of a cockney streetwalker (Joan Bennett) he eludes their grasp until cornered in a cave.

Fritz Lang's complete command of the medium in Man Hunt is a master class in film-making. Timing, atmosphere, mise en scene, use of sound and editing deftly create a realistic world that morphs into Kafkaesque nightmare of unrelenting tension and suspense.

Pidgeon's Thorndike has a clumsy James Bond like quality and charm about him as he parries with head nemesis George Sanders Gestapo chief. Sanders is a fascinating villain displaying a fluent bi-lingual authority (another testament to Lang's superb ability at visual story telling) checkmating Thorndike continuously.

Within in this suspenseful framework Lang manages to comment on the English class system, hunting ethics, the enemy within and the need for US involvement in fighting Fascism without missing a beat. The score does some arm twisting but doesn't interfere too much with Lang's magnificent construction and follow through. Man Hunt is precision suspense film making at its best.

I am 54 years old and viewed this film in film history class back in 1975 on a 16 mm print. Man Hunt made a great impression on me and continues to have fond memories of Walter Pidgeon's performance and discovered other great actors for the first time. I had the opportunity to see it that one time, I think Fritz Lang put his heart and soul into this film. It is beyond me how this film has not yet become available on DVD. It has been over 30 years since then and I continue to look for it on the internet to purchase. It reminds me of the excitement that I just discovered in the movie The Big Clock, at least that's on DVD! I want that excitement again, Please give us Man Hunt on DVD!

Compact well directed drama of the dawning realization of the Nazi threat in Europe. A noir before that was a popular genre. Walter Pidgeon handles his role well, his suave dignity enabling him to move from the lighter tone at the start of the film to the serious one later on. Joan Bennett is a breezy delight as a practitioner of the world's oldest profession although the Hayes office ludicrously insisted she have a sewing machine in the corner of her room to make it appear she's a seamstress. She did some of her best work in Lang films, he was a tough director but she was herself a straight shooter who had no problem giving as good as she got enabling them to work well together through four films.

"Man Hunt" is an excellent thriller that doesn't look like it is almost eighty years old, and is one of my favorite Fritz Lang films. Ahead of its time in the complexity of its characters, it is about a man (Walter Pidgeon) who tries to assassinate Hitler but gets caught. Left for dead at the bottom of a cliff by the authorities, he lives and makes his way to a boat on its way to London. However, on the ship there is someone all too interested in his story. Soon he realizes he is being followed and, once back in England, turns to Joan Bennett for help. Lang manages to do a very good job of portraying the Nazis in a more complex and insightful manner than other films of this time period (it was made in 1941).

Rumors were at the time (2009) that this was cleaned up and released on DVD to capitalize on the DVD release of Tom Cruise's Valkyrie. Oh well, I'll take my classic films any way that I can get them.

A noted big game hunter takes aim at Hitler and becomes the hunted. One of Lang's better American productions, a mighty fun thriller that gave him the opportunity to show where his sympathies lay. It does sag a little bit at times, but builds to an amazing climax. Lang's photographic style is evident, with gloomy cinematography that helps set the stage for noir. It's a treat to see Walter Pidgeon and George Sanders square off... two of the best voices in movies. And Joan Bennett (who always does terrific work with Lang) is great too, pulling off a reasonably convincing cockney accent, although her character throws herself at Pidgeon a bit too easily. The film provides a lot of thrills, traps and tension, and topical subject matter as well. A real treat, a movie that manages to be fun and yet isn't afraid to explore dark themes.