Wagon Train

The scenery and the camera-work of the scenery in this film are spectacular. The lost art of outdoor western camera work is remarkably well featured in this b-western and is worth watching. "Majestic" is the only word that can describe some of the scenes.

Tim Holt is stalwart and believable as a wagon train leader, Martha O'Driscoll is incredibly pretty, young and fetching in the role of an eastern girl gone west. All of the cast does a fine job.

Wagons and a stagecoach are expertly handled (another lost art?) in the Utah country, not just on graded back lot roads.

Authentic-looking in many ways, fast paced, this film is a winner.

As RKO's B picture cowboy hero, Tim Holt was really coming into his own when he did Wagon Train. In fact the film has a nice A picture look to it.

Villain of this film is veteran western actor Cliff Clark who had Tim's father killed. Clark is a skinflint merchant of the worst kind. He has gunmen on his payroll to make sure he sells the only food supplies for miles around for the ranchers and farmers. When Tim's father protested Clark had him killed.

The father was a rival merchant and former partner. Now Tim is taking a wagon train through with intentions of starting his own business again. He has to deal with Clark's outlaws and hostile Indians.

Holt was always a no nonsense western hero and in the tradition of the time as established by Hopalong Cassidy and the Three Mesquiteers has two sidekicks, Emmett Lynn and Ray Whitley.

The post World War II Holt usually had no romances as his sidekick then was Chito Rafferty. Here Martha O'Driscoll is the leading lady and their scenes look real.

RKO spent a bundle for location shooting instead of stock footage and it showed. Wagon Train is a nicely packaged Tim Holt western.

Nothing especially dramatic or compelling here. A formulaic and predictable western with a meandering script and a distinct lack of character development, this picture tells its story and is over in an hour. It is loaded with non-sequiturs and loose ends which leaves the viewer scratching his head.

Nevertheless, the leads are attractive. Tim Holt gives a stalwart performance and Martha O'Driscoll is very pretty but is not given much to do. This is the sort of movie I probably would have liked a long time ago when I was a kid and didn't ask many questions. The action scenes were good and the second unit stuff was even better.

This picture was on TCM the other morning. It was a time-killer but did not break any new ground as far as the western genre is concerned. The kids won't notice, though.

One of the best B westerns I've ever seen. Original and intelligent script, solid acting, great scenery and production values not normally found in this type of movie. Scene with wagons racing across the valley is spectacular and does not appear to be stock footage (though I could be wrong). Tim Holt westerns, particularly those from the early 40s, usually exceeded the normal standards for series westerns, but Wagon Train is in a class by itself. Truly a great movie of it's type.

Other reviewers have rehearsed the plot of Edward Killy's RKO B-Movie from 1940, so there is no need to tread over familiar ground. What is perhaps more intriguing is the way the film rehearses several themes characteristic of the western, which might tell us something about the way America viewed itself at that time. The film is awash with movement: the wagon train traveling across the plains, accompanied by riders; the perpetual threat of the bad guys wanting to stop the train; coupled with the subplot about a community's livelihood being threatened should vital food supplies not arrive. This draws attention to the idea of the pioneer spirit; the fact that, as a young country, the United States is perpetually looking to expand itself; it is never satisfied with staying n one place. WAGON TRAIN also embodies racial attitudes characteristic of that time: all the characters are Euros, save for one Mexican (Julian Rivero) who assumes a peripheral role as he is s seen entering the general store trying to buy some beans for his family. He cannot afford the exorbitant price; and hence throws them back in the seller's face. Native Americans are represented as savage; they destroy one settlement; and it is only because of our hero Zack Sibley's (Tim Holt's) cleverness that they allow him and his followers to pass through their territory unscathed. By contrast the 'good' white Euros are represented as strong yet fair, believing in the importance of group identity as a means to survive in an inhospitable landscape. The film packs a lot into its sixty-minute running time; comedy, adventure, even two songs (with music by Paul Sawtell). Not particularly memorable, perhaps, but an interesting historical document.