The Get-Away

Wow! A preternaturally cute,just past teenage, Donna Reed in her first movie, emoting with all she had. Dan Daily-of all people-playing the heavy. A real menace. In an uncredited role, the immortal Veda Ann Borg.

The story is old. It had been done before and even more afterward, but who cares. It's a b-movie, but with MGM high production values. A dance hall scene seems to have hundreds of extras. So suspend critical judgment (and even basic intelligence) and sit back and have fun.

My favorite scene is when Dan Daily, hiding out and in disguise so that he would not be recognized, approaches Veda Ann Borg in a dance hall and asks to dance with her. What better way to deflect any attention to yourself than to dance with the showiest blond in Hollywood history?

Viewers will recognize The Getaway as a remake of another MGM B picture, Public Hero #1. But another film along similar lines was so much better, that being White Heat.

Still there's no shame in being associated with being with this solid B action film. Robert Sterling plays a youthful FBI agent who goes undercover in prison to arrange an escape for mobster Dan Dailey who heads the infamous River Gang the FBI wants to nail. Sterling is to infiltrate and find the gang's hideout.

Dailey has the Cody Jarrett role here and while he's not nuts with a mother complex like James Cagney was, he's got some issues. But he's also shrewd and paranoid which is always a deadly combination. Dailey steals this film.

The Getaway was also the film debut of Donna Reed who plays Dan Dailey's sister who unlike Cody Jarrett's mother is seriously trying to reform him. Sterling takes a liking to here. There's also Charles Winninger a doctor with a thirst problem who I wouldn't let near me with a scalpel. Winninger has an interesting way of collecting his fees.

Good action film with a nice climactic shootout.

Pretty much a shot-for-shot remake of Public Hero #1. Because of this and the fact that it's more polished than the earlier film, this one's not as good. It's watchable but ultimately forgettable. The only thing noteworthy about it is that it's the film debut of Donna Reed. She's beautiful and the best part of the movie. Dan Dailey and Robert Sterling are bland. Charles Winninger and Henry O'Neill are enjoyable in supporting roles. If you haven't seen the original, you're likely to enjoy this one far more. I would caution you against reading too much about either film because there's a twist in the plot that is best left unspoiled. Chances are you've already been spoiled since all plot summaries, including TCM's, give it away. Still, I've left the plot out of my review just in case.

Anyone else realize that this is almost a shot-for-shot remake of "Public Hero #1" staring Jean Arthur and Chester Morris (1935)? With Lionel Barrymore playing the doctor and Joseph Calleia playing Sonny.

It also appears the same screenplay was used for both pictures as the writing credits overlap. Different directors though

Public Hero #1 (1935) : Directed by J. Walter Ruben. Writing credits: J. Walter Ruben story, Wells Root story, Wells Root screenplay

The Get-Away (1941) : Directed by Edward Buzzell , Richard Rosson (uncredited). Writing credits: W.R. Burnett screenplay, Wells Root screenplay, Wells Root story, J. Walter Ruben story

Having seen both pictures, I think the 1935 Jean Arthur/Chester Morris effort is the better of the two. Anyone who likes "The Get-Away' should checkout "Public Hero #1".

Not Really Their Forte, MGM Tried Out the Gangster Formula, so Successful for WB, and it is an Adequate Attempt. A Remake, this has been Chided for being a Shot for Shot Copy of Public Hero (1935).

On its Own there are a Few Things that Make it Worth a Watch. Dan Daley as a Creepy Hood who is a "Brother from Hell" to Donna Reed (in Her debut). Miss Reed Over Emotes Most of the Time that gets on the Nerves as does Robert Sterling's Over the Top Portrayal as an Inmate and a Smarmy Romantic Lead. Another Irritant is Charles Winninger as an Alcoholic Doctor.

On the Up Side, it has Typical High Production Standards from the Studio and the Ending Shootout is Bullet Ridden and the Second Ending is done with Suspense and Feels Like it is Dillinger Inspired.

Recommended for Fans of Gangster and G-Men Movies and if the Irritating Characters (except for an excellent portrayal by Daley), don't Get-In-Your-Way, it is a Fun and Exciting Film at Times.