The Gay Falcon

I actually preferred this series of films after Tom Conway took over from his half brother George Sanders as the Falcon, Conway seemed more at ease in the role. But this was a good start, and the 12 sequels hovered around this mark until The Devil's Cargo in 1948. The Falcon was lucky in that he never had trouble having beautiful young (and older) women fall for him - a couple a film. What a pleasant problem for him when they immediately turned mega jealous of any other woman who showed up, no matter how innocent!

It's the usual murky murder mystery, but the Falcon (as private sleuth) isn't fooled for long - fortunately he knew something the viewers didn't, which led him and the police to the culprits. One scene I always enjoy is that of Turhan Bey's strangely atmospheric apartment being searched by Sanders and Barrie in the dark. But there's plenty of enjoyable moments in the 63 minutes - Sanders previously intrigued by an undertaker giggling at a comic paper is a few scenes later briefly studying one for himself - an aspect of ordinary life that he hadn't investigated before perhaps? Or being incognito as a tramp but giving the policeman waving him off a cigar as a present, before pulling out his pipe. You'd have to see it to understand Sander's mixed emotions in that scene! All in all not Kane, but well worth watching again and again as I have done!

The copies I have of the series were off UK TV in 1987, most were '50's TV dupes and these would have needed TLC even then to eliminate some frame wobble and jumpy scratches etc. I hope they have been saved from further decomposition since because all the Sanders/Conway outings are a pleasant watch.

This was the first of the Falcon films starring George Sanders, based on a story by Michael Arlen. Sanders is compulsively watchable, indeed mesmerising, as the smoothie amateur detective. He persuades his fiancée not to force him to go to a boring party by saying: 'Well, if you really want to be surrounded by a lot of people while I'm telling you I love you.' So many crisp one-liners in this film. Even one of the villains approaches a woman to dance with the line: 'Will you teach me to dance?' This was when Hollywood writers knew how to write crackling dialogue. Sanders plays along with the fun with such insouciant perfection that he is a marvel of the screen. One could watch this film a dozen times and still be dazzled at the effortlessness with which Sanders oozes his caddish charm in bucket-loads. No one ever surpassed him in this quality. And his tongue is so far into his cheek you can see it poking out. This film is also notable for the appearance of Gladys Cooper in a major supporting role; she is as mesmerising as Sanders, and their scenes together are a marvel. Wendy Barrie is also quick as a whip, lively as a frog jumping on a hot rock, and winsome as a kitten. Anyone interested in B Movie gems needs to collect this one.

The Gay Falcon, the first movie in the Falcon series, finds the Falcon (George Sanders) ready to give up both women and detective work at the request of his fiancé. This promise, however, doesn't last long as a pretty woman with a story of stolen jewelry soon walks into his life. In no time at all, the Falcon is up to his elbows in murder and hiding out from the police. The only way to clear his name is to find the real killer.

This may have been George Sanders first time out in the role of the Falcon, but he wears the role with the familiarity of a favorite old sweater. I would argue, however, that his Saint series (which ended just prior to the start of the Falcon series) was so similar to the Falcon that it was hardly a stretch for Sanders. Regardless, Sanders makes everything seem so effortless and natural. He is joined by an especially strong cast. Gladys Jenkins, Edward Brophy, and Arthur Shields should be familiar to any fan of classic B-fare. Oddly though, all are upstaged by the strong performance of Nina Vale who surprisingly only appeared in two other films. I can't believe she didn't do more. She's quite good and imminently watchable. As for the movie, none of the Falcon movies are particularly deep affairs and The Gay Falcon is no different. It's light, breezy entertainment. The 1940s style of comedy/mystery films has always appealed to me and The Gay Falcon is a nice example. The comedy elements hit their mark and are, at their worst, amusing. Nothing to make you fall in the floor with laughter, just good, light-hearted fun. The mystery elements in the movie also work and are sufficiently convoluted to make it interesting throughout. And it helps that the final solution to the mystery at least makes sense and is ultimately satisfying. Director Irving Reis keeps things moving at an entertaining pace with no time for a wasted scene in the movie's relative short 67 minute runtime. Overall, it's a solid effort.

I haven't seen any of the other Falcon films, so I have the benefit of seeing this and not knowing what comes afterwards. Quite frankly, having watched I can't guess what comes next - whether Gay Lawrence (the Falcon) stays with his fiancée and an impending marriage that never quite comes off becomes some kind of running joke like John Howard's Bulldog Drummond of the late 30's, or if Wendy Barrie's character Helen Reed becomes the Falcon's new girl, or if the Falcon has no girl or another girl entirely in the coming entries, but the ending had me wanting to see the next one.

Of course the wit and wisdom of George Sanders is a plus in any film, and as The Falcon it is unclear what his background is in this entry. The Falcon seems to be a man of means, but he doesn't seem to have a profession nor does he seem to be a reformed criminal either. At the beginning of the film he has set up shop as a broker on Wall Street to satisfy his fiancée that he is through with "crime detecting" as she calls it and wants to settle down, although when she drops in to visit both The Falcon and his assistant Goldy Locke are dead asleep at their desks. She has come to ask him to a society party, the idea obviously bores him, and he declines. Later, though, the personal secretary of the society woman giving the party shows up (Wendy Barrie as Helen Reed) and pleads with the Falcon to attend the party, as jewelry has been stolen at all of the woman's recent parties, and another robbery will ruin her reputation. Suddenly the Falcon is interested in attending, but doesn't tell his fiancée why.

Jewelry is not stolen at this party, but one of the guests in attendance slips the Falcon an expensive ring while they are dancing - she has no explanation as to why she does this and seems to have the Falcon confused with someone else. A few minutes later she is found shot dead. Worse, Goldy is held as a material witness to the crime, so now the Falcon is involved and must solve the crimes. Meanwhile he has both an angry fiancée on his hands and the society lady's swooning secretary, who loves the adventure of tracking down criminals alongside the Falcon.

This is a very good entry that has a very interesting supporting cast. Allen Jenkins is a natural and in good contrast to the suave Sanders as the Falcon's assistant. Edward Brophy is cut from the same cloth as Jenkins and is good as a police detective. Turhan Bey shows up outside of a Universal film for a change as an exotic and mysterious suspect. Arthur Shields, brother of Barry Fitzgerald and a dead ringer for him, seems a bit out of place as Inspector Mike Waldeck, whom the Falcon is more than ready to give credit to for solving the crime.

Recommended as a fast paced good start to the series.

I have seen this movie several times (months ago), and kept it on my DVR, meaning to write a review. Don't miss this movie. I have seen most of the Falcon series films (both with Sanders and Conway), and this (which happens to be the first Falcon film) is by far the best. It is excellent in its own right.

Everything about it is great -- the writing, direction and acting. Nina Vale, the Falcon's fiancée, comes off very well; I wonder why she made so few films. I particularly liked Wendy Barrie; I think this is her best performance. No need to mention all the other great well-known supporting cast.

There isn't a wasted scene in the movie. It was meticulously made. Wonderful dialog and gibes. Very logical screenplay.

One perplexing thing about the move, and it doesn't bother me much: throughout the movie, the Falcon (Sanders) is saying that he loves Elinor Benford (played by Vale) and wants to marry her. Yet in scene after scene he is constantly flirting with Helen Reed (played by Barrie) and other women, in front of Elinor. And the women return the favors.