Young Tom Edison

MGM opens the first film in the studio's Edison biography project by promising, "This is a story of courage. The courage and triumph of a typical American boy. In all its essential facts, it is a true story. The boy actually did experience the adventures - the joys and sorrows portrayed here. His name might have been John Jones or Bill Smith. It happened to be Thomas A. Edison."

Mickey Rooney plays "Young Tom Edison", and the movie ends with a cameo appearance by Spencer Tracy, star of "Edison, the Man" (released shortly). They weren't much like Thomas Edison or each other, but Mr. Rooney and Mr. Tracy were the #1 and #2 "Box Office" stars of 1940, according to Quigley Publications - so, these films were both very well-produced.

"Young Tom Edison" focuses on the Edison family (who disappear for the Tracy film): likewise precocious little sister Virginia Weidler (as Tannie), misunderstanding father George Bancroft (as Sam), and mysteriously ailing mother Fay Bainter (as Nancy). Rooney's adversary is "Dead End Kid" Bobby Jordan (as Joseph "Joe" Dingle), who gets repeatedly gets kicked in the shins.

In the strangest scene, Ms. Bainter pretends to take over the beating of her sixteen-year-old son while his proud father listens to Rooney's painful cries. Later, gravel-voiced train conductor Eugene Palette (as Nelson) smacks Rooney so hard he develops an earache. Doctor Lloyd Corrigan says, "Sometimes there's nothing like a good box in the ears to sharpen a boy's senses."

Edison subsequently suffered from deafness.

***** Young Tom Edison (2/10/40) Norman Taurog ~ Mickey Rooney, Virginia Weidler, Fay Bainter, George Bancroft

Captivating Americana based on the boyhood of the famed inventor, played here by Mickey Rooney, who is kicked out of school for his intense inquisitiveness - and his habit of staring out the window, and that big explosion - is branded "addle-pated" by the townsfolk, but ultimately comes good. Rooney's stock persona was as a brash, cartoonish know-it- all who gets a lesson in humility (at which point he starts crying and saying sorry), but his best performances came when he was asked to calm down and actually act, doing extraordinary work in The Human Comedy and National Velvet. He's superb here - using slightly broader strokes than in those seminal later performances - and surrounded by a cast of top character actors, including Virginia Weidler as his affectionate sister, Fay Bainter as his protective mother and George Bancroft as a stern patriarch with impressive sideburns but an unfortunate propensity to ignore his son's protestations of innocence. It's a wonderfully-mounted production, with a literate script that mixes things that actually happened, things you wish had happened and MGM staples like the family sing-along. And it climaxes with two extraordinary, unbearably tense suspense sequences. If you're a cynic, just don't bother. For everyone else, this is a rosy primer on Edison's early years and a poignant, exciting and flavourful example of MGM at its absolute best.

Like most people, I have always been an admirer of Thomas Alva Edison, probably the most prolific inventor of all time. But as I watched the movie, I wondered how much of it was fabricated. According to the world book encyclopedia, pretty much all of the incidents depicted in the movie happened, although some of the time frames were changed to allow Mickey Rooney to play the part throughout the film. And Rooney, always a very underrated actor, is terrific. With very good support from Fay Bainter, Virginia Weidler and George Bancroft as members of Edison's family, this is a film easily enjoyed by everyone. And look for a cameo by Spencer Tracy, who already had been cast in the sequel, "Edison, the Man (1940)," which was in production when this film was released.

YOUNG TOM EDISON (Metro-Goldwyn-Mayer, 1940), directed by Norman Taurog, is an fact-based screen retelling of the boyhood years of one of the true greats in American history, Thomas Edison. As suggested by its opening passage, "This is a story of courage, the courage and triumph of a typical American boy. In all its essential facts, it is a true story. The boy actually did experience the adventures - the joys and sorrows portrayed here. His name might have been John Jones or Bill Smith. It happens to be Thomas Alva Edison." Rather than relying on sources covering Edison's entire life from birth in Milan, Ohio (1847) to death (1931), the screenplay, consisting of material by Harlan Dowry, which often plays like segments listed from Mark Twain's beloved character, "Tom Sawyer," the story as scripted deals mostly with Tom Edison of Port Huron, Michigan, a boy genius and the early life as he lived it.

While the screenplay does toy a bit about the facts, overlooking the Edisons having seven children with Tom being the youngest, the narrative introduces Samuel Edison (George Bancroft), a hard-working husband; Nancy (Fay Bainter), his wife and former schoolteacher in Canada; Bill (John Kellogg), his elder son whose character is least interesting and under developed; Tannie (Virginia Weidler), the youngest daughter; while young Tom Edison (Mickey Rooney) is portrayed as the middle child While Tom is portrayed as a misunderstood 16-year-old who's irresponsible and accident prone, it's his love for science that actually stands in the way him having a normal childhood. Tom may be different from the other children but is very special in the eyes of both his mother and sister. Then there's Mr. Edison who not only constantly tells Tom, "Take your hands out of your pockets," but fails to find time and patience to accept him for what he is. Classified as slow and stupid by his spinster schoolteacher (Eily Malyon), Tom's also the laughing stock by most, especially his classmates, namely Joe Dingle (Bobby Jordan), a school bully and son of a local hardware store owner (Victor Kilian). Portions of the story depict Tom's heroism by saving the life of a station master's (J.M. Kerrigan) little boy (Richard Nichols) from an oncoming train; Tom earning a living by selling candy and newspapers on a train under Mr. Nelson (Eugene Palette), the conductor; Tom having to carefully dispose of nitroglycerin on a train full of people; and his expert knowledge sending messages through Morse Code. Because of situations beyond his control, Tom loses both job and respect from those around him, causing him to believe those accusations made against him.

As much as these episodic situations take place during the course of a few years, it gives every indication of it set during the course of a few weeks. Whether the screenplay is true or not, whether Rooney physically resembles Tom Edison or not really doesn't matter much for that YOUNG TOM EDISON is a great film. Once seen, its hard to forget these standout scenes: the development of Tom's inventive mind brought forth by some clever devises; tender moments of family togetherness as the Edison's gather around the piano singing to the much underscored "Sweet Genevieve"; Tom finger rolling his right eye-brow while coming up with a positive solution; Mrs. Edison's motherly advice to her son as any mother could; Tom's despair while walking aimlessly through the rain as he hears in his mind voices of laughter and ridicule following his pleading with local business owners to give him a job; plus the climactic race against time segment as Tom makes every effort to save an oncoming train from danger through some ingenious plan.

Aside from Rooney's excellent portrayal, Fay Bainter stands out most as the understanding mother while Virginia Weidler gives an unforgettable performance playing Tom's younger sister who repeatedly tells him with amazement, "Gosh, you're smart." George Bancroft with mustache and sideburns should not go without mention playing the stern father. Humor, sentiment and moral lessons in the tradition of Tom Sawyer are thrown in on few occasions, the best being where Tom Edison tricks his way from taking his overshoes and muffler on to his next ventures. With apple pie and milk being his favorite meal simply shows young Tom Edison the all-American boy with a bright future of great inventions ahead of him.

When YOUNG TOM EDISON played regularly on commercial television prior to the 1980s cable TV generation, usually on Edison's birthday, February 11th, the promotional announcement presented after the film's closing showing Spencer Tracy in forefront of Thomas Edison's portrait as narrator talks about an upcoming sequel, EDISON, THE MAN (1940), was usually omitted. Not until its broadcasts on Turner Classic Movies has this final segment been restored in both 1991 home video distribution and later DVD presentations. Thanks to films such as these does the name and legend of Thomas Alva Edison live on. (****)

Mickey Rooney stars as the teenaged Thomas Edison in this wonderfully entertaining MGM biopic. The movie covers the young inventor's struggles to fit in with a town full of people who don't understand him. He makes mistakes but proves his worth and ultimately becomes a hero.

Rooney is his usual likable self. He tones his high energy down some and shows his dramatic skills. He really was a phenomenal star and a great actor. Superb supporting cast includes Fay Bainter and George Bancroft as Edison's parents, Virginia Weidler as his sister, and Eugene Palette as a railroad conductor. I really like the MGM sets and the 19th century American style. Lovely music, pleasant tone, and good cast. Script is a nice mix of humor, drama, and action.

This is the first of two MGM biopics of Edison released in 1940. The other is Edison, the Man starring Spencer Tracy. That movie covers Edison's adult years so it's like a sequel to this picture. Both are excellent. These old biopics were usually solid, uplifting character-driven stories. Yes they take liberties with the details but the more cynical defamatory biopics we get these days do the same. I'll take an inspirational biography that builds people up and leaves you with the warm fuzzies over some deconstructionist tabloid trash any day.