Dangerous Moonlight

Wartime propaganda movie that was probably supposed to make people more kindly disposed towards Polish pilots in the RAF. I had heard about this film for years but never seen it; now however I recall that Spike Milligan in his memoirs (of a time when this was a brand new movie) describes it as something like "bloody awful." I wouldn't go that far but for a movie that is supposed to be about a fighter pilot it has a handful of minutes of flying and several hours (it feels like) of piano music + Sally Gray (who is not bad to look at I admit). Or closeups of Anton Walbrook's rabbit-like face as more orchestral music plays in the background.

"Dangerous Moonlight" is one of those movies that catches one by surprise. I was working in my home office one night when I started hearing this piano music coming from the living room television. Enjoying it so much, I quit working and went in to listen and then to watch. Then after checking the television schedule, I set the VCR and taped the movie. I have since watched the movie several times and continue to enjoy it.

Anton Wallenbrook plays his part quite well and gives one a very interesting story of talent and guilt. Sally Gray makes an equally good performance as a normal insensitive American lady reporter who does not understand the implications of war. Derrick DeMarney is also good as the best friend of Stefan Radetsky, by being his conscience and confidant.

You can enjoy this movie watching it once, but don't cheat yourself, watch it a few times.

Anton Walbrook and Sally Gray fall in love in "Dangerous Moonlight," a 1941 British film also starring Derrick Marney. The story is told in flashback. When we first meet the famous Polish pianist-composer Stefan Radetzky (Walbrook), he is an amnesia victim to whom the doctors have given a piano in the hopes that he will remember something. We then see what brought him to this point. He is a fighter pilot who first meets Carol (Sally Gray), a beautiful American reporter, in Warsaw while he is grounded. There is an instant attraction; six months later, when the Germans have invaded Poland, Radetzky comes to America to give concerts in order to raise money for Polish refugees. He and Carol meet again and decide to get married. He finally decides to go back and fight, but Carol doesn't want him to leave.

Sally Gray had a nervous breakdown after this movie that kept her off the screen for five years, but I doubt it had anything to do with "Dangerous Moonlight." Later on, she became a Baroness and retired, even turning down an offer from Hollywood. She's lovely in the film, though doesn't make much of a stab at an American accent. Given that the character comes from money, though, her accent is probably fine, as young women in the better schools were taught that British-type accent anyway. Anton Walbrook is very suave and attractive.

This is a propaganda film that seems to have dashed out without much of an eye to detail - it has German planes flying upside down, and I doubt very much if "Radetzky" spelled that way is Polish. The goal of the film was to keep up morale and also to encourage the U.S. to stop its policy of isolationism. Since it wasn't released in the U.S. until April of 1942, England had already gotten its wish.

What makes "Dangerous Moonlight" memorable is the music, notably the Warsaw Concerto, purportedly written by Radetzky, in reality written by Richard Addinsell. Pianist Louis Kentner dubbed the piano for Walbrook and plays the Chopin Polonaise as well. The Warsaw Concerto is very haunting music, just beautiful.

If you're not familiar with Sally Gray, and you like beautiful music, you might want to check out this film. As a bit of trivia, the Beatles song "A Day in the Life" was actually written about Sally Gray's stepson, who apparently crashed John Lennon's car.

Dangerous Moonlight is one of those almost completely forgotten films, apart from the music, and tracking the film down for the first time it is not particularly hard to see why that is.

The music by Richard Addinsell is the one component that people remember about the film, and it is also the best and only outstanding element about it. The Warsaw Concerto is very popular, is a concert show-piece and is still heard on the radio a lot, and judging from the hauntingly stirring and quite oddly beautiful way it's written for good reason too. Anton Walbrook is typically suave (though this is a long way from being one of his better performances), while lovely Sally Gray brings some poignancy to her role and Derrick DeMarnay is a suitably sympathetic confidant, his chemistry with Walbrook being particularly strong. The film is sometimes moving, and the aerial combat sequences are quite good.

On the other hand, Dangerous Moonlight was apparently made quickly and cheaply and it shows in some less than smooth photography, some choppy editing (like in the climatic dog fight) and some clearly artificial-looking sets. The script is lumbering and heavy-handed with some ham-fisted melodrama (Walbrook's dialogue is not always easy to understand too), the sometimes moving but thin story is really quite dull, over-dramatised and little more than nonsensical and heavy-handed propaganda, the film is routinely directed and the climatic dog fight agreed is choreographed pretty poorly. Apart from the three leads the rest of the acting is either wooden or overwrought, and Walbrook and Gray's chemistry while sometimes affecting doesn't ignite as well as it could have done.

In conclusion, loved Addinsell's music, but Dangerous Moonlight as a film on the whole left me cold. 5/10 Bethany Cox

This romantic story of a Polish concert pianist/fighter pilot was never really very good. The dialog is often less than sparkling, the sets tend to look cheap and the few outdoor shots are often just painted backgrounds. There is an impressive shot of Spitfires taking off to do battle but the climatic dog fight is rather poorly choreographed. The script is rather lumbering with a couple of non too subtle nudges at American, Irish neutrality.

Anton Wallbrook as the pianist is his usual suave self, only sometimes he is not too convincing when he is supposed to be playing the piano, also I am sure that no refined European gentleman would have a conversation with a lady (especially one as beautiful as Sally Gray) with a cigarette dangling from his lips. That was probably the director's fault.

What makes this film memorable of course is the music. One of the most famous movie scores in history. Even now "The Warsaw Concerto" is a standard item on pop-classical concerts.

Just a few words about Sally Gray. She was one of the most beautiful and seductive actresses in British movies during the forties who was generally wasted in her roles. Perhaps it was her personal choice but I was surprised that she was never snapped up by Hollywood. I always thought what a great Hitchcock heroine she would have made. Alas, it never happened.