Confessions of Boston Blackie

Excellent stuff: Blackie at an art auction spots someone about to shoot someone so shoots first. Naturally he's (wrongly) blamed for the murder of the second someone, and so becomes a fugitive from Inspector Farraday again.

Under the noses of the cops the murderer disposes of the body in an ingenious way, but the chase is on to recover the corpse when they all realise the bullet will pinpoint the real murderer and clear Blackie. During this double chase there's time for plenty of the usual comedy repartee between Blackie, Farraday and Runt (first outing by George E. Stone), also a little bit of romance too. And Blackie's rich friend, Arthur (Lloyd Corrigan) also makes his first appearance, trying to out-bumble Charles Winninger.

Standard 57 minute Blackie outing, well worth watching to the converted.

The only way currently to see an old Boston Blackie movie is to buy a copy that has been copied off television somewhere, sometime. I think they are priceless. I bought this one off eBay. You can't use them to study law or police procedures and usually they have a spot or two that defies chemistry or physics or even common sense. But they are always fun. Just fun. No reality. I think this one was great. I especially like the scene where the radio was reporting on Boston Blackie's escape. And the newspaper headlines. I really wish the studios would release these on tape or DVD.

Boston Blackie attends an art auction; the curator is shot dead; Inspector Farraday spots Blackie with his gun out and jumps to the obvious conclusion; the real killer sneaks the dead body into the hollow body of the life sized statue being auctioned. Oh, and the owner selling off her valuable statue is attractive Harriet Hilliard. Mystery and adventure ensue.

Fun bits: Lloyd Corrigan as Blackie's rich friend Arthur has amusing difficulties with a pair of handcuffs. Joan Woodbury has a juicy minor role as a woman from Blackie's past (an episode whose details are delightfully vague) who has a ball trashing Blackie's living room while George Stone as the Runt watches helplessly. And poor Billy Benedict is hilarious as an ice cream man whose costume is "borrowed"—twice!—by Blackie in need of a disguise.

Also, watching the statue movers transport that large statue from place to place—always keeping it in a standing up position—I couldn't help but think what short work Abbott and Costello would have made of such a job.

It's a fun hour with no lulls.

Boston Blackie is in top form in "Confessions of Boston Blackie," a 1941 entry into the popular series that stars Chester Morris, George E. Stone, Richard Lane, Charles Winninger and Harriet Hilliard (aka Harriet Nelson).

Nelson plays Diane Parrish, who has given the wrong people an enormous statue to auction, not knowing that they copy the piece and auction the fake instead. At the auction, she realizes it's not the original statue, and chaos reigns, during which a man is killed - and of course Blackie (Morris) who had pulled his gun, is accused.

The statue has a piece that comes off in the back, and it's used to hide the dead body. Of course Blackie's wealthy friend Lloyd Corrigan (Winninger) buys the fake one for $200.

This film is grand fun, with Faraday (Lane) as bumbling as ever, Blackie getting away from him in no time. George E. Stone is funny as the runt, Blackie's sidekick. Playing Blackie himself, Chester Morris is handsome, demonstrating the character's good humor and relaxed manner with his great line deliveries.

There's a subplot here of an old flame of Blackie's showing up and trying to blackmail him. But we all know that Blackie gets around.

"Confessions of Boston Blackie," directed by Edward Dmytryk, is zany and keeps you hopping.

A common thing among B pictures is that several will have a title that has nothing to do with the film. In the case of Confessions Of Boston Blackie, Chester Morris didn't confess to anything that I recall.

In fact in this second Boston Blackie feature Morris is trying desperately to get out from under a murder rap. His playboy friend Lloyd Corrigan invites him to an art auction and during the course of it Morris foils an apparent heist, but in the process the owner of the gallery is shot. And the cops in the person of Inspector Richard Lane as always think that the famous crook and confidence man has done the deed. Throughout the entire series Morris was never able to convince the cops he'd gone straight.

There are two women of note in the cast. Sultry Joan Woodbury has picked this time to reenter Morris's life and he who bailed her out of a tight spot learns the meaning of the word 'no good deed goes unpunished' as Morris holds him up for blackmail dough.

Secondly Harriet Hilliard plays a rich woman who is putting up an ancient Roman larger than life statue for auction which is the Hitchcockian McGuffin of the piece. I wish they had given Hilliard a song to sing, she had a wonderful voice which later TV viewers didn't get to hear on Ozzie And Harriet.

This Boston Blackie film could have been better, there was a little too much slapstick comedy which was then followed by a very real danger that the cops, Blackie, and the crooks are all in at once. Columbia would tighten the series up later.