Great Guns

I've been reading Matthew Coniam and Nick Santa Maria's terrific book "The Annotated Abbott and Costello" and they mentioned Laurel & Hardy's "Great Guns" and all the similarities it has to "Buck Privates". I'd never seen "Great Guns" before so I decided to give it a go. It's a funny movie. Sure it's very similar to "Buck Privates" but I bet service comedies of that era were probably all similar. That kind of stuff doesn't bother me. As far as "Great Guns" goes, it has quite a few laughs. There are a couple of scenes that aren't that great but, for the most part, it was a fun watch. (That said, of the two I prefer "Buck Privates".)

The 1940s were not kind to Laurel and Hardy. First, they looked very old--time had not been very kind to them, especially Stan Laurel. Second, Ollie now weighed in at about 350 pounds and simply was too rotund to do all the physical humor the duo had done in the 1930s. And finally, after SAPS AT SEA (1940), the team unwisely left Hal Roach Studio--making films for RKO, Fox and other studios that seemed to have no idea what to do with them. Overall, these movies are dreadful--terribly unfunny and sad for most Laurel and Hardy fans to watch.

Perhaps among the best of these poor films was GREAT GUNS. While the film wasn't particularly funny, it also was reasonably diverting and at least the team didn't embarrass themselves. However, at the onset, the film has one major strike against it. Like almost all of these 40s films, Stan and Ollie are NOT the whole show, so to speak. Instead, they are most supporting characters--something they almost never did in their earlier films. In DANCE MASTERS (1943), Stan and Ollie help out a guy and girl who are in love but whose parents don't approve, in NOTHING BUT TROUBLE (1944), they help out young prince and here in GREAT GUNS, they follow a guy into the cavalry who supposedly is too sickly to serve. It seems that in the 40s, Stan and Ollie now are no longer comedians, but social workers of sorts!

At the onset, you must completely suspend disbelief to watch this film. After all, the boys are both about 50 and Ollie must weigh as much as a tank. No army is THAT desperate for men! However, despite the improbability of the plot and that the team are more supporting players, GREAT GUNS has a few pluses. Stan and Ollie's war film isn't great but compares reasonably well to other contemporary films such as BUCK PRIVATES, CAUGHT IN THE DRAFT and MR. WINKLE GOES TO WAR. Also, while not super-funny, there are a few good moments and I did laugh a few times--something I NEVER did with many of the other 1940s films they made.

Overall, if you are not a fan of the team or know little about them, don't watch this film. It will not particularly impress you or you might assume it's like their earlier work--which it isn't. However, if like me you are a rabid fan, then at least this one won't make you cringe and it's a harmless diversion.

This was not the first film that Stan and Ollie were in the army. The first one was Blockheads (1938) which saw Stanley guard the Western Front for 20 years after the war ended. This Laurel and Hardy film was the inspiration for Abbott and Costello's Buck Privates, which did very well at the box office. After that film, Fox decided to put Stan and Ollie in the army again. Unfortunately, although funny in spots, the film does not have the nice easy flow that the Stan Laurel direction pieces had. This was a major error by the Fox studio to use some hack director in place of Stan Laurel. The plot is rather lame, but Stan and Ollie keep the film from being a flop.

It's a fact that Stan Laurel and Oliver Hardy did their best works for the MGM studios. Their later works for the Twentieth Century-Fox studios aren't exactly the most classic ones around. This is one of those typical Twentieth Century-Fox Laurel & Hardy pictures, that in style and humor quite differs from their early work but still has its certain charm and entertainment value, although the movie is far from an hilarious or great one.

Once again Laurel & Hardy are in the army. This time the movie focuses on their mishaps in boot-camp. Laurel & Hardy don't really get to show the best of their qualities in this movie but the provide the movie with a couple of entertaining moments nevertheless. There are a couple of sequences that are still are of comical greatness, such as the scene in which the boys ride in a jeep during a combat exercise but like often was the case in their later movies, there are more misses than hits with its humor. The movie isn't consistently funny but yet it always remains perfectly entertaining to watch, although I would definitely had prefer some more slapstick from the two boys.

Reason why this movie still works out quite well, is due to its well written story. It makes the movie flow well and also is the reason why this movie is such a perfectly entertaining one. It makes the movie consistent and provides it with some good comical moments and dialog.

The love-story of the movie, between the Sheila Ryan and Dick Nelson characters, is quite enjoyable and not as distracting as often had been the case in other Laurel & Hardy pictures

The movie is a great looking one with good costumes and sets. It's obvious that they spend quite some money on this movie. The movie ends with quite a big battle sequences that is well fitted into the movie and makes sure that the movie ends with a blast.

Might not be so hilarious be very entertaining nevertheless.

7/10

http://bobafett1138.blogspot.com/

Great Guns was Laurel and Hardy's first film after leaving Hal Roach Studios for which their best work was done by far. 20th Century Fox might have had a much better film had they not decided to imitate the enormously successful Buck Privates which had come out earlier in the year for Universal starring that new team Abbott&Costello. Stan and Ollie did service comedies before and good ones.

Darryl Zanuck just bent the plot a little. Dick Nelson plays the pampered rich kid like Lee Bowman in the other film. He's got two maiden aunts, Mae Marsh and Ethel Griffies, who treat him like he was in a plastic bubble and a quack doctor in Ludwig Stossel who's getting rich off their hypochondria about Nelson.

Stan and Ollie are the butler and chauffeur of the estate and they join the army to look after Nelson. Truth be told he wants to join just to get away from those aunts.

After that it's a series of a lot of gags per normal for a service comedy. I'm sure that Stan and Ollie had they been given a little more creative freedom might have come up with more original stuff. One thing that I liked was Stan's pet raven who won't leave him even though he's enlisted. It turns out Penelope the raven gives the bird to the enemy in the war games finale which also was imitating Buck Privates.

And Nelson is involved in a romantic triangle with his sergeant Edmund MacDonald over the girl with photography concession at the PX, Sheila Ryan. If you're on your toes, you'll notice that the soldier who is buying his developed films from Ryan while Nelson is waiting is Alan Ladd

Best gag in the film involves Stanley trying to ditch Penelope in Ollie's pants during inspection and the havoc it causes. Second best is Ollie spilling water all over himself when Stan asks the time and then Stan doing it to him when Ollie asks for the time. Third best is the two of them hitching a ride on a target during rifle practice.

Great Guns has its moments, but it doesn't have the sustained humor of their stuff with Hal Roach.