Dead Men Tell

Patience Nodbury has a treasure map worth $60,000,000 that has been handed down from her pirate ancestor `Black Hook.' Someone has already tried to steal it and she cuts it into four, sending three pieces to other members of the Cocoas Island Treasure Hunt Cruise. As Charlie Chan arrives on the sailing ship Suva Star, Patience meets her long-departed ancestor (complete with peg leg and hook for a hand) and she succumbs from a weak heart. `Trouble like first love, teach many lessons.'

Most of the rest of the film is set aboard the Suva Star (in port) where Charlie and his `favorite son' Jimmy set about to discover who would frighten a little old lady to death. The set is well constructed and presents an eerie location. Good camera work with lots of spooky shadows.

A good array of possible suspects includes George Reeves (later Superman on TV) and since the old sailing ship used to be a pirate museum, it provides an interesting array of props. Jimmy Chan provides good comic relief and spends a good deal of the film in the harbor having even walked the plank. When Jimmy offers to help guard and wants Charlie's gun, Pop responds with `Bullet from killer much easier to take than bullet from #2 son.' Milton Parsons skulks around as an interesting character that is trying to over come psychoses. A talking parrot `Gerdy' helps Chan unravel part of the mystery.

There are plenty of clues and they come fast, but this is the first Chan film that I have seen where the detective does not neatly wrap it up at the end and tell you what you should have seen or at least what he knew that you did not know. Unless the version I saw was cut (it might have been), Chan does not reveal how he knew the identity of the killer at the summation. But, there is one good clue and you might catch it. Fair but I liked this one better when I saw it as a kid.

A "treasure hunt cruise" is all lined up—but the ship never leaves the dock in this mystery featuring a pirate ghost, a treasure map, a couple of murders, and the usual lineup of suspicious characters.

Jimmy Chan helps get the action started by sneaking aboard the darkened ship to investigate, his imagination fired by news about the expedition to retrieve $60 million of hidden treasure. Pop Charlie Chan comes looking for Jimmy, intending to take him home—which is how both Chans happen to be on the ship when the first murder occurs.

Sidney Toler is fine as always as the elder Chan; Sen Yung has a larger role than usual as Jimmy, and gives an energetic—practically manic—performance as the would-be detective whose curiosity is matched only by his enthusiasm. Toler and Yung, by now veterans of several films in these roles, complement each other perfectly.

The plot concerns an alleged treasure map, divided into four pieces and distributed among the would-be passengers. When the map's owner (and tour sponsor) is murdered and her map portion disappears, it becomes apparent that someone else on board is out to grab all four sections. Not surprisingly, practically all of the passengers and crew seem to harbor secrets of one kind or another….

The entire film is set inside the ship, outside in the harbor, or in a neighboring waterfront bar…and it all takes place at night. Nicely designed sets and good shadowy photography create an atmosphere that is sinister and just slightly spooky.

Jimmy Chan can't seem to keep out of the water in this one….And my favorite line from the picture is the elder Chan's response to Jimmy's apology for falling in yet again: "Please. Save alibi for autobiography."

An agreeable entry in the Charlie Chan series, this is an extremely well-made little movie, directed by Harry Lachman, and featuring some striking shots of an old pirate vessel in port and a tough waterfront dive. It's all cliches, nicely cobbled together, and served up with good humor by actors who don't seem to be taking themselves too seriously. Sidney Toler makes an agreeably phlegmatic and dignified Chan; while Sen Yung's Number Two Son gets into his usual hot water,--in this case actually sea water--as he tries to bail his old man out. Ethel Griffies is splendid as the haunted (and hunted) Mrs. Nodbury, Truman Bradley sinister as a pipe-smoking captain, George Reeves breezy as a suspect. I especially liked the quietly neurasethenic performance of Milton Parsons as a Boston Brahmin on vacation, trying to overcome a recent nervous breakdown. He picked one hell of a vacation spot! Highly recommended for fans of maritime mysteries, treasure maps, talking parrots and nocturnal strolls around creaking, fogbound wharves.

Very nice cinematography in this installment of the Chan series - beautiful lighting that really does the most with black and white film. The story is a nice one, but for me there's just too much of son Jimmy playing the fool. This is one of those Chans where the son is really a co-star in the film, with a resulting comic-relief drag on the mystery. I know the sons were very popular back in the day when the formula was a little drama, a little comedy, a little action, a little romance and maybe a little music, but for me the bug-eyed, bumbling Jimmy just stops the story in its tracks over and over. Watching the DVD on my laptop, I find myself pausing the film every time Jimmy jumps to the front of the scene and surfing the web for a while.

If Jimmy doesn't bother you like he does me, then I'd give it a 7. For me, it's a 5 in the world of Chan.

"Dead Men Tell" is an enjoyable Charlie Chan mystery from 1941.

People gather for a treasure hunt via ship to an island, based on a map an elderly woman, Patience Nodbury, inherited from her ancestor, a pirate named Black Hook. Since someone has attempted to steal the map, she's divided it into four pieces and gives three pieces to three passengers.

Patience says that Black Hook visits each relative before they die, and Black Hook visits her, all right, but in this case, he kills her.

Charlie and Jimmy want to solve her murder, and they have plenty of suspects. There's a man posing as a reporter, Bill Lydig (George Reeves), a neurotic man, Gene LaFarge, who has a psychiatrist with him, and the captain, Captain Kane, whose ex-partner left him to do on a deserted island.

Dark, atmospheric film with Jimmy (Victor Sen Yung) in trouble most of the time. Toler has an authoritative presence as Charlie. He's less whimsical than Warner Oland, and his gruff voice gives his line readings a nice sarcasm. He tells Jimmy "Save alibi for your autobiography."

One thing I noticed is, though these films have been criticized for not being politically correct, in the bar scene, no one calls Jimmy derogatory names. They make fun of him, but no one acts as if he looks different.

In fact, I have never picked up anything like that in any film, directed at Charlie or one of his children. It seems to me that these are films of their time, which make them un-p.c. By today's enlightened standards, but the writers never meant to be deliberately insulting.

Just an interesting thought, as the days of casting someone Chinese as Chinese were a long way off.