Confessions of Boston Blackie

Excellent stuff: Blackie at an art auction spots someone about to shoot someone so shoots first. Naturally he's (wrongly) blamed for the murder of the second someone, and so becomes a fugitive from Inspector Farraday again.

Under the noses of the cops the murderer disposes of the body in an ingenious way, but the chase is on to recover the corpse when they all realise the bullet will pinpoint the real murderer and clear Blackie. During this double chase there's time for plenty of the usual comedy repartee between Blackie, Farraday and Runt (first outing by George E. Stone), also a little bit of romance too. And Blackie's rich friend, Arthur (Lloyd Corrigan) also makes his first appearance, trying to out-bumble Charles Winninger.

Standard 57 minute Blackie outing, well worth watching to the converted.

A common thing among B pictures is that several will have a title that has nothing to do with the film. In the case of Confessions Of Boston Blackie, Chester Morris didn't confess to anything that I recall.

In fact in this second Boston Blackie feature Morris is trying desperately to get out from under a murder rap. His playboy friend Lloyd Corrigan invites him to an art auction and during the course of it Morris foils an apparent heist, but in the process the owner of the gallery is shot. And the cops in the person of Inspector Richard Lane as always think that the famous crook and confidence man has done the deed. Throughout the entire series Morris was never able to convince the cops he'd gone straight.

There are two women of note in the cast. Sultry Joan Woodbury has picked this time to reenter Morris's life and he who bailed her out of a tight spot learns the meaning of the word 'no good deed goes unpunished' as Morris holds him up for blackmail dough.

Secondly Harriet Hilliard plays a rich woman who is putting up an ancient Roman larger than life statue for auction which is the Hitchcockian McGuffin of the piece. I wish they had given Hilliard a song to sing, she had a wonderful voice which later TV viewers didn't get to hear on Ozzie And Harriet.

This Boston Blackie film could have been better, there was a little too much slapstick comedy which was then followed by a very real danger that the cops, Blackie, and the crooks are all in at once. Columbia would tighten the series up later.

This time Blackie is suspected of being the murderer of an art dealer at an auction attended by Inspector Farraday. Blackie has to spend the rest of the movie exonerating himself of the crime and discovering what happened to the missing body of the art dealer.

Female interest is provided by HARRIET HILLIARD, wife of "Ozzie" Nelson(the bandleader), who was making a few rather unimpressive appearances in films around this time. She's interested in purchasing a statue of Julius Caesar. Blackie is up to his same old shenanigans in throwing Farraday off his trail and proving that he's not guilty of a murder he never committed.

Interesting plot has to do with the missing body of the dead man and how it was accomplished with a phony statue. The story follows the usual Boston Blackie formula and this one is not quite on the same level with the first Blackie film. Still, for detective fans, it manages to move briskly within its short running time.

Boston Blackie attends an art auction; the curator is shot dead; Inspector Farraday spots Blackie with his gun out and jumps to the obvious conclusion; the real killer sneaks the dead body into the hollow body of the life sized statue being auctioned. Oh, and the owner selling off her valuable statue is attractive Harriet Hilliard. Mystery and adventure ensue.

Fun bits: Lloyd Corrigan as Blackie's rich friend Arthur has amusing difficulties with a pair of handcuffs. Joan Woodbury has a juicy minor role as a woman from Blackie's past (an episode whose details are delightfully vague) who has a ball trashing Blackie's living room while George Stone as the Runt watches helplessly. And poor Billy Benedict is hilarious as an ice cream man whose costume is "borrowed"—twice!—by Blackie in need of a disguise.

Also, watching the statue movers transport that large statue from place to place—always keeping it in a standing up position—I couldn't help but think what short work Abbott and Costello would have made of such a job.

It's a fun hour with no lulls.

Once you've got into that 'Boston Blackie' movie series, you just can't stop - they're so wonderfully funny, just plain 'murder entertainment' with vanishing corpses, car chases, and Blackie and the police (in particular Inspector Faraday) in turn working together and against each other to solve the most crazy murder mysteries. Probably that's EXACTLY what the audience wanted during the War: just plain entertainment to get away from the cruel reality for a short while...

This time, Blackie, trying to save a young lady's life, again becomes a murder suspect. The body (with the bullet in it that would prove Blackie's innocence) vanishes, the police chase Blackie, Blackie chases the corpse, the forgers chase the corpse AND Blackie - and finally the whole lot of them end up in a locked vault three stories below the ground and have no idea how to get out of there...

This hilarious adventure, just like all the 'Boston Blackie' movies, just NEVER gets dated - they're in black&white, you can tell from the clothes, the hairstyles, the cars that they were made in the forties... But are there any crime adventures today - complete with color, special effects and all - that are as entertaining as this great stuff that's more than 70 years old??