अपनी भाषा में प्लॉट जोड़ेंA globe-trotting married reporter pursuing women abroad learns his wife is leaving him for someone else. As he rushes home to save his marriage, a woman from Lisbon follows him.A globe-trotting married reporter pursuing women abroad learns his wife is leaving him for someone else. As he rushes home to save his marriage, a woman from Lisbon follows him.A globe-trotting married reporter pursuing women abroad learns his wife is leaving him for someone else. As he rushes home to save his marriage, a woman from Lisbon follows him.
- निर्देशक
- लेखक
- स्टार
Irene Coleman
- Barmaid
- (काटे गए सीन)
फ़ीचर्ड समीक्षाएं
This is a late and modest entry into the screwball comedy genre. As such, all the performers are frenetic, histrionic, and act in broad, bold strokes. Performers falling into water is a running joke. There is no dry humor in this film. Unfortunately, no good lines either; it has a script of shtick patched together from older and better comedies.
But the other woman here acts as an intelligent person and has a natural manner. Since it is Rita Hayworth herself, she is naturally beautiful. It suggests a script writers dilemma: other woman has to be less desirable than the female lead, but they have to be desirable enough for the male lead to be attracted by them. In this movie, Rita Hayworth is so much more appealing in every way than Merle Oberon that it renders the plot silly.
The racial stereotypes are prominent here, with Hattie MacDanial and Butter McQueen doing routines they could have done in their sleep. Had they had sharp,incisive funny lines, we might have had a guilty laugh or two from these offensive stereotypes. As they were simply stereotypes to laugh at, it is now only offensive.
But the other woman here acts as an intelligent person and has a natural manner. Since it is Rita Hayworth herself, she is naturally beautiful. It suggests a script writers dilemma: other woman has to be less desirable than the female lead, but they have to be desirable enough for the male lead to be attracted by them. In this movie, Rita Hayworth is so much more appealing in every way than Merle Oberon that it renders the plot silly.
The racial stereotypes are prominent here, with Hattie MacDanial and Butter McQueen doing routines they could have done in their sleep. Had they had sharp,incisive funny lines, we might have had a guilty laugh or two from these offensive stereotypes. As they were simply stereotypes to laugh at, it is now only offensive.
Richard Mayberry is a world traveling newspaper reporter, who plays around with lots of women, excepting his own wife, who has to stay at home. He's in Lisbon, trying to mess around with lady reporter Irene Malcolm, and she's all for it: but she's like him to leave his wife first.
Meanwhile, his wife Sue has meet "Mr. Wright," literally, and she's about to divorce her husband. Lot of fluffy misunderstandings, misappointments and misdeals follow, as Richard tries to either make his wife jealous with Irene, or tries to foist Irene off on Owen Wright.
You have to watch it to find out what happens, but there is certainly a fair amount of screwball comedy along the way to finding out!
Meanwhile, his wife Sue has meet "Mr. Wright," literally, and she's about to divorce her husband. Lot of fluffy misunderstandings, misappointments and misdeals follow, as Richard tries to either make his wife jealous with Irene, or tries to foist Irene off on Owen Wright.
You have to watch it to find out what happens, but there is certainly a fair amount of screwball comedy along the way to finding out!
Dennis Morgan, Merle Oberon, Rita Hayworth, and Ralph Bellamy are "Affectionately Yours" in this 1941 comedy. Morgan is a newspaper reporter who travels constantly.
His current amour is Malcolm (Hayworth), and he gives her the same story he's given all of them - his wife (Oberon) won't divorce him.
However, he receives a telegram stating that she has, and he panics. He rushes home to New York, with Malcolm right behind him, and tries to woo her back. She's planning to marry Mr. Wright (Bellamy), who is more than disturbed by the fact that she still seems interested in her husband.
This is a fairly trite comedy with some very funny slapstick and, of course, two of the screen's most beautiful women, Oberon and Hayworth.
This film was made just before Hayworth broke through into big stardom, and she's delicious. She has the best role in the film. It always amuses me to see her so vivacious and talkative on screen.
According to one of her biographers, when the kids from the old neighborhood saw her on screen for the first time, they were shocked at how much she was talking. She never talked as a young girl.
Though she didn't really like movie stardom, the screen was where she could let herself go and be someone else. Morgan is attractive and just right as the errant husband.
Bellamy is in his usual role as the man who doesn't get the girl, and he does beleaguered very well.
Oberon lends sophistication and class to the film. Someone commented here that she looked plump. I don't know what they're talking about.
This is a good movie to see for the stars. The story isn't much.
His current amour is Malcolm (Hayworth), and he gives her the same story he's given all of them - his wife (Oberon) won't divorce him.
However, he receives a telegram stating that she has, and he panics. He rushes home to New York, with Malcolm right behind him, and tries to woo her back. She's planning to marry Mr. Wright (Bellamy), who is more than disturbed by the fact that she still seems interested in her husband.
This is a fairly trite comedy with some very funny slapstick and, of course, two of the screen's most beautiful women, Oberon and Hayworth.
This film was made just before Hayworth broke through into big stardom, and she's delicious. She has the best role in the film. It always amuses me to see her so vivacious and talkative on screen.
According to one of her biographers, when the kids from the old neighborhood saw her on screen for the first time, they were shocked at how much she was talking. She never talked as a young girl.
Though she didn't really like movie stardom, the screen was where she could let herself go and be someone else. Morgan is attractive and just right as the errant husband.
Bellamy is in his usual role as the man who doesn't get the girl, and he does beleaguered very well.
Oberon lends sophistication and class to the film. Someone commented here that she looked plump. I don't know what they're talking about.
This is a good movie to see for the stars. The story isn't much.
I absolutely loved this story!Rita Hayworth,Merle Oberon and Dennis Morgan are energetic and entertaining throughout this whole film.Ralph Bellamy doesn't get the girl,but he's great anyway.Merle Oberon once commented that she thought this movie "was a real dud..I hate it!"She conceded that her children did like it.I thought it was wonderful and I love when Dennis ties Merle's foot to something on the pier and after struggling to get away...can't budge!She falls over into the water and catches a cold...which leads to Morgan and Bellamy arguing over who gets Merle.You'll have to watch this film to find out what happens!
For me the brightest spots of this movie are Rita Hayworth and Dennis Morgan. The love triangle, which also includes Merle Oberon, is complicated by interference from Ralph Bellamy and others (at times it's difficult to be sure whose side Rita is on.) Standing by are Hattie McDaniel and Butterfly McQueen, who are rooting for Morgan all the way. The backdrop of the newspaper business - as well as the presence of Ralph Bellamy - reminds one slightly of "His Girl Friday." Not a terrifically funny comedy, but worthwhile, especially for fans of any of the cast members.
क्या आपको पता है
- ट्रिवियाWarner Bros. technicians duplicated a Boeing 314 Clipper in order to match studio shots with those filmed on location at Lisbon and LaGuardia airports. Boeing built only 12 of these airplanes from 1938 to 1941.
- गूफ़When Rickey goes into the hotel bathroom and closes the door, the key is on his side but yet he's locked in from the other side. When he leaves the bathroom, the key is back on the other side.
- भाव
Owen Wright: You certainly are intuitive.
Sue Mayberry: You certainly are transparent.
- कनेक्शनFeatured in Of Black America: Black History: Lost, Stolen or Strayed (1968)
- साउंडट्रैकHungarian Dance No. 6
(1869) (uncredited)
Written by Johannes Brahms
Played by the orchestra at the Lisbon Cafe
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- चलने की अवधि
- 1 घं 28 मि(88 min)
- रंग
- पक्ष अनुपात
- 1.37 : 1
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें