A Man Betrayed

Lawyer John Wayne's friend, a high school basketball star from his town, is shot down and then run over by a car. The death is declared a suicide by the local coroner. Wayne goes to the big city to investigate.

Wayne's directed to see Edward Ellis who is the local political boss and of course the Duke falls big time for Ellis's daughter Frances Dee. Never mind he's got a job to do, even if it costs him Dee.

This was John Wayne's one and only attempt at playing a crusader type, a scaled down version of Jefferson Smith. Ellis is a combination of the characters played by Edward Arnold and Claude Rains in Mr. Smith Goes to Washington and Dee combines both Jean Arthur and Astrid Allwyn. I'd say the results were mixed. Perhaps with a better script at a larger studio with more production values, Wayne might have done more with the part.

As it is there are some nice John Wayne style fight scenes in A Man Betrayed, a couple with Ward Bond, and a king sized brawl outside a polling place where Ellis is bringing in repeaters from his sponsored soup kitchens. Machine politics, American style. Hopefully none of those countries where we're crusading for democracy ever sees this film.

Ward Bond plays the moronic brother of Alexander Granach, owner of the red light district club where Wayne's friend was killed in. His performance while good, was a carbon copy of Lon Chaney, Jr.'s from Of Mice and Men. I expected him to ask Granach about the bunny rabbits any minute.

At this phase of Wayne's career, Republic was casting him in a variety of parts to broaden his casting potential in the wake of his success with Stagecoach. Herbert J. Yates of Republic films was making almost as much money loaning Wayne out as in his own films and he was trying to make him more marketable. He didn't succeed with A Man Betrayed, but it wasn't the Duke's fault by any means.

Lynn Hollister, a small-town lawyer, travels to the nearby big city on business connected with the death of his friend Johnny. (Yes, Lynn is a man despite the feminine-sounding Christian name. Were the scriptwriters trying to make a snide reference to the fact that John Wayne's birth name was "Marion"?) Hollister at first believes Johnny's death to have been an accident, but soon realises that Johnny was murdered. Further investigations reveal a web of corruption, criminality and election rigging connected to Boss Cameron, the leading light in city 's political machine.

That sounds like the plot of a gritty crime thriller, possibly made in the film noir style which was starting to become popular in 1941. It isn't. "A Man Betrayed", despite its theme, is more like a light romantic comedy than a crime drama. Hollister falls in love with Cameron's attractive daughter Sabra, and the film then concentrates as much on their resulting romance as on the suspense elements.

This film might just have worked if it had been made as a straightforward serious drama. One reviewer states that John Wayne is not at all believable as a lawyer, but he couldn't play a cowboy in every movie, and a tough crusading lawyer taking on the forces of organised crime would probably have been well within his compass. Where I do agree with that reviewer is when he says that Wayne was no Cary Grant impersonator. Romantic comedy just wasn't up his street. One of the weaknesses of the studio system is that actors could be required to play any part their bosses demanded of them, regardless of whether it was up their street or not, and as Wayne was one of the few major stars working for Republic Pictures they doubtless wanted to get as much mileage out of him as they could.

That said, not even Cary Grant himself could have made "A Man Betrayed" work as a comedy. That's not a reflection on his comic talents; it's a reflection on the total lack of amusing material in this film. I doubt if anyone, no matter how well developed their sense of humour might be, could find anything to laugh at in it. The film's light-hearted tone doesn't make it a successful comedy; it just prevents it from being taken seriously as anything else. This is one of those films that are neither fish nor flesh nor fowl nor good red herring. 3/10

Going out for the day and seeing the BBC had a John Wayne movie on for the afternoon I left and set the tape running. Later I started to watch it expecting a western, I was disappointed at first and then pleasantly surprised. I have seen very few John Wayne movies that were not westerns and not always good but this I enjoyed. Good storyline and a plot which was well thought out. This is the first time I have seen Frances Dee and she was very convincing in her conflict of emotions in loyalty to her father and love for the "Duke". Edward Ellis was wooden but he was old school so I could put up with that. Ward Bond was unnerving in his role as the simple-minded killer henchman. I shall keep the tape and look for more Frances Dee movies, a good actress easy on the eye - and married for 57 years to the same man - respect!!

After a young man supposedly commits suicide after leaving a nightclub in New York, a rural lawyer named "Lynn Hollister" (John Wayne) travels from the same hometown as the victim and goes to the Big Apple to investigate. When he gets there he finds that clues leading to the truth are hard to come by and eventually they lead to a corrupt politician named "Tom Cameron" (Edward Ellis) who knows more than he admits. But rather than simply give up he decides to continue his investigation with the help of the politician's daughter "Sabra Cameron" (Frances Dee). What he doesn't know is that Sabra may not have the same intention of finding the killer as he does. Now rather than reveal any more I will just say that this was a typical John Wayne film which benefited from a good plot and a decent script. I was especially impressed with the scenes involving the nightclub called "the Inferno" which could have easily come from a movie filmed 20 or 30 years later. On the other hand, the one thing I didn't care for was the rather jumbled ending which I thought should have been more fully developed. Likewise, I would have preferred a bit more drama as well. Even so, it was a fairly decent movie for the most part and I have rated it accordingly. Average.

I enjoyed watching this movie, but there is no use pretending that it has any particular merit. It is interesting to watch early John Wayne movies where he is not playing a cowboy and not fiddling with his revolver. The female lead, Frances Dee, was very interesting to watch, lively and attractive. She reminds me of Geena Davis when young as in EARTH GIRLS ARE EASY (1988, see my review). She stopped acting in 1954, aged 55, and had made 56 films by then. The story of this film is so unconvincing and implausible that it is not even worthwhile attempting to describe it. It is nonsense from beginning to end. The Hungarian émigré director John H. Auer directed the film. It is both easy to watch and easy to forget.