Blue, White and Perfect

The Michael Shayne series was a great gig for Lloyd Nolan as he didn't get to play many leads. "Blue, White, and Perfect" from 1942 is a fun entry into the series, and for us boomers, another chance to see George Reeves without his Superman cape. The film also features Helene Reynolds and Mary Beth Hughes.

In this one, Shayne takes a job as a riveter, at first to watch for sabotage, but after a robbery of industrial diamonds, to ferret out the criminal. Actually the job is a great cover as his fiancée, Merle, is pressuring him to get out of the detective business.

The trail leads to Hawaii. Since this film was released in January of 1942, it looks like it was filmed before Pearl Harbor, so the placement of the story in Hawaii is interesting, plus the fact that we seem to be on the trail of not Japanese, but Nazis. In order to get money for passage on the ship, Shayne convinces Merle to make a $1000 deposit on a ranch. Clever if low! On the ship, he meets Juan Arturo O'Hara (Reeves) and an old client, Helen Shaw, who now owns a dress shop in Hawaii. It gets pretty dicey from there as someone tries to kill Shayne, by not only shooting, but drowning! Director Herbert Leeds keeps the action going at a snappy pace. Highly entertaining, with a lively performance by Nolan, and a charming one by Reeves, whose career never regained its momentum after his war service.

Very good.

Lloyd Nolan is Mike Shayne again. This time he's headed to Honolulu after some stolen diamonds -- industrial ones which are not blue-white and perfect.

This Fox second feature clearly shows it doesn't waste money, but everything about it -- except the script -- is first rate. It has Glenn MacWilliams as cinematographer -- beautiful, sharp, high lighted images -- and some solid talent in the ranks: George Reeves as a suspicious shipboard passenger, Curt Bois as a ship's steward and even Mae Marsh in a sizable role. The story is a mystery, with its curves disguised by Nolan's wise-cracking. In short, it's a fine little B movie.

On the trail of some industrial diamonds that go missing from the safe of his new employers, loved-up but down on his luck detective "Mike Shayne" (Lloyd Nolan) begs and borrows some cash so he can travel on an ocean liner upon which he is sure are the thieves. Pretty soon the presence of "Helen" (Helene Reynolds) arouses his suspicions - she isn't a lady to me messed with, but he also has a new ally in "Juan" (George Reeves) so has hopes of getting to the bottom of what looks increasingly like a Nazi plot. The boat scenario provides plenty for the story: small portholes, foggy decks and even a watertight door add to the mystery. It's ten minutes too long and I found Nolan's portrayal just a little too smug. That's not helped by way too much dialogue throughout and though it does pick up nicely at the end, it's all just a bit too much of the "Lloyd Nolan" show for me.

This entry in 20th Century Fox's Michael Shayne series has Lloyd Nolan working on a case of espionage involving industrial diamonds. The war has eliminated mining them for a while and those we have now are guarded and prized by both us and the bad guys.

With the breezy insouciance typical of his character Nolan follows a lot of false leads and has to bamboozle his put upon girlfriend Mary Beth Hughes for money to follow his trail on an ocean voyage to Honolulu. The trail he's on is that of fashion designer Helene Reynolds.

Nolan also makes a big mistake in assuming something about passenger George Reeves ever the dapper playboy and Curt Bois the ever helpful ship steward.

I didn't particularly like the way the confrontation scene with the chief villain was handled in the end. On the other hand Nolan's final exit as the film closes is pretty funny.

Most entertaining B film from 20th Century Fox.

Diamond smugglers lead detective Michael Shayne to shipboard intrigue and danger.

A lively cast, good production values, and an intriguing mystery, add up to a superior entry in the Michael Shayne series. Lloyd Nolan is so good as the brash detective, injecting real spark into his scenes. Ditto the brassy Hughes as his long-suffering girlfriend. But it's really Superman George Reeves who surprises as the mustachioed bon vivant, O'Hara. He's looser and more charming than I've seen him—no "Man of Steel" here. And I wonder what became of Helene Reynolds who also shows flair, as a shady lady, but appears to have left the business soon after. Too bad.

Anyway, it's a TCF production, which means even B-pictures get quality attention, as the well stocked crowd scenes show. Plus, the suspense part keeps you guessing, like who's trying to drown Shayne and O'Hara aboard ship— a really well thought out and nail-biting sequence. Then too, all the ingredients are wrapped into a neat fast-moving package by director Leeds. In passing-- note how the politics of the diamonds remains curiously unclear. It looks like the movie was produced around Pearl Harbor time, but no mention is made of the Japanese. Instead, Nazi's are mentioned as behind the diamond smuggling, even though America is not yet at war with Hitler. I wonder what the story is here.

Nonetheless, this energetic little programmer still manages a solid degree of entertainment plus.