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7.7/10
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आपकी रेटिंग
एक नए विश्वकोश पर काम करने वाले प्रोफेसरों के एक समूह को एक मुंहफट नाइट क्लब गायक का सामना करना पड़ता है, जो पुलिस द्वारा अपने टोली के मुखिया और प्रेमी को पकडने में मदद करना चाहता है.एक नए विश्वकोश पर काम करने वाले प्रोफेसरों के एक समूह को एक मुंहफट नाइट क्लब गायक का सामना करना पड़ता है, जो पुलिस द्वारा अपने टोली के मुखिया और प्रेमी को पकडने में मदद करना चाहता है.एक नए विश्वकोश पर काम करने वाले प्रोफेसरों के एक समूह को एक मुंहफट नाइट क्लब गायक का सामना करना पड़ता है, जो पुलिस द्वारा अपने टोली के मुखिया और प्रेमी को पकडने में मदद करना चाहता है.
- 4 ऑस्कर के लिए नामांकित
- 4 जीत और कुल 4 नामांकन
Elisha Cook Jr.
- Waiter
- (as Elisha Cook)
फ़ीचर्ड समीक्षाएं
Ball of Fire is a real 'screwball' comedy, and it being directed by Howard Hawks, who made arguably the best one of all (His Girl Friday), ups the stakes just a bit. Not only that, but it was one of Billy Wilder's first projects on a screenplay, and his sharp wit comes through in almost every scene that needs it. And more than that, when the movie needs to be romantic, without any frills, it really is. At the center of the craziness that becomes the story (mostly towards the end and early on and a little in the middle) is a story that we know is formulaic- that a woman who is already attached (if not quite yet hitched) to someone else falls into an unlikely situation with another man and the two suddenly become really close, the man first and then the woman- but its the chemistry between a sexy pre-Double Indemnity Barbara Stanwyck with conservative Gary Cooper.
If, ultimately, it doesn't have the machine-gun energy of His Girl Friday (then again, few movies do), it makes up for it with a fun premise that Hawks and Wilder ride out logically, as far as comedy premises can go. It's about seven professors and their leader professor, played by Cooper, who for years have been writing an encyclopedia and are coming close to the end... except for a snag - slang words. The old guys and intellectuals haven't a clue as to what words like "Boogie" and "sugar-puss" mean, until they get a few people off the street to tell them. That, and a nightclub singer (Stanwyck) on the run from the cops after she gets unwittingly (and unfairly) mixed up in a murder plot with her fiancée. So, she shacks up with Cooper and his fellow profs, and it becomes Snow White and the Seven Dwarfs with the twist that the girl this time is a lot more wily (and tempting) while the men are... old professor types who know almost everything except the human heart.
But Hawks makes twist on his own premise as he goes along, too. We see the natural progression of the plot, of Cooper quickly falling in love with Stanwyck's advances (all fake at first just so she can stay at the house), and then little by little she falls for him too, or at least feels so guilty about what she's doing to see the old geezers as real people instead of obstacles. There are a few key scenes that break the mold of the comedic antics (some of which, like Stanwyck showing the old men how to dance is hilarious and memorable): one is the bachelor dinner between the professors, when the one professor, played by Richard Haydn, talks about his marriage from many years before, and it becomes genuinely tender and sincere, not played for laughs, certainly not when they're all singing the song Gienevive. The other scene is when Cooper walks into the wrong room (thinking it's a professor and not his future wife) and asks for advice about what to do, as he loves her and isn't sure about himself. It's all shot in dark, with a few specific lighting touches, and it's about perfect.
The ensemble is entertaining- from the old men with their various (sometimes interchangeable) personalities, to the film-noir knockoffs playing the henchmen of Joe Lilac- and there are many lines and moments that, upon a repeat viewing, should become even quotable. It could be said that it's slightly dated in some of its approach to tradition vs. the titillating, but it never loses its sense of humor, all the way up to the climax. Oh, and it also happens to feature one of the best nightclub music scenes in the movies, with Gene Krupa and his band doing "Drum Boogie", first in its usual form (a fantastic drum solo at the end), and then a variation on it with Krupa performing the song in a huddle of people with matchsticks on a matchbox. A small masterpiece of music in the middle of very good romantic comedy.
If, ultimately, it doesn't have the machine-gun energy of His Girl Friday (then again, few movies do), it makes up for it with a fun premise that Hawks and Wilder ride out logically, as far as comedy premises can go. It's about seven professors and their leader professor, played by Cooper, who for years have been writing an encyclopedia and are coming close to the end... except for a snag - slang words. The old guys and intellectuals haven't a clue as to what words like "Boogie" and "sugar-puss" mean, until they get a few people off the street to tell them. That, and a nightclub singer (Stanwyck) on the run from the cops after she gets unwittingly (and unfairly) mixed up in a murder plot with her fiancée. So, she shacks up with Cooper and his fellow profs, and it becomes Snow White and the Seven Dwarfs with the twist that the girl this time is a lot more wily (and tempting) while the men are... old professor types who know almost everything except the human heart.
But Hawks makes twist on his own premise as he goes along, too. We see the natural progression of the plot, of Cooper quickly falling in love with Stanwyck's advances (all fake at first just so she can stay at the house), and then little by little she falls for him too, or at least feels so guilty about what she's doing to see the old geezers as real people instead of obstacles. There are a few key scenes that break the mold of the comedic antics (some of which, like Stanwyck showing the old men how to dance is hilarious and memorable): one is the bachelor dinner between the professors, when the one professor, played by Richard Haydn, talks about his marriage from many years before, and it becomes genuinely tender and sincere, not played for laughs, certainly not when they're all singing the song Gienevive. The other scene is when Cooper walks into the wrong room (thinking it's a professor and not his future wife) and asks for advice about what to do, as he loves her and isn't sure about himself. It's all shot in dark, with a few specific lighting touches, and it's about perfect.
The ensemble is entertaining- from the old men with their various (sometimes interchangeable) personalities, to the film-noir knockoffs playing the henchmen of Joe Lilac- and there are many lines and moments that, upon a repeat viewing, should become even quotable. It could be said that it's slightly dated in some of its approach to tradition vs. the titillating, but it never loses its sense of humor, all the way up to the climax. Oh, and it also happens to feature one of the best nightclub music scenes in the movies, with Gene Krupa and his band doing "Drum Boogie", first in its usual form (a fantastic drum solo at the end), and then a variation on it with Krupa performing the song in a huddle of people with matchsticks on a matchbox. A small masterpiece of music in the middle of very good romantic comedy.
This film (remade in 1948 as a musical with Danny Kaye and Virginia Mayo with the title, "A Song Is Born") is a hilarious vehicle for Barbara Stanwyck, who was nominated for Best Actress for her performance here. Anyone who has only seen Ms. Stanwyck in film noir such as "Double Indemnity" or in television's Big Valley should watch this or "Christmas In Connecticut" to see a fine comedic talent at work. She blows Gary Cooper off the screen! Most Recommended.
Snow White elated fable with an early 1940s touch. This modern day Snow White is riddled with lingo commonly spoken by people in early 1940s America. Instead of being a pure and innocent woman as in the original version, this Snow White is a nightclub singer with dubious associations to a known gangster. Also, the character played by Gary Cooper is both Prince Charming and head dwarf rolled into one.
Feels more like a Billy Wilder film than a Howard Hawks feature. This is because of certain characteristics throughout the story like its zanniness which is a fixture of Billy Wilder's comedies. Also includes a satiric element so importantly featured in most of Billy Wilder's directorial work. Skillfully written by Billy Wilder, a filmmaker with a knack for creating humorous situations out of everyday life.
Ball of Fire(1941) is the major blue print for Billy Wilder's late 1950s comedy masterpiece, Some Like It Hot(1959). It deals with someone who has to blend with a crowd she doesn't usually hang out with to avoid trouble which was the basic premise for Some Like It Hot(1959). The plot for Ball of Fire(1941) where Sugarpuss O'Shea finds sanctuary in a male filled world is the perfect opposite of Some Like It Hot(1959) where the two male characters blend in a female dominated band. Sugurpuss O'Shea and the two male characters of Some Like It Hot(1959) are involved in nightclub work though in different jobs.
Barbara Stanwyck is awe striking gorgeous for the part of Sugarpuss O'Shea. She belongs in a long line of beautiful and talented actressess who dazzles the big screen with presence in Howard Hawks films. Barbara Stanwyck in this film is a sensuous kitten and tough thinking woman. A warmup for Stanwyck's most sensual performance on film in Double Indemnity(1944).
No Howard Hawks motion picture(with few exceptions) goes through a story without including some kind of romantic chemistry and romantic conflict. Professor Potts and Sugarpuss O'Shea are opposites personality wise yet connect because of Potts naive but joyful look at life. What wins Sugarpuss's heart is Professor Potts clumsy and gentle nature which is quite a contrast to her gangster boyfriend. The romantic chemistry of the two lacks the hard-boiled edge of the Bogart-Bacall films by Howard Hawks which is a refreshing change here.
The classic screwball comedy that was extremely popular during the decades of the 1930s and 1940s. Ball of Fire(1941) is part of Howard Hawks screwball comedy period when he contributed to the sub genre with comical and witty portrayals of everyday life. Matches the rapid fire dialogue of His Girl Friday(1941) with the sultriness of The Big Sleep(1946). Ball of Fire(1941) puts smiles on faces with priceless moments of laughter.
Sugarpuss O'Shea is a typically strong Hawks female character who overwheims the film's hero with her flamboyant manners. The name Sugarpuss suggests something that is alluring and sweet. The inspiration for the person of Sugarpuss O'Shea was Mistress of Bugsy Siegal, Virginia "Sugar" Hill. Sugarpuss O'Shea bar none is the most alluring female character in a Howard Hawks movie.
Well rounded performances are turned out by the majority of the cast. The actors who play Professor Potts associates excell in their eccentric performances. Nice for a change to see Gary Cooper play a person who is awkward, intellegent, and romantic. Dan Duryea adds a touch of dry comic relief as a gangster thug.
Amusing to see six grown men behave in manners akin to an adolescent the minute Sugarpuss O'Shea walks into their lives. The scenes where Professor Potts goes on the street to learn of some street slang to add to his and associates encyclopedia is a masterstroke in editing. The moment near the end where Potts tells the gangster boyfriend of Sugarpuss to "Put up your dukes" is a hirilous moment in the film. His Girl Friday(1940) is still the best screwball comedy Howard Hawks ever did but Ball of Fire(1941) is a close second.
Ball of Fire(1941) comprises of some fine cinematography by Gregg Toland whose creative eye lended a hand to the monumental camera work of Citizen Kane released during the same year. Early in the nightclub scene is an uncredited cameo by Elisha Cook Jr. Most of the time an excellent film is marked by excellent direction and Ball of Fire(1941) is no exception. Lighthearted and sentlementle romantic comedy that belongs to an era when films were done a certain way.
Feels more like a Billy Wilder film than a Howard Hawks feature. This is because of certain characteristics throughout the story like its zanniness which is a fixture of Billy Wilder's comedies. Also includes a satiric element so importantly featured in most of Billy Wilder's directorial work. Skillfully written by Billy Wilder, a filmmaker with a knack for creating humorous situations out of everyday life.
Ball of Fire(1941) is the major blue print for Billy Wilder's late 1950s comedy masterpiece, Some Like It Hot(1959). It deals with someone who has to blend with a crowd she doesn't usually hang out with to avoid trouble which was the basic premise for Some Like It Hot(1959). The plot for Ball of Fire(1941) where Sugarpuss O'Shea finds sanctuary in a male filled world is the perfect opposite of Some Like It Hot(1959) where the two male characters blend in a female dominated band. Sugurpuss O'Shea and the two male characters of Some Like It Hot(1959) are involved in nightclub work though in different jobs.
Barbara Stanwyck is awe striking gorgeous for the part of Sugarpuss O'Shea. She belongs in a long line of beautiful and talented actressess who dazzles the big screen with presence in Howard Hawks films. Barbara Stanwyck in this film is a sensuous kitten and tough thinking woman. A warmup for Stanwyck's most sensual performance on film in Double Indemnity(1944).
No Howard Hawks motion picture(with few exceptions) goes through a story without including some kind of romantic chemistry and romantic conflict. Professor Potts and Sugarpuss O'Shea are opposites personality wise yet connect because of Potts naive but joyful look at life. What wins Sugarpuss's heart is Professor Potts clumsy and gentle nature which is quite a contrast to her gangster boyfriend. The romantic chemistry of the two lacks the hard-boiled edge of the Bogart-Bacall films by Howard Hawks which is a refreshing change here.
The classic screwball comedy that was extremely popular during the decades of the 1930s and 1940s. Ball of Fire(1941) is part of Howard Hawks screwball comedy period when he contributed to the sub genre with comical and witty portrayals of everyday life. Matches the rapid fire dialogue of His Girl Friday(1941) with the sultriness of The Big Sleep(1946). Ball of Fire(1941) puts smiles on faces with priceless moments of laughter.
Sugarpuss O'Shea is a typically strong Hawks female character who overwheims the film's hero with her flamboyant manners. The name Sugarpuss suggests something that is alluring and sweet. The inspiration for the person of Sugarpuss O'Shea was Mistress of Bugsy Siegal, Virginia "Sugar" Hill. Sugarpuss O'Shea bar none is the most alluring female character in a Howard Hawks movie.
Well rounded performances are turned out by the majority of the cast. The actors who play Professor Potts associates excell in their eccentric performances. Nice for a change to see Gary Cooper play a person who is awkward, intellegent, and romantic. Dan Duryea adds a touch of dry comic relief as a gangster thug.
Amusing to see six grown men behave in manners akin to an adolescent the minute Sugarpuss O'Shea walks into their lives. The scenes where Professor Potts goes on the street to learn of some street slang to add to his and associates encyclopedia is a masterstroke in editing. The moment near the end where Potts tells the gangster boyfriend of Sugarpuss to "Put up your dukes" is a hirilous moment in the film. His Girl Friday(1940) is still the best screwball comedy Howard Hawks ever did but Ball of Fire(1941) is a close second.
Ball of Fire(1941) comprises of some fine cinematography by Gregg Toland whose creative eye lended a hand to the monumental camera work of Citizen Kane released during the same year. Early in the nightclub scene is an uncredited cameo by Elisha Cook Jr. Most of the time an excellent film is marked by excellent direction and Ball of Fire(1941) is no exception. Lighthearted and sentlementle romantic comedy that belongs to an era when films were done a certain way.
Barbara Stanwyck plays a wise-cracking entertainer who moves in with 8 professorial types in "Ball of Fire," a marvelous Billy Wilder film, directed by Howard Hawks, that is loosely based on Snow White and the 7 Dwarfs! Only Wilder could come up with an idea like this and make it shine.
And shine it does. Stanwyck is perfect as Sugarpuss O'Shea, whose boyfriend is a mobster sought after by the police. After a visit by Cooper, whose assignment is slang for the encyclopedia he and the others have been writing for only nine years, she drops in on him late at night, intending to hide out there so the police can't subpoena her testimony. Cooper falls for her while the other, older men develop paternalistic feelings for her.
Stanwyck is gorgeous and gets to show off that fabulous body and great legs as well as her flair for comedy. She's in stark contrast to Cooper as a man who's been in his ivory tower too long. Cooper was one of the handsomest movie stars ever. Tall and gangly, slow-talking, with a boyish smile that lights up his face, it's no wonder the heiress funding the encyclopedia is crazy about him and that Stanwyck finds herself drifting into love with him.
Dana Andrews has a good role as the mobster boyfriend, and one of his sidekicks is the always snarky Dan Duryea. The professors are all terrific. Highly entertaining fare from Billy Wilder, and the last film he ever wrote but didn't direct.
And shine it does. Stanwyck is perfect as Sugarpuss O'Shea, whose boyfriend is a mobster sought after by the police. After a visit by Cooper, whose assignment is slang for the encyclopedia he and the others have been writing for only nine years, she drops in on him late at night, intending to hide out there so the police can't subpoena her testimony. Cooper falls for her while the other, older men develop paternalistic feelings for her.
Stanwyck is gorgeous and gets to show off that fabulous body and great legs as well as her flair for comedy. She's in stark contrast to Cooper as a man who's been in his ivory tower too long. Cooper was one of the handsomest movie stars ever. Tall and gangly, slow-talking, with a boyish smile that lights up his face, it's no wonder the heiress funding the encyclopedia is crazy about him and that Stanwyck finds herself drifting into love with him.
Dana Andrews has a good role as the mobster boyfriend, and one of his sidekicks is the always snarky Dan Duryea. The professors are all terrific. Highly entertaining fare from Billy Wilder, and the last film he ever wrote but didn't direct.
1941 may very well have been Gary Cooper's career year. His film performances that year are among his best, the Oscar winning Sergeant York, Frank Capra's classic Meet John Doe, and this sparking comedy Ball of Fire. However it was Barbara Stanwyck who snagged an Oscar nomination for this film with her portrayal of sassy nightclub singer Sugarpuss O'Shea. Stanwyck lost however to Joan Fontaine in Suspicion.
A whole lot of talent went into the making of this film besides the two leads. Howard Hawks worked from a script by Billy Wilder and his writing partner, Charles Brackett. And Hawks put together a superb list of supporting players including seven of our finest character actors to be Cooper's professorial colleagues, Henry Travers, Leonid Kinskey, Aubrey Mather, Oscar Homolka, S.Z. Sakall, Tully Marshall and making his film debut, Richard Haydn.
These eight cloistered academicians are working off a grant to create some kind of ultimate encyclopedia. Cooper's specialty is the English language. A garbageman played by Allen Jenkins awakens him to a whole generation of new slang terms he hasn't heard. Cooper ventures out into the world and meets a variety of people and hears a whole batch of new expressions. His wanderings take him to a nightclub where he hears Stanwyck singing with Gene Krupa's band.
Stanwyck's just filled with all the new hep jive talk, but she's also ducking a grand jury subpoena to testify against her boy friend, gangster Dana Andrews. She decides a good place to hide might just be the house where all these professors are quartered.
It's quite a mismatch, scholarly and shy Cooper and brazen Stanwyck, In fact Hawks modeled Cooper's Bertram Potts on the character Cary Grant played in Bringing Up Baby which Hawks also directed. Cooper was as successful as Grant in breaking his stereotype though he never quite got the physical comedy down the way Cary did.
Still Ball of Fire is a great big ball of amusement. I'm surprised there hasn't been a remake of this recently. Danny Kaye did a remake called A Song Is Born later in the decade with Kaye being a music professor instead. But I can see the possibilities of a remake here with this group of academicians putting together a Wikipedia like encyclopedia or even an ultimate search engine for the internet like Google.
A whole lot of talent went into the making of this film besides the two leads. Howard Hawks worked from a script by Billy Wilder and his writing partner, Charles Brackett. And Hawks put together a superb list of supporting players including seven of our finest character actors to be Cooper's professorial colleagues, Henry Travers, Leonid Kinskey, Aubrey Mather, Oscar Homolka, S.Z. Sakall, Tully Marshall and making his film debut, Richard Haydn.
These eight cloistered academicians are working off a grant to create some kind of ultimate encyclopedia. Cooper's specialty is the English language. A garbageman played by Allen Jenkins awakens him to a whole generation of new slang terms he hasn't heard. Cooper ventures out into the world and meets a variety of people and hears a whole batch of new expressions. His wanderings take him to a nightclub where he hears Stanwyck singing with Gene Krupa's band.
Stanwyck's just filled with all the new hep jive talk, but she's also ducking a grand jury subpoena to testify against her boy friend, gangster Dana Andrews. She decides a good place to hide might just be the house where all these professors are quartered.
It's quite a mismatch, scholarly and shy Cooper and brazen Stanwyck, In fact Hawks modeled Cooper's Bertram Potts on the character Cary Grant played in Bringing Up Baby which Hawks also directed. Cooper was as successful as Grant in breaking his stereotype though he never quite got the physical comedy down the way Cary did.
Still Ball of Fire is a great big ball of amusement. I'm surprised there hasn't been a remake of this recently. Danny Kaye did a remake called A Song Is Born later in the decade with Kaye being a music professor instead. But I can see the possibilities of a remake here with this group of academicians putting together a Wikipedia like encyclopedia or even an ultimate search engine for the internet like Google.
क्या आपको पता है
- ट्रिवियाKathleen Howard was left with a fractured jaw when the punch that Barbara Stanwyck threw accidentally made contact. Stanwyck was reportedly mortified by the incident.
- गूफ़A cop on the Washington bridge checkpoint says that a professor's driving license was issued in 1903. Driving licenses have existed in the USA only since 1910.
- भाव
Sugarpuss O'Shea: [needing help with a stubborn zipper] You know, I had this happen one night in the middle of my act. I couldn't get a thing off. Was I embarrassed!
- क्रेज़ी क्रेडिटOpening credits prologue: Once upon a time - in 1941 to be exact - there lived in a great, tall forest - called New York - eight men who were writing an encyclopedia.
They were so wise they knew everything: the depth of the oceans, and what makes a glowworm glow, and what tune Nero fiddles while Rome was burning.
But there was one thing about which they knew very little - as you will see . . .
- कनेक्शनEdited into Histoire(s) du cinéma: Une histoire seule (1989)
- साउंडट्रैकSweet Genevieve
(1869) (uncredited)
Music by Henry Tucker
Lyrics by George Cooper
Performed a cappella by the professors
टॉप पसंद
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- Bola de fuego
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