Dead Men Tell

A "treasure hunt cruise" is all lined up—but the ship never leaves the dock in this mystery featuring a pirate ghost, a treasure map, a couple of murders, and the usual lineup of suspicious characters.

Jimmy Chan helps get the action started by sneaking aboard the darkened ship to investigate, his imagination fired by news about the expedition to retrieve $60 million of hidden treasure. Pop Charlie Chan comes looking for Jimmy, intending to take him home—which is how both Chans happen to be on the ship when the first murder occurs.

Sidney Toler is fine as always as the elder Chan; Sen Yung has a larger role than usual as Jimmy, and gives an energetic—practically manic—performance as the would-be detective whose curiosity is matched only by his enthusiasm. Toler and Yung, by now veterans of several films in these roles, complement each other perfectly.

The plot concerns an alleged treasure map, divided into four pieces and distributed among the would-be passengers. When the map's owner (and tour sponsor) is murdered and her map portion disappears, it becomes apparent that someone else on board is out to grab all four sections. Not surprisingly, practically all of the passengers and crew seem to harbor secrets of one kind or another….

The entire film is set inside the ship, outside in the harbor, or in a neighboring waterfront bar…and it all takes place at night. Nicely designed sets and good shadowy photography create an atmosphere that is sinister and just slightly spooky.

Jimmy Chan can't seem to keep out of the water in this one….And my favorite line from the picture is the elder Chan's response to Jimmy's apology for falling in yet again: "Please. Save alibi for autobiography."

Very nice cinematography in this installment of the Chan series - beautiful lighting that really does the most with black and white film. The story is a nice one, but for me there's just too much of son Jimmy playing the fool. This is one of those Chans where the son is really a co-star in the film, with a resulting comic-relief drag on the mystery. I know the sons were very popular back in the day when the formula was a little drama, a little comedy, a little action, a little romance and maybe a little music, but for me the bug-eyed, bumbling Jimmy just stops the story in its tracks over and over. Watching the DVD on my laptop, I find myself pausing the film every time Jimmy jumps to the front of the scene and surfing the web for a while.

If Jimmy doesn't bother you like he does me, then I'd give it a 7. For me, it's a 5 in the world of Chan.

"Number Two Son" Jimmy Chan (Victor Sen Yung) sneaks aboard a ship about to embark on a treasure hunt. Charlie Chan (Sidney Toler) comes looking for him and finds a murder to investigate with a boatload of suspects.

Exemplary entry in the Toler Chan series. Eerie, moody atmosphere with some of the best cinematography and direction of any of the Chan films. Lots of close-ups. Nice cast includes George Reeves, Milton Parsons, and pretty Kay Aldridge. Jimmy Chan is on screen a lot in this one, so if you're not a fan be prepared. I happen to like Jimmy and I didn't think his comic relief here was too much, as some have said. Treasure maps, pirates, talking parrots, and even a future Superman -- what's not to love?

Patience Nodbury has a treasure map worth $60,000,000 that has been handed down from her pirate ancestor `Black Hook.' Someone has already tried to steal it and she cuts it into four, sending three pieces to other members of the Cocoas Island Treasure Hunt Cruise. As Charlie Chan arrives on the sailing ship Suva Star, Patience meets her long-departed ancestor (complete with peg leg and hook for a hand) and she succumbs from a weak heart. `Trouble like first love, teach many lessons.'

Most of the rest of the film is set aboard the Suva Star (in port) where Charlie and his `favorite son' Jimmy set about to discover who would frighten a little old lady to death. The set is well constructed and presents an eerie location. Good camera work with lots of spooky shadows.

A good array of possible suspects includes George Reeves (later Superman on TV) and since the old sailing ship used to be a pirate museum, it provides an interesting array of props. Jimmy Chan provides good comic relief and spends a good deal of the film in the harbor having even walked the plank. When Jimmy offers to help guard and wants Charlie's gun, Pop responds with `Bullet from killer much easier to take than bullet from #2 son.' Milton Parsons skulks around as an interesting character that is trying to over come psychoses. A talking parrot `Gerdy' helps Chan unravel part of the mystery.

There are plenty of clues and they come fast, but this is the first Chan film that I have seen where the detective does not neatly wrap it up at the end and tell you what you should have seen or at least what he knew that you did not know. Unless the version I saw was cut (it might have been), Chan does not reveal how he knew the identity of the killer at the summation. But, there is one good clue and you might catch it. Fair but I liked this one better when I saw it as a kid.

This is an interesting Chan in several ways. First, the DVD print looks great! Our setting is a classic type old sailing ship and the adjacent docks, tavern, etc. Tons of fog, so I guess we are in San Francisco, though I don't recall anyone specifying that.

This film is also notable, for the action all taking place in a few sets: sailing ship deck, cabins, docks, tavern, a few others. Think of an old mansion story--like Castle in the Desert--but here we are on a ship at dock. I imagine this saved a lot on the budget. The sets are A-1; just about anything nautical is crammed on that old ship!

I was a bit surprised by the acting styles in this film; a lot of the actors play it very broad, with long, big visual reaction takes, more like an early 1930's film. The pace of the film is very deliberate, almost slow at times, but I enjoyed it. There is good humor with Number Two Son. Toler underplays very effectively; he owns the part, at this point. This is a good one; recommended.