Young Tom Edison

This is a good family movie. Young Tom Edison stars Mickey Rooney. Mickey Rooney's character seem little different than Andy Hardy in his Andy Hardy flicks. Young Tom Edison is probably best enjoyed in the afternoon with the family. It depicts a mischievous young Thomas Edison, the wizard of Menlo Park, as a curious youngster getting into trouble because of his curiosity and boyhood charm. Parents need to realize that their young children, although mischievous, might grow up to be a real genius, inventor, or provide humanity something important to use. The children might realize that anything is still possible in their life, although they might have a rocky start. True curiosity is the most important step in order to do anything important. Unfortunately, the film is in black and white, which was standard in the 40s. Maybe, it should be redone in color. Enjoy and pop some popcorn.

Captivating Americana based on the boyhood of the famed inventor, played here by Mickey Rooney, who is kicked out of school for his intense inquisitiveness - and his habit of staring out the window, and that big explosion - is branded "addle-pated" by the townsfolk, but ultimately comes good. Rooney's stock persona was as a brash, cartoonish know-it- all who gets a lesson in humility (at which point he starts crying and saying sorry), but his best performances came when he was asked to calm down and actually act, doing extraordinary work in The Human Comedy and National Velvet. He's superb here - using slightly broader strokes than in those seminal later performances - and surrounded by a cast of top character actors, including Virginia Weidler as his affectionate sister, Fay Bainter as his protective mother and George Bancroft as a stern patriarch with impressive sideburns but an unfortunate propensity to ignore his son's protestations of innocence. It's a wonderfully-mounted production, with a literate script that mixes things that actually happened, things you wish had happened and MGM staples like the family sing-along. And it climaxes with two extraordinary, unbearably tense suspense sequences. If you're a cynic, just don't bother. For everyone else, this is a rosy primer on Edison's early years and a poignant, exciting and flavourful example of MGM at its absolute best.

YOUNG TOM EDISON (Metro-Goldwyn-Mayer, 1940), directed by Norman Taurog, is an fact-based screen retelling of the boyhood years of one of the true greats in American history, Thomas Edison. As suggested by its opening passage, "This is a story of courage, the courage and triumph of a typical American boy. In all its essential facts, it is a true story. The boy actually did experience the adventures - the joys and sorrows portrayed here. His name might have been John Jones or Bill Smith. It happens to be Thomas Alva Edison." Rather than relying on sources covering Edison's entire life from birth in Milan, Ohio (1847) to death (1931), the screenplay, consisting of material by Harlan Dowry, which often plays like segments listed from Mark Twain's beloved character, "Tom Sawyer," the story as scripted deals mostly with Tom Edison of Port Huron, Michigan, a boy genius and the early life as he lived it.

While the screenplay does toy a bit about the facts, overlooking the Edisons having seven children with Tom being the youngest, the narrative introduces Samuel Edison (George Bancroft), a hard-working husband; Nancy (Fay Bainter), his wife and former schoolteacher in Canada; Bill (John Kellogg), his elder son whose character is least interesting and under developed; Tannie (Virginia Weidler), the youngest daughter; while young Tom Edison (Mickey Rooney) is portrayed as the middle child While Tom is portrayed as a misunderstood 16-year-old who's irresponsible and accident prone, it's his love for science that actually stands in the way him having a normal childhood. Tom may be different from the other children but is very special in the eyes of both his mother and sister. Then there's Mr. Edison who not only constantly tells Tom, "Take your hands out of your pockets," but fails to find time and patience to accept him for what he is. Classified as slow and stupid by his spinster schoolteacher (Eily Malyon), Tom's also the laughing stock by most, especially his classmates, namely Joe Dingle (Bobby Jordan), a school bully and son of a local hardware store owner (Victor Kilian). Portions of the story depict Tom's heroism by saving the life of a station master's (J.M. Kerrigan) little boy (Richard Nichols) from an oncoming train; Tom earning a living by selling candy and newspapers on a train under Mr. Nelson (Eugene Palette), the conductor; Tom having to carefully dispose of nitroglycerin on a train full of people; and his expert knowledge sending messages through Morse Code. Because of situations beyond his control, Tom loses both job and respect from those around him, causing him to believe those accusations made against him.

As much as these episodic situations take place during the course of a few years, it gives every indication of it set during the course of a few weeks. Whether the screenplay is true or not, whether Rooney physically resembles Tom Edison or not really doesn't matter much for that YOUNG TOM EDISON is a great film. Once seen, its hard to forget these standout scenes: the development of Tom's inventive mind brought forth by some clever devises; tender moments of family togetherness as the Edison's gather around the piano singing to the much underscored "Sweet Genevieve"; Tom finger rolling his right eye-brow while coming up with a positive solution; Mrs. Edison's motherly advice to her son as any mother could; Tom's despair while walking aimlessly through the rain as he hears in his mind voices of laughter and ridicule following his pleading with local business owners to give him a job; plus the climactic race against time segment as Tom makes every effort to save an oncoming train from danger through some ingenious plan.

Aside from Rooney's excellent portrayal, Fay Bainter stands out most as the understanding mother while Virginia Weidler gives an unforgettable performance playing Tom's younger sister who repeatedly tells him with amazement, "Gosh, you're smart." George Bancroft with mustache and sideburns should not go without mention playing the stern father. Humor, sentiment and moral lessons in the tradition of Tom Sawyer are thrown in on few occasions, the best being where Tom Edison tricks his way from taking his overshoes and muffler on to his next ventures. With apple pie and milk being his favorite meal simply shows young Tom Edison the all-American boy with a bright future of great inventions ahead of him.

When YOUNG TOM EDISON played regularly on commercial television prior to the 1980s cable TV generation, usually on Edison's birthday, February 11th, the promotional announcement presented after the film's closing showing Spencer Tracy in forefront of Thomas Edison's portrait as narrator talks about an upcoming sequel, EDISON, THE MAN (1940), was usually omitted. Not until its broadcasts on Turner Classic Movies has this final segment been restored in both 1991 home video distribution and later DVD presentations. Thanks to films such as these does the name and legend of Thomas Alva Edison live on. (****)

This movie is a biopic about the young years of famous inventor and movie-making pioneer Thomas Alva Edison but above all this movie is an entertaining one to watch.

The movie could had also be easily named "The Adventures of Young Tom Edison", since the movie itself is quite adventurous, with young Tom Edison embarking on some adventurous dealings in the normal world and in his own world of inventing and experimenting.

It above all is a movie that at all times entertains, with also some comical characters in it and some fun typical comedy dealings. Guess its also insightful about the early years of Thomas Edison's life, though its hard to tell how much in this movie actually also occurred in real life. Some things are certainly hard to believe and obviously fabricated for the movie, to also make it more fun and tense. This is really not a bad things, since it definitely improves the movie so much. I'm sure the movie would had been really boring and simplistic if it was done in a completely serious dramatic kind of biopic style. It's entertainment value is mostly what makes this movie such a great watch.

It's a typical '40's movie, made in typical '40's movie style, with typical '40's way of story-telling, typical '40's kind of characters, typical '40's kind of humor and a typical '40's musical score. Needless to say, fans of '40's movie shall probably enjoy the most watching this movie.

Mickey Rooney fits the role really well, even though he at the time was already much older than the character in the movie was supposed to be. He carries the movie mostly and handles everything in it very well. He especially seems at ease with the comical aspects in the movie. Other child-star Virginia Weidler also plays a good role. The parents of Tom Edison are also portrayed nicely by Fay Bainter and George Bancroft. The movie provides a good view of the home situation which also definitely helps to make the more dramatic and serious aspects of the movie work out.

The movie is followed by "Edison, the Man", starring Spencer Tracy in the role of Thomas Edison, who also makes a cameo at the end of this movie, to prepare- and get viewers to the theater for its sequel. An in-movie teaser trailer!

A really greatly made and entertaining movie to watch! Very recommendable.

8/10

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This was always a favorite of mine when I would see it on television many years ago but I had forgotten how good a film it still is. I just saw it today on TCM and I have to say something about this under-appreciated gem. The cast is a terrific ensemble of filmdom's great character actors such as George Bancroft who appears in countless films, among them Stagecoach. He plays Tom's father with great heart and finally when he realizes who is son really is, they share a heartwarming thumping of the town's most obnoxious father, son pairing. Virginia Weidler is very good as Tom's sister. Another of Hollywood's most talented children, she appeared frequently with Mickey and Judy and also had a high profile role in The Philadelphia story.

Fay Bainter has one of her best roles ever as Tom's mother, easily worthy of an academy nod. While the story may not resemble reality, it communicates some very important human truths about family. This film is every bit as good as The Yearling and should be considered a must for family viewing.