Dead Men Tell

This is an interesting Chan in several ways. First, the DVD print looks great! Our setting is a classic type old sailing ship and the adjacent docks, tavern, etc. Tons of fog, so I guess we are in San Francisco, though I don't recall anyone specifying that.

This film is also notable, for the action all taking place in a few sets: sailing ship deck, cabins, docks, tavern, a few others. Think of an old mansion story--like Castle in the Desert--but here we are on a ship at dock. I imagine this saved a lot on the budget. The sets are A-1; just about anything nautical is crammed on that old ship!

I was a bit surprised by the acting styles in this film; a lot of the actors play it very broad, with long, big visual reaction takes, more like an early 1930's film. The pace of the film is very deliberate, almost slow at times, but I enjoyed it. There is good humor with Number Two Son. Toler underplays very effectively; he owns the part, at this point. This is a good one; recommended.

If many of the other 'Charlie Chan' movies are real gems, some smaller, some quite big (like "The Black Camel" or "Charlie Chan's Secret"), this much lesser known film is perhaps the 'Golden Jubilee' among them all - and among mystery movies in general. With moderate, but immensely effective means, this mixture between a scary ghost story and a solid whodunit goes way beyond the general line of the 'Charlie Chan' series: there are elements of horror that can compete with any horror classic of the time, while the atmosphere is overall Noirish, with everything from the characteristic lighting effects to the feeling of doom that seems to hang over the protagonists as much as the fog on deck...

Strange, but very determined elderly Miss Nodbury, the ancestor of a notorious pirate who was hanged for murder, has organized a 'treasure hunt' on the island where the pirate's treasure is hidden - worth 60,000,000 dollars! But she wants to call off the trip on board the old pirate ship 'Suva Star' the last minute, because the night before somebody tried to steal the pirate's map that was in her possession - but the old lady is clever: she has divided the map into four parts and kept only one part to herself, while she sent the other three to members of the expedition. Still, somebody obviously is craving for ALL of the pieces, and so, on the same night, pirate captain "Black Hook" himself, in whose ghost Miss Nodbury has always believed, seems to come in order to claim them and summon Miss Nodbury to her ancestors...

Now don't believe that this is just another whodunit with only a little bit of 'ghost hokum' in it - there are moments when the strange, melancholy melody that 'means death', as Miss Nodbury insisted, and the sound of the pirate's wooden leg approaching ACTUALLY make not only the expedition members, but also us think our conviction that there ARE no ghosts over again...

But then, of course, there's a VERY real murder to solve; because while you COULD explain Miss Nodbury's death as a natural one, due to her heart problems and her strong belief in ghosts - you certainly can't put the blame for the suffocation of a man in an old diving bell on supernatural powers! And there's a really illustrious group of suspects on board, from a numismatist who doesn't seem to know his occupation's scientific name to a neurotic and his woman psychiatrist to the hardened, taciturn captain himself...

This movie is indeed perfect in EVERY way: the eerie atmosphere the direction creates with all means from the settings to the sound effects to the shadows and the fog is completed by a marvelous cast - in particular Ethel Griffies as the pirate's heiress is simply MAGNIFICENT. In order not to scare the wits out of the audience completely, of course some humor is added as always (with Jimmy falling into the harbor basin with every opportunity) - but all ye who are about to watch this movie for the first time, be prepared for some VERY creepy moments!

But speaking seriously now, as a long-time fanatic of classic B movies: to my knowledge and in my opinion, this is about the MOST underrated B mystery movie of all times.

This is an often overlooked Chan film that deserves more attention! It is short at an hour running time. But it is loaded with great atmosphere and a good cast of interesting and eccentric characters. This is a good mystery and has many humorous parts, too. Sen Yung is quite good in this one. How can you get better than a ghost pirate named Black Hook on a treasure hunt? Another one that's lots of fun. TV Superman, George Reeves is in it too. This is one to see and see again!

"Number Two Son" Jimmy Chan (Victor Sen Yung) sneaks aboard a ship about to embark on a treasure hunt. Charlie Chan (Sidney Toler) comes looking for him and finds a murder to investigate with a boatload of suspects.

Exemplary entry in the Toler Chan series. Eerie, moody atmosphere with some of the best cinematography and direction of any of the Chan films. Lots of close-ups. Nice cast includes George Reeves, Milton Parsons, and pretty Kay Aldridge. Jimmy Chan is on screen a lot in this one, so if you're not a fan be prepared. I happen to like Jimmy and I didn't think his comic relief here was too much, as some have said. Treasure maps, pirates, talking parrots, and even a future Superman -- what's not to love?

"Dead Men Tell" is an enjoyable Charlie Chan mystery from 1941.

People gather for a treasure hunt via ship to an island, based on a map an elderly woman, Patience Nodbury, inherited from her ancestor, a pirate named Black Hook. Since someone has attempted to steal the map, she's divided it into four pieces and gives three pieces to three passengers.

Patience says that Black Hook visits each relative before they die, and Black Hook visits her, all right, but in this case, he kills her.

Charlie and Jimmy want to solve her murder, and they have plenty of suspects. There's a man posing as a reporter, Bill Lydig (George Reeves), a neurotic man, Gene LaFarge, who has a psychiatrist with him, and the captain, Captain Kane, whose ex-partner left him to do on a deserted island.

Dark, atmospheric film with Jimmy (Victor Sen Yung) in trouble most of the time. Toler has an authoritative presence as Charlie. He's less whimsical than Warner Oland, and his gruff voice gives his line readings a nice sarcasm. He tells Jimmy "Save alibi for your autobiography."

One thing I noticed is, though these films have been criticized for not being politically correct, in the bar scene, no one calls Jimmy derogatory names. They make fun of him, but no one acts as if he looks different.

In fact, I have never picked up anything like that in any film, directed at Charlie or one of his children. It seems to me that these are films of their time, which make them un-p.c. By today's enlightened standards, but the writers never meant to be deliberately insulting.

Just an interesting thought, as the days of casting someone Chinese as Chinese were a long way off.