Come Live with Me

I loved every frame of this 1941 light romantic comedy when Hedy Lamarr is paired with Jimmy Stewart.It has been said so many times before but Hedy had such beauty both in body and spirit that it is almost worth seeing a film with her in it just to gape in awe at her.I am gradually building up my collection of Hedy's films which include Exctacy (1933), Algiers (1938), Her Highness and the Bellboy (1945) and Dishonored Lady (1947).We must not forget that she also had intelligence and invented in 1942, at the height of her Hollywood career, a frequency-switching system for torpedo guidance that was two decades ahead of its time which with a colleague, she patented.

In this film Hedy has overstayed her visitor's visa and the immigration officials are on to her.This is unfortunate for her in war time as she would have to return to her native Vienna.Of course as the good natured immigration official suggests, if she could find a husband within the week he decides to turn a blind eye, she could stay in America.Cue Jimmy Stuart failed writer who has the rejection slips and pawn tickets piling up in his flat.Can he meet this week's rent?Hedy has an idea.She requests he writes down his weekly expenditure and she will pay him regular amounts based on this budget in consideration of a civil marriage of convenience, thus avoiding deportation.Jimmy Stewart will regard as an accumulating loan until such time as his novel is sold to the publisher's and he will have enough money to pay off the debt.The coincidence is that his publisher (Ian Hunter) is simultaneously having an affair with Hedy.She only visits him at his flat to pay him his regular instalment, so despite being husband and wife, at least in the eyes of the law, they never really have got to know one another.

As time goes by Jimmy is starting to care for Hedy and he invites her to visit his grandmother in the country where passions deepen.Hedy is still unsure at this stage and uses a ruse to phone her married sugar daddy Ian Hunter giving him directions where she is.It is night and Hedy and Jimmy both must go to their respective bedrooms but Jimmy keeps making excuses to stay in her bedroom before reluctantly leaving.Their bedrooms have a partial wall over which light can be seen so they can converse with one another when both in their beds.The Grandmother has a hobby of embroidering sayings all around her home some of which humorously fit the action on the screen.When Ian Hunter arrives at the address to fetch his mistress, guess who Hedy selects? What I find fascinating about Hedy in her film roles (apart from her obvious physical beauty) is her genuine Viennese accent, her honesty, integrity, and intelligence and she is every inch the lady.

In 2013 I wrote a general amendment to this and other user comments which also applies to those actresses whose films I have already commented on IMDb.com in recent years.My love goddess/film actresses are Margaret Lockwood, Jennifer Jones, Vivien Leigh, Hedy Lamarr & Ava Gardner.Perhaps you will notice they were all dark brunette 1940s (& 50s) stars.It occurred to me that there should be one defining film which perfectly encapsulates for me their intrinsic personality, talent glamour & intellect.These are my choices after years of deliberation: Margaret Lockwood - "The Wicked Lady" (1945), Jennifer Jones - "Portrait Of Jennie" (1948), Vivien Leigh - "That Hamilton Woman" (1941, Hedy Lamarr - H.M.Pulman esq (1945, Ava Gardner "One Touch of Venus" (1948).

Showgirl Johnny Jones (Hedy Lamarr) aka Johanna Janns has overstayed her visa and is getting deported. She's Austrian afraid of going back to the Nazi regime after her father was murdered by them. She's having an affair with married publisher Barton Kendrick. The Immigration officer hints at holding up her case for a week to give her an opportunity to stay if she marries an American. She meets struggling writer Bill Smith (James Stewart) who is literally on his last dime. Since Barton is married, another solution pops up.

Stewart and Lamarr have good chemistry. It would work well if they have a bit more time together in the middle. As often the case in older movies, it also needs to get to the meet-cute a bit sooner. The movie gets a second wind when Bill forces Johnny to go on that trip. If it happens sooner, Johnny could run away with Barton and Bill would chase after her. There would be enough time for a little bit more romantic drama. Nevertheless, this is a lovely rom-com for a well-matched pair.

This is a wonderful Jimmy Stewart and Hedy Lamarr movie. Very romantic and sentimental. Jimmy Stewart's grandma in the movie is priceless. A must for your collection - not available to buy; however, sometimes comes on American Movie Classics. I have had a recording of it for years. It's one of my favorites.

This film started off rather poorly, as you learn that Hedy Lamarr is the mistress of Ian Hunter--a married man who has a "modern marriage". This plot element was difficult to reconcile with a romantic film--after all, what's romantic about this relationship? Plus, I found it hard to care about such selfish characters. Fortunately, I kept watching the film and it turned out to be a dandy old fashioned film.

Hedy was in the US illegally--having fled Nazi-controlled Austria. So even though she had overstayed her visa, it was really hard to blame her for wanting to stay. In an odd bit of casting, the immigration agent (Barton MacLane) liked Hedy and suggested that she could get married to an American and thereby stay in the country. But she couldn't marry Hunter, as he was already married. So, a bit later, when she meets down-and-out Jimmy Stewart, she suggests they get married in name only. Unfortunately, over time, Jimmy finds himself falling for Hedy--though they hardly know each other.

I could talk more about the plot, but don't want to ruin it. The bottom line is that the writing was excellent, the acting superb and the mood wonderful. This is exactly the sort of romance that MGM did best and it's well worth a look--just don't get turned off by Ian Hunter's character--it does get better.

Hedy Lamarr is as dazzling as ever with a wardrobe to match in "Come Live with Me," a 1941 light romantic comedy directed by Clarence Brown and also starring James Stewart.

Lamarr is Johannes "Johnny" Jones, a showgirl who has immigrated from "what was Austria"; however, her visa has run out. Her boyfriend, publisher Barton Kendrick (Ian Hunter) has an open arrangement with his wife (Veree Teasdale); he also has connections, but immigration shows up too soon.

The immigration officer takes pity on Johnny and gives her one week to get married so she can stay in the country. He assumes, wrongly, that she is going to marry Kendrick.

Obviously, she can't, but then she meets a down and out writer, Bill Smith (Stewart) and talks him into marrying her. She agrees to pay him $17 a week, which equals his living expenses.

"Come Live with Me" is not a rip-roaring screwball comedy but a nice romantic one with some fine performances from Lamarr, Stewart, Hunter, Teasdale, Donald Meek, and Adeline De Walt Reymolds as Bill's grandmother.

De Walt Reynolds had only begun her acting career the year before, in 1940, at the age of 78. She lived to be 98 and worked mostly on television until she died. She's excellent here.

Stewart and Lamarr do well together. Worth seeing - no blockbuster, but it will leave you with a smile on your face.