अपनी भाषा में प्लॉट जोड़ेंMax Clemington (Robert Cummings) and his father are both looking to marry wealthy women. The task would be far easier if either one of them had any money of their own. Max decides on Martha ... सभी पढ़ेंMax Clemington (Robert Cummings) and his father are both looking to marry wealthy women. The task would be far easier if either one of them had any money of their own. Max decides on Martha Gray (Ruth Hussey), but Martha says no when he says that he is poor as she admits she is a... सभी पढ़ेंMax Clemington (Robert Cummings) and his father are both looking to marry wealthy women. The task would be far easier if either one of them had any money of their own. Max decides on Martha Gray (Ruth Hussey), but Martha says no when he says that he is poor as she admits she is also. So she accepts the proposal of Sir George Kelvin (Reginald Owen), but changes her min... सभी पढ़ें
- निर्देशक
- लेखक
- स्टार
- Manager
- (as Frederic Worlock)
- Racetrack Spectator
- (बिना क्रेडिट के)
- Racetrack Spectator
- (बिना क्रेडिट के)
- Party Guest
- (बिना क्रेडिट के)
- Party Guest
- (बिना क्रेडिट के)
- Party Guest
- (बिना क्रेडिट के)
- Lady Engleton
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
The film does have a Noel Coward like quality to it and with a bit of his wit, the proceedings might have been livened up. Robert Cummings is also a bit to American and that stands out in this cast that was mostly of the British Hollywood colony.
Cummings and Nigel Bruce play a father and son team of free wheeling bounders looking to marry wealthy. Cummings sets his sites on American widow Ruth Hussey who looks like money and to Europeans all Americans do. But she turns out to be looking for a second and wealthy marriage herself. Cummings then moves on to the plain Jane daughter of Sir C. Aubrey Smith played by Judith Anderson who gives a very touching performance, so far removed from some of the Gothic horror roles she's mostly known for. Still Cummings can't get Hussey out of his mind nor she him.
Next to Anderson the best performance in the film is that of Reginald Owen as the wealthy blustering oaf Hussey does have her cap set for. Owen steals the film whenever he's on screen.
There was an earlier screen version of The Truth Game called But The Flesh Is Weak that MGM did back in 1932 with Robert Montgomery. Not having seen it I can well believe that Montgomery who is as American as Cummings would have been far better cast in the lead. Free And Easy is an all right screen comedy, but could have used a much wittier script for the kind of film it is.
This was just a year before Anderson and Cummings worked together in the Warner Brothers classic "King's Row". Anderson, who had made a splash the year earlier as the villianous Mrs. Danvers in "Rebecca" (receiving an Oscar Nomination), played against type in this and another MGM comedy, "Forty Little Mothers" with Eddie Cantor. In "Free and Easy", Anderson gets to wear some glamorous outfits, although her rather dowdy suit at the ballet where she meets Cummings downplays her characterization as one of the world's wealthiest women, especially with a stodgy monacle attached. She is also a lot more lighthearted in this film than she was in any of her other movies or any of her Broadway shows where she was considered one of the great ladies of the theater. She was actually quite capable of pulling this off, playing a sort of younger version of her character in "Cat on a Hot Tin Roof", where her Billie Burke like performance overshadowed a strong and determined woman underneath.
Cummings, on the other hand, was not one of the more talented leading men of Hollywood's golden age in spite of the amazing list of credits he left behind. While not a bad actor, he had a very limited range. Even the so-called leading ladies men such as Herbert Marshall and George Brent added more spice to their weakly written parts. Nigel Bruce, always entertaining, and also from "Rebecca", just simply puts his on-screen son to shame in the acting department. C. Aubrey Smith, who had a small part in "Rebecca", appears here as Anderson's uppercrust father, and delivers his always commanding performance. As the love interest, Ruth Hussey is blander than she was in "The Philadelphia Story", which gave her an Oscar Nomination against Anderson. (Ironically, Anderson would appear in the Warner Brothers film "All Through the Night", which also starred Jane Darwell, who won the Oscar that year).
According to "The MGM Story", this was a remake of a 1932 Robert Montgomery film entitled "But the Flesh is Weak". Hopefully both will be shown together on Turner Classic Movies (where I saw "Free and Easy") to compare the two. Montgomery, it should be noted, was one of Hollywood's best leading men in the 1930's. His range was much greater than Cummings who did better in frivilous comedys like this rather than dramas such as "King's Row" and "The Lost Moment". At 56 minutes, "Free and Easy" is easy and free to watch on cable, especially for the presence of the supporting players.
क्या आपको पता है
- ट्रिवियाRemake of -But the Flesh Is Weak (1932). C. Aubrey Smith and Forrester Harvey appeared in the earlier movie, but in different roles.
- कनेक्शनVersion of -But the Flesh Is Weak (1932)
टॉप पसंद
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Свободный и лёгкий
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बॉक्स ऑफ़िस
- बजट
- $2,44,000(अनुमानित)
- चलने की अवधि56 मिनट
- रंग
- पक्ष अनुपात
- 1.37 : 1